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| | | Traces De Lumiere: "Fes" Festival Of World Sacred Music CD - ImportVarious Artists : | Traces De Lumiere: "Fes" Festival Of World Sacred Music Music Traces De Lumiere: "Fes" Festival Of World Sacred Music Songs Purchase Traces De Lumiere: "Fes" Festival Of World Sacred Music CD To buy, Click on price to add to cart | | Also Bought |
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Traces De Lumiere: "Fes" Festival Of World Sacred Music album
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Traces De Lumiere: "Fes" Festival Of World Sacred Music CD music
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| | Tinariwen Aman Iman: Water Is Life CD (2007) (Import)
Traces De Lumiere: "Fes" Festival Of World Sacred Music music CDs
$17.49 Like their Malian peers, they favor hypnotic, single-note guitar runs with gutbucket vocals that double the guitar melody. Where they differ is in an improvisational group dynamic that adds elements of funk, rock, and a certain hallucinatory desert feel that seems less inspired by American blues forms and more an organic outpouring of pure inspiration, creating an utterly compelling, sui generis sound. On this 2007 release, their third album, these guys sing and play as if their lives depend on it.
Sub-Saharan guitar blues has taken a strong enough foothold in the world music scene to qualify as its own genre, with its own stars and aesthetics and, now, its own alternative offshoots like Tinariwen. Formed in the 1980s in Muammar Qaddafi's rebel training camps, this group of Touareg nomads and former soldiers play droning, heartfelt, trance-inducing blues.
Tinariwen: Abdallah Ag Alhousseyni (vocals, guitar, acoustic guitar, hand claps, background vocals); Mohammed Itlale (vocals, guitar, acoustic guitar); Alhassane Touhami (vocals, guitar, hand claps, background vocals); Ibrahim ...
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Traces De Lumiere: "Fes" Festival Of World Sacred Music songs
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Traces De Lumiere: "Fes" Festival Of World Sacred Music album
$10.15 The music of Claude Debussy, with its exotic color and quirky harmonies is well suited to performance on any number of different instruments. Japanese synthesizer wizard Tomita realized that the moog synthesizer, with its almost limitless palette of colors and sounds, would be ideal for Debussy's music. "Snowflakes Are Dancing" is Tomita's electronic vision of Debussy.
The moog synthesizer creates sounds that defy description. The synthesizer also has the ability to recreate the sounds of such traditional instruments as the harpsichord, organ, trumpet and strings. The synthesizer can mimic sound of the human voice. Tomita draws on all of these possibilities in his presentation of Debussy's music. Debussy favorites such as "Clair de lune" and "The Girl with the Flaxen Hair" take on a new life in Tomita's treatment. For example, the sound of the ocean, punctuated by the cries of seagulls provides the ideal stage for Tomita's treatment of "The Engulfed Cathedral." Tomita's eccentricity will keep listeners on their toes ...
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Traces De Lumiere: "Fes" Festival Of World Sacred Music Review
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