| | Adam Holzman Jazz Rocket Science CD - Import Adam Holzman Discography of CDs
 (1 Customer Review)
Composer: Adam Holzman.
Adam Holzman: Adam Holzman (Kurzwell synthesizer); Alan "AB" Burroughs (guitar); Aaron Heicke (saxophone); Freddy Cash Jr. (bass instrument); Mitch Stein , Alex Elena.
Personnel: Adam Holzman, Adam Holzman (piano, electric piano, Fender Rhodes piano, Wurlitzer organ, keyboards, mini-Moog synthesizer, drums, programming, sampler); Alanda Burroughs, Mitch Stein (guitar); Aaron Heick (saxophone, soprano saxophone, alto saxophone); Alex Elena (drums, programming, sampler).
Audio Mixers: Jim Caruana; Scott Young .
Recording information: Manhattan Center Studios, New York, NY; Sony Music Studio, New York, NY. Jazz Rocket Science Music Adam Holzman Jazz Rocket Science Songs | 1. | Superhero |
| 2. | Life on Mars |
| 3. | Telltale Heart, The |
| 4. | Whole World Is Everywhere, The |
| 5. | Firewire |
| 6. | Level 3 Intro: Airlock |
| 7. | Level 3 Containment Suit |
| 8. | Maria Rain |
| 9. | Kadiddle Hopper |
| 10. | Kryptonite - (for Herbie Hancock) |
| 11. | Miles Runs the Voodoo Down |
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Jazz Rocket Science Music Review Purchase Jazz Rocket Science CD To buy, Click on price to add to cart | Tunnels Art Of Living Dangerously CD (2004)
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| | Tom Waits Real Gone CD (2004)
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Personnel: Tom Waits (vocals, guitar, chamberlin); Marc Ribot (guitar, banjo); Larry Taylor (guitar, bass guitar); Harry Cody (guitar); Les Claypool (bass guitar); Casey Waits (drums, percussion, turntables); Brain (percussion); ...
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| | First Issue: The Dinah Washington Story (The Original Recordings) CDs (1993)
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Dinah Washington Story 2 CD
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| | Louis Prima Buona Sera: The Best The Wildest CD (2001) (Import) Netherlands
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| | Clay Giberson Upper Road CD (2002)
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All of the tools of the smooth or contemporary jazz fashion are here on Clay Giberson's second album for the Origin label. There's the Rhodes, the synthesizer, and, of course, the soprano sax. What sets this CD apart from many albums of the same category is that the music, all Giberson originals, often has more character, adventure, and daring than usually heard from practitioners of this genre. It's more than simply stream-of-consciousness drivel that lays there without any dynamic intervention. On "Homegrown," Hans Teuber's also sax expresses the pretty melody with Giberson's Fender maneuvering ...
| | Aaron Choulai Place CD (2004)
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| | Portishead Third CD (2008)
Jazz Rocket Science
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Portishead have their hugely anticipated new album, “Third”, released on April 28th through Island Records. “Third” is the band’s fourth album in total and first since 1998’s Roseland NYC live”. The Bristol based trio, who will be touring the UK and Europe in March and April, will release Machine Gun” on April 14th. A digital version of the single will be available on www.portishead.co.uk and www.islandtunes.com from 8pm on the 10th April.
More than a decade after its self-titled sophomore outing, the pioneering British electronica ensemble Portishead finally resurfaced with 2008's THIRD, an album that both meets and defies expectations. Although the record features many of the group's aural signatures--most notably that exquisitely dark, cinematic mood and Beth Gibbons's heartbreaking vocals--it presents little in the way of vintage trip-hop, proving that sonic masterminds Geoff Barrow and Adrian Utley aren't keen on repeating themselves. "Silence" kicks off the affair with tumbling percussion loops, while "Nylon Smile" drifts along on spare, slinky instrumentation, and "Machine Gun" moves to jarringly martial metrics that are battlefields away from any pop arena. Though THIRD is initially disorienting, repeated listens reveal a deeply engaging and fascinating album that stays true to the melancholy spirit of Portishead even as it wanders into unfamiliar territory.
Mystery burns at the heart of Portishead, lurking deep within their music and their very image. From the outset they seemed like an apparition, as if their elegant debut, Dummy, simply materialized out of the ether in 1994, as their stately blend of looped rhythms, '60s soundtrack samples, and doomed chanteuse vocals had only a tenuous connection to such Bristol compatriots as Massive Attack and Tricky. Soon enough, Portishead's unique sound was exploited by others, heard in swank clubs and high-end dinner parties on both sides of the Atlantic, a development that the trio of Geoff Barrow, Beth Gibbons, and Adrian Utley bristled at instinctively, recoiling into the darker corners of their sound on their eponymous 1997 sophomore album before fading back into the ether leaving no indication when they were coming back, if ever. They returned 11 years later, seemingly suddenly, with Third, supporting the album with candid interviews that lifted the veil from their personality, yet the mystery remained deeper than ever within their gorgeous, unsettling music.
That strain of uneasiness is a new wrinkle within Portishead, as in ...
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