| | Rabih Abou-Khalil Bukra CD Rabih Abou-Khalil Discography of CDs
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Our Price: $14.65  CDFor Sale Usually ships in 1-2 days
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Recorded at Sound Studio N, Cologne, Germany in May 1988.
Personnel: Rabih Abou-Khalil (oud); Glen Velez (vocals, frame drum, percussion); Sonny Fortune (alto saxophone); Glen Moore (bass guitar); Ramesh Shotham (drums, percussion).
Liner Note Author: Jerry G. Bauer.
Recording information: Sound Studio N, Cologne, Germany (1988).
Personnel: Rabih Abou-Khalil (oud); Glen Velez (vocals, frame drums, percussion); Sonny Fortune (alto saxophone); Glen Moore (bass); Ramesh Shotham (South Indian drums, percussion).
Rabih Abou-Khalil Bukra Songs Bukra Review
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This edition of THE BRIDGE is an Enhanced CD containing both a full audio program as well as video clips for the songs "A Matter Of Trust" and "Baby Grand."
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Billy Joel is a man of varied career stages--the piano man, the angry young man, the finger-poppin' Tin Pan Alley songwriter, the serious composer. But one thing has remained true throughout his nearly-thirty year career: he can always pen a perfect pop song. And with THE BRIDGE acting as a "bridge" between Joel's Tin Pan Alley style and his more contemporary sound, one of this 1986 album's main charms is the pop craft that brought us such gems as "A Matter Of Trust," "This Is The Time," "Modern Woman" and "Baby Grand," a delectable duet with Ray Charles. Unmistakably mature and containing some of his best songs to date, THE BRIDGE brings together a batch of songs that truly mark Joel's growth as a songwriter and forges a solid footing for the several releases that followed.
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1965 was a seminal year for the John Coltrane Quartet, a period in which the leader instigated a bold cycle of exploratory new directions, leading to such extended free jazz rites as ASCENSION and MEDITATIONS. Yet for all the emotional turbulence and the protracted solo flights, THE JOHN COLTRANE QUARTET PLAYS finds the saxophonist taking an affectionate, powerful backwards glance at the foundation of his quartet's collective sound.
From the opening strains of "Chim Chim Cheree," it's obvious that this unlikely tune represents a return to the near-Eastern style of incantation which made "My Favorite Things" such a hypnotic vehicle for extended improvisation. McCoy Tyner's tart, chanting chords and Jimmy Garrison's elliptical vamp pare all the sentimentality away from the tune, providing a sultry rhythmic/harmonic ambience for Trane's freewheeling soprano flights. While the relative familiarity of this and other themes lends a reflective note to this session, the level of improvisational intensity is still imposing.
"Brazilia" begins with a rolling, airy duet between Coltrane and Elvin Jones, culminating in a powerful 4/4 groove, as Trane erects complex harmonic sand castles, toying with time and theme until Tyner's complex blend of rhythm and melody expands upon the tenor saxophone's ideas with grace. The theme to "Nature Boy" is given a lush, atmospheric reading, as Garrison ...
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