| | Holy Terror El Revengo CD - Import Holy Terror Discography of CDs
Holy Terror were formed in the mid-1980s by guitarist Kurt Colfelt (a.k.a. Kurt Kilfelt; ex-Agent Steel) and ex-Dark Angel drummer Jack Schwarz, who left before the release of the band's first album, 1987's "Terror and Submission". A follow-up ... Full Descriptioneffort, "Mind Wars", was issued in 1988. Acclaimed Los Angeles thrashers Holy Terror have reformed and are releasing a three-CD box set coming out on Blackend Records featuring outtakes, live stuff, video footage and a general overview of the band. Hide Description Holy Terror El Revengo Songs | 1. | Fool's Gold/Terminal Humor |
| 2. | Christian Resistance |
| 3. | Damned by Judges |
| 4. | No Resurrection |
| 5. | Evil's Rising |
| 6. | Mortal Fear |
| 7. | Distant Calling |
| 8. | Alpha Omega (The Bringer of Balance) |
| 9. | Blood of the Saints |
| 10. | Black Plague |
| 11. | Terror & Submission |
| 12. | Tomorrow's End |
| 13. | Guardians of the Netherworld |
| 14. | Black Plague (Live in Dendermonde, Belgium); |
| 15. | Evil's Rising (Live in Dendermonde, Belgium) |
| 16. | Judas Reward (Live in Dendermonde, Belgium) |
| 17. | Debt of Pain (Live in Dendermonde, Belgium) |
| 18. | Distant Calling (Live in Dendermonde, Belgium) |
| 19. | Christian Resistance (Live in Dendermonde, Belgium) |
| 20. | Blood of the Saints (Live in Dendermonde, Belgium) |
| 21. | Immoral Wasteland (Live in Dendermonde, Belgium) |
| 22. | Alpha Omega (Live in Dendermonde, Belgium) |
| 23. | Do Unto Others (Live in Fort Lauderdale, Florida) |
| 24. | Christian Resistance (Live in Fort Lauderdale, Florida) |
| 25. | Alpha Omega (Live in Fort Lauderdale, Florida) |
| 26. | Judas Reward (Live in Milan, Italy) |
| 27. | Black Plague (Live in Milan, Italy) |
| 28. | Live Sets From Milwaukee, Chicago, Anaheim; Judas Reward (Video) |
| 29. | Slide Show (Video) |
| El Revengo Review
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Purchase El Revengo CD To buy, Click on price to add to cart | Doro Warrior Soul (Enhanced) CD (2006) (Import) England; Limited Edition; Digipak; Enhanced
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| | Best Of Clifford Brown-The Blue Note Years CD (1998)
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Clifford Brown was perhaps the best jazz trumpeter of his generation, or any for that matter. Brown played with an effortless grace, and his music was always filled with plenty of heart and soul; he wasn't just a clever technician like some academic jazzers. While fans often concentrate on his ability to play scorching solos, Brown could also play dreamy ballads like few others. When he died in a 1956 car wreck at the age of 25, it was one of the greatest losses jazz had suffered up to that point.
On this Blue Note BEST OF collection, Brownie (as he was called) is in superb form. The album opens with a burning version of "Brownie Speaks," and this track is followed by the contemplative, "You Go to My Head." The set also includes "Hymn of the Orient," which begins with an Asian-influenced piano intro by John Lewis of Modern Jazz Quartet fame. Brown's originals "Daahoud" ...
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| | Baron Tymas Insight At Midnight CD (2008)
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$10.65 Praise for Insight at Midnight:“Insight at Midnight is chock full of genuine talent. Tymas' beautifulblend of jazz demonstrates his mastery in a way that begs notice.” Sharon Berry-Vivian, WSHA 88.9 Jazz Carousel“Outstanding record. In every respect. Love it! Every track is wonderfully played. Excellent straight ahead jazz.”B.H. Hudson, WNCU FM, Durham, NC“Baron Tymas, jazz guitarist, has put together a brilliant new CD, Insight at Midnight. Great songs, fabulous musicians and tight and enhancing mixing and mastering, result in a CD you will want to hear and enjoy. I look forward to sharing it with jazz fans listening to my show.” Melva (Melva’s Musings on Jazz), WCOM, Carrboro, NCNews and Observer, Raleigh, NCBy Owen Cordle - CorrespondentBaron Tymas' electric guitar tone and melodic intervals bite conspicuously on the first two tunes on "Insight at Midnight" (tymasmusic) -- and elsewhere, too. With vibist Jon Metzger on these and four others, the ensemble sound recalls vibist Gary Burton's quartet on "Duster," one of the first jazz-rock albums, recorded in 1967.This is not to imply that "Insight at Midnight" is dated or an album of jazz-rock. It's simply a reference to Tymas' distinctive sound, one that serves him well in terms of clarity, melodic decisiveness and emotional spark.In addition to quartet and quintet tracks with Metzger, there are other groups here: a quartet with pianist Ed Paolantonio, acoustic bassist John Brown and drummer Thomas Taylor on a slow and stark "Ev'rytime We Say Goodbye"; another quartet with Taylor, electric bassist Damon Brown and flutist Kofi Burbridge; and a couple of tracks with saxophonists Brian Miller and Brian Horton (one of which also includes saxophonist Ira Wiggins and trombonist Robert Trowers). You will recognize the players as locals, several affiliated with Elon, UNC, Duke, or NCCU, where Tymas teaches.Tymas composed eight of the tunes on the album, a varied lot that covers the terrain of today's well-rounded jazz musician.Tymas' new album evokes a range of moods, insightCliff Bellamy : The Herald-SunGuitarist Baron Tymas, who teaches music and is the assistant director of jazz studies at North Carolina Central University, has followed up his 2006 release "Blues for the Tribe" with a new collection of 11 compositions, eight of them Tymas originals, titled "Insight at Midnight." It's a release that builds on the many promises of that earlier outing. Of the standards on this recording, two are of note. On Tony Williams' "Warrior," Thomas Taylor gets a workout on drums (and provides a "war cry" at the end of the tune). Taylor's drumming, along with the work of NCCU alums Brian Miller on alto sax and Brian Horton on tenor sax (these guys can cook!), give this piece an infectious urgency. On Cole Porter's "Ev'ry Time We Say Goodbye," Ed Paolantonio's dark, minor introductory chords on piano are a colorful contrast with the warm feel that Tymas' guitar gives to this ballad. Tymas' compositions exhibit a wide range of moods, and always with well-crafted ensemble playing. "Insight" shifts from a minor, brooding melody ...
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