| | Adam Holzman Jazz Rocket Science CD - Import Adam Holzman Discography of CDs
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Composer: Adam Holzman.
Adam Holzman: Adam Holzman (Kurzwell synthesizer); Alan "AB" Burroughs (guitar); Aaron Heicke (saxophone); Freddy Cash Jr. (bass instrument); Mitch Stein , Alex Elena.
Personnel: Adam Holzman, Adam Holzman (piano, electric piano, Fender Rhodes piano, Wurlitzer organ, keyboards, mini-Moog synthesizer, drums, programming, sampler); Alanda Burroughs, Mitch Stein (guitar); Aaron Heick (saxophone, soprano saxophone, alto saxophone); Alex Elena (drums, programming, sampler).
Audio Mixers: Jim Caruana; Scott Young .
Recording information: Manhattan Center Studios, New York, NY; Sony Music Studio, New York, NY. Jazz Rocket Science Music Adam Holzman Jazz Rocket Science Songs | 1. | Superhero |
| 2. | Life on Mars |
| 3. | Telltale Heart, The |
| 4. | Whole World Is Everywhere, The |
| 5. | Firewire |
| 6. | Level 3 Intro: Airlock |
| 7. | Level 3 Containment Suit |
| 8. | Maria Rain |
| 9. | Kadiddle Hopper |
| 10. | Kryptonite - (for Herbie Hancock) |
| 11. | Miles Runs the Voodoo Down |
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Jazz Rocket Science Music Review Purchase Jazz Rocket Science CD To buy, Click on price to add to cart | Christian McBride Vertical Vision CD (2003) Enhanced CD
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The celebrated jazz educator, master bassist, composer, and arranger, Christian McBride provides a new recording, told in a language of blazing originality. Vertical Vision is a multi-layered musical story that features beautiful solos, great grooves, funky riffs, and virtuosic performances by each bandmember. The recording also reveals McBride's passion for strong writing, brilliant accompaniment, and eclectic melodic voicings that stay with listeners long after the record ends. On this, his debut for Warner Brothers Jazz, McBride creates a dazzling weave of passionate rhythms, musical forms, ...
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| | First Issue: The Dinah Washington Story (The Original Recordings) CDs (1993)
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FIRST ISSUE contains 46 tracks presented in roughly chronological order beginning with Dinah Washington's first recordings for Keynote with Lionel Hampton in 1944 and concluding with her Mercury tracks from 1961. This 2-CD set includes never-before-published photos by Chuck Stewart, plus liner notes and annotations by jazz historian Chris Albertson.
First Issue, which coincided with the United States Postal Service's issue of a stamp bearing the image of Dinah Washington, is a two-disc, 46-song anthology of her recordings for Keynote, Mercury, Verve, Wing, and EmArcy from 1943-1961. The set chronicles ...
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All of the tools of the smooth or contemporary jazz fashion are here on Clay Giberson's second album for the Origin label. There's the Rhodes, the synthesizer, and, of course, the soprano sax. What sets this CD apart from many albums of the same category is that the music, all Giberson originals, often has more character, adventure, and daring than usually heard from practitioners of this genre. It's more than simply stream-of-consciousness drivel that lays there without any dynamic intervention. On "Homegrown," Hans Teuber's also sax expresses the pretty melody with Giberson's Fender maneuvering along underneath. Of course, there's the constant, unchanging backbeat of Robert Di Pietro's drums, but this is offset by the funky statement by Giberson. For an exotic-sounding "For the Time Coming," Giberson wheels out all the smooth jazz paraphernalia -- wurlitzer, synthesizer, and Hammond B3 organ -- ...
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There are two ways to evaluate the music on pianist Aaron Choulai's Place. On the one hand, the musicianship is superior, trumpeter Scott Wendholt is in blazing form (he often steals solo honors), and the quintet is quite tight. The weak point to the set is that many of the selections (particularly "Place," "Tic Toc," and ...
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More than a decade after its self-titled sophomore outing, the pioneering British electronica ensemble Portishead finally resurfaced with 2008's THIRD, an album that both meets and defies expectations. Although the record features many of the group's aural signatures--most notably that exquisitely dark, cinematic mood and Beth Gibbons's heartbreaking vocals--it presents little in the ...
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