| | Bowling For Soup Goes To The Movies CD Bowling For Soup Discography of CDs
 (8 Customer Reviews)
Like Smash Mouth, Bowling for Soup is a punk-pop act that seemingly appears on every other soundtrack for early-2000s comedies and animated films. This 2005 collection presents the Texas-based quartet's movie-related tunes, including the highly ... Full Descriptioncaffeinated "Jimmy Neutron Theme" (from JIMMY NEUTRON, BOY GENIUS), the free-wheeling "Here We Go" (from SCOOBY-DOO 2: MONSTERS UNLEASHED), and a rocked-out rendition of Britney Spears's "Baby One More Time" (from FREAKY FRIDAY). In addition to previously unreleased originals, BFS also offers revved-up takes on Modern English's "I Melt With You" and Matthew Sweet's "Sick of Myself," proving that, in the good-times world of hyperactive cover tunes and energetic film themes, Bowling for Soup hit the big time. Hide Description Goes To The Movies Music | Category | Rock/Pop Albums, Rock CDs | | Label | Jive | | Orig Year | 2005 | | All Time Sales Rank |  38396  | | CD Universe Part number | 6986207 | | Catalog number | 74468 | | Discs | 1 | | Release Date | Nov 15, 2005 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Casey Diiorio; Jonathan McEuen (Compilation); Jaret Reddick (Compilation) |
Bowling For Soup Goes To The Movies Songs Goes To The Movies Music Review Average Rating: (4.6 out of 5 stars)   List All Reviews not bad
This has got some great songs on it and I like almost all of them. But I was hoping for some more originals! Get to work on it boys!
Submitted by Pheobecat7 (Rochester, NY, USA) 
Was This Review Helpful? Yes No
 BFS are my HEROES!!
OMG, I love this band SOOOO much!! This CD rocks!!! The fact that they are from TX makes them even cooler!! Guys, PLEASE come play Dallas/Ft Worth ASAP!!
Submitted by kiss-grrl Kel (Hurst, TX, USA)
Was This Review Helpful? Yes No
AAAWWWEEESSSOOOMMMEEENNNEEESSSSSS
I love the band, Cd And Every song on this Cd
Submitted by cness (Wichita Falls TX. (where BFS is from HAHAHA))
Was This Review Helpful? Yes No Can't get it outta mah head!
The songs on this cd are the type that stay with you.
Submitted by greengoblinisbad (Elsmere, KY, USA)
Was This Review Helpful? Yes No These guys ROCK like no other!!!!
I love bowling for soup, and hearing them put their own spin on these awesome songs was pure elation!!!
Submitted by Nichole (O'Fallon,MO,USA)
Was This Review Helpful? Yes No List All Reviews | Have you heard this album? |  |
Purchase Goes To The Movies CD To buy, Click on price to add to cart | Peter Gabriel Plays Live CDs (1983) Remastered
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Pilgrim's Descent: A review of Solace's “Nagari” by Maduro First impressions are paramount. I received my copy of the long awaited Solace album today in the mail and once I had some free time in a dark room replaying the release for the third time in a row I had to capture this. Nagari is the most dark, complex, and complete album that Solace has released to date. It is personal and perhaps introspective through its cryptic allusions - it is a journey and it seems to capture one’s purgatory through diverse soundscapes. This may very well be the soundtrack of one’s personal descent and struggle with personal conceptions of that which is beyond us all, one’s personal struggle with religion. This is a serious album, and wonderfully beautiful. Some Solace fans may be taken back by the dark nature of this release - but this is the sound of Solace - the sum of who he is and where he has come from. Make no mistake, this release could stand up as the tightest release of this genre ever and it could very well be the soundtrack to Dante’s Inferno. Here is one pilgrim’s observations. The album opens with “Judgmental Wound” - an epic introduction that sets the stage, as a dark velvety curtain falls. At this point, anyone is aware that this is not a typical Solace album, this is epic. “Nagari” hits you in the stomach with its hard opening vocals and sweeping synths, “Jira” continues the momentum and the album already turns darker. “Coveting Bes” sounds very grand and cinematic - like a struggle has ensued. “Pharisee’s Prayer” is a highly technical piece with space and is a song that anchors the album and presents the beginning of a transformation at the center of the disc. “Bane of Desire” is a deeply personal track and carries the momentum with powerful fillers and darker synths, played at lower octaves to seductive vocals. “Sorrow & Veil” is when the album changes. It is a transformation through the center of this disc - like a serpents hiss, tracks 7-9 all begin with a slithering and slippery letter S in their song titles as if you have been bitten and the venom is taking hold. The center tracks are heavy with opiate South Asian sounds of paralysis and dark wonder. We’re not supposed to move, we have been cornered, and perhaps bitten. This is where the album takes a darker, slightly more abstract turn. The sound become more gritty, the drums become more engaging, the programming is air tight. “Strange Flesh” is the track with the deepest bass range that pulls you into the coldest chamber. Strange Flesh is the sound of black magic at work. This is clearly a descent and “Heretic” gives you the impression you are here to stay for awhile - it’s complex and shifting. “Naga” is another anchor track that leads into a more painful place - it is a dirge. “Death in Sin” starts the last three tracks where the drums are more distorted and filters abound. These are not supposed to be clean sounds. “Condemnation” is haunting and the most candid ...
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