| | Journey Generations CD Journey Discography of CDs
 (29 Customer Reviews)
From their fledgling fusion records to blockbuster stadium AOR, Journey has weathered musical trends as well as the scorn of fickle music critics. It is apropos that in 2005, GENERATIONS marks the band's 30th year. Since joining in 1998, lead vocalist Steve Augeri has risen to the challenge of filling Steve Perry's shoes. The Brooklyn native puts his own unique stamp on the group's sound while still honoring the Journey tradition, best evidenced on "Faith In The Heartland" and "The Place In Your Heart."
GENERATIONS presents songs sung by each member, with keyboardist Jonathan Cain tackling the title track. Bassist Ross Valory sneers through the blazing Texas boogie of "Gone Crazy," while Neal Schon offers up "In Self-Defense." Most surprising is drummer Deen Castronovo, whose voice on "A Better Life" and "Never Too Late" is a near dead-ringer for a young Steve Perry.
Journey (Rock): Neal Schon (vocals, guitar); Jonathan Cain (vocals, keyboards); Ross Valory (vocals, electric bass); Deen Castronovo (vocals, drums); Steve Augeri (vocals).
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Journey Generations Songs Generations Music Review Average Rating: (3.2 out of 5 stars)   List All Reviews Where did Journey go??
I love Journey but I could barely get through this cd. Just not the same without Steve Perry.
Submitted by Ronn (Columbus, Ohio) 
Was This Review Helpful? Yes No 1 of 1 found this helpful.
 GOOD BUT NO THE BEST
IS A GOOD ALBUM WITH THE ETERNAL SOUND OF THE ORIGINAL JOURNEY, BUT AT LEAST TO ME IS USELESS THE SONG WITH VALORY OR CASTRONOVO,BUT THE GUITAR SOUND OF NEAL SCHON, THAT IS WHAT REALLY RESCUE THE ALBUM.
Submitted by nahumhernandez75 (MEXICO CITY)
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Good
This album is not the best journey´s record but is not the worst, The guys wanted to return of the beganing era but to be honest with you i do miss Steve Pearry, He is Journey´s Voice, unless Steve Augeri is a great singer and good songwriter.
i´m not recomend this cd.
Submitted by ascanderkiss (Carcas)
Was This Review Helpful? Yes No pretty decent
All the songs are pretty good sound quality.I really like the two songs sung by Deen "a better life" & "never too late". "faith in the heartland" also rocks.. as does " believe" and "better together". definitely worth listening too.
Submitted by Sylvester01905 (bostonm,ma)
Was This Review Helpful? Yes No Finally A True Rockin' Journey Album
I've been a Jouney fan since the late 70's and besides a few POP mega hits each album since Infinity gets a little worse. However, this album rocks!
Schon and Cain encouraged all the guys to sing and submit songs they liked. I think this is the freshest album they have ever done. Some Journey fans should be happy since Augeri finally finds his own voice in the band and stops trying to sound like Perry. The first 4 tracks are a little over produced. Perry power vocal arrangement fans will like tracks 6-8, and 12-13 all sung by Augeri and Castronovo. Valory even rocks out for the first time on "Gone Crazy". It's a bad song just fun to listen to.
I bought this album at first sample listen and am still enjoying it a year later. If you like the Journey sound (not just Perry era songs) you will love this album. Buy it!
Submitted by york7462 (Nashville, TN, USA)
Was This Review Helpful? Yes No List All Reviews | Have you heard this album? |  |
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While the Masked Marauders were not a novelty band per se, they were indeed a fabrication of music-industry insiders who decided to see how far they could take a practical joke. The Complete Deity Recordings gathers the nine tracks from the band's self-titled debut long-player, as well as the mono versions of "Cow Pie" and "I Can't Get No Nookie" as used on the 45 rpm. The hoax commenced with a fake album review by Greil Marcus under the pseudonym of T.M. Christian. The review -- which ran in Rolling Stone magazine -- purported these Marauders were in actuality a supergroup consisting of Mick Jagger, Paul McCartney, John Lennon, Bob Dylan, and George Harrison, and produced by Al Kooper. Taking the gag a step further was the very real Berkeley-based Cleanliness and Godliness Skiffle Band -- who were friends of Marcus -- as well as Vic Smith and Anna Rizzo. The congregation gathered in a makeshift garage studio under the auspices of recording songs to image the tracks depicted in the review. Once recorded, an album was constructed and issued on Deity Records -- a vanity label concocted as part of the prank. Quite frankly, the Masked Marauders do not have that much to offer musically. There is certainly no new ground being broken, provoking the following comment from Masked Marauder keyboardist/backing vocalist Langdon Winner: ...
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This issue of the metalist's magnum opus features the bonus track "Triumph Of Defeat," as well "Adyta," "Cry For The Moon," "Feint," the title cut, and six more.
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Light, ethereal, and sometimes quite charming, this album features Kevin House using various keyboards and backbeats to create a tender series of tracks which have a certain Beck quality to each other them. Whether or not it is the Casio-driven eeriness that greets the listener on "Stories Without Words," the muddled vocals and monotone-meets-spoken word delivery sounds like Lou Reed covering a song by the Handsome Family. "Twilight in the Wilderness" has folksy, singer/songwriter traits with House creating a subtle yet inviting mood thanks to the theremin in use. "Black Smoke Rising" doesn't quite have the same effect though and is a bare-bones Bruce Cockburn-ish tune with little sense of pizzazz. He compensates for it with the haunting "I Don't Believe in You," with a piano and trumpet heard in the jazz-tinted cover of the Talk Talk tune. This Cockburn influence is obvious on the delightful pop-folk of "Rise Up" with its soothing closing refrain. The dark thread though that makes this album work is found in the spooky, sparse, and hushed narrative "Waltzing With the Hellhound." Samantha Parton's accompanying harmonies are also quite special on this song. Unfortunately the vocoder-like vocals on "Down to the Wire" takes any precious quality out of the arrangement. The album's masterpiece is the delicious "Let Me Out," which doesn't reinvent anything but is one of the better folk songs you'll hear. The melancholic pop of "Disappearing Girl" is basically icing on the cake. ~ Jason MacNeil
Impressionistic, soulful, with vivid metaphors, Kevin House's songs are intimate, ornate; burnished with beautiful melodies that stay with you.Gutter Pastoral, his debut album, is a dinner party where lyrical poetry, and hushed mournful music are the main course. Spooky little fairy tales are what engineer Gord Nichol said while in the process of recording the album - featuring guest musicians Samantha Parton (The Be Good Tanyas), trumpet player JP Carter (Millenium Project), upright bass player Russell Sholberg (Tony Wilson Quintet), saw player Enzo Garcia (Jolie Holland), and pianist Mike Derrick (Radiogram).At times ...
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