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Naildown is another Finnish export product and if they are able to live up to the high standards must be answered by 'World Domination'. It is the band's debut album but they recorded two demo's under the Acid Universe moniker before. Great atmosphere and very well constructed tracks are the base elements on 'World Domination'. Yes, all the good things of In Flames and Children of Bodom combined are present on the album. We'd do no justice to Naildown if we'd leave it at this comparing though. The band is no copy whatsoever and has a unique character of their own. Subtle keyboards, killer guitars and varied vocals and besides that this album is stuffed with riffs one cannot deny! Spinefarm. 2005. Naildown World Domination Songs | 1. | Reflecting My Descent |
| 2. | Prolong Your Fate |
| 3. | Hollow Syndicate |
| 4. | Evil Deeds |
| 5. | Next Infinity |
| 6. | Eyes Wide Open |
| 7. | Broken Down |
| 8. | World Domination |
| 9. | Fragile Side |
| 10. | Shining Throne |
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World Domination Review
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Purchase World Domination CD To buy, Click on price to add to cart | Edguy Rocket Ride CD (2006) Bonus Tracks
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It's easy to belittle power metal bands because they often marry portentous musical ambitions with hackneyed Manowar-like posturing that only a 12-year-old could possibly buy into; Germany's Edguy, however, are clever enough to flip those tables by making it evident that they don't take themselves all that seriously. Eight albums into the quintet's career, Edguy have in many ways succeeded where genre daddies Helloween first bit the dust -- injecting ample doses of fun, on-stage glam-metal gymnastics, Scorpions-like face pulling, and unselfconscious humor into what is normally an outwardly austere musical style, and 2006's Rocket Ride is no exception. Possibly validated even further by the recent emergence of Britain's the Darkness, this album's relaxed vibe begins with its silly-aliens-on-crack cover art and culminates ...
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| | Anthrax Among The Living CDs (1987) With DVD; Bonus Tracks; Remastered
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When Anthrax released AMONG THE LIVING in 1987, the band was a part of a then-burgeoning heavy metal sub-genre called speed or thrash metal. This was an inversion of glam metal. The band members wore worn-out jeans and T-shirts, their long hair was hairspray-free, and not a smudge of make-up was applied to their unsightly mugs. Their music was ...
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| | Bob Margolin My Blues & My Guitar CD (1995)
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Steady Rollin' Bob Margolin really comes into his own with My Blues and My Guitar, his second album for Alligator Records. He still pays homage to his mentor, Muddy Waters, not only through covers but simply through his driving musical style. He blends the familiar ("Rip It Up," "Going Home," "The Same Thing") with unpredictable ("See Me in the Evening," "Drip Drop," "Peace of Mind") in his choice of covers, and he has written a set of originals that are sturdy and ...
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| | Judas Priest Painkiller CD (1990) Bonus Tracks; Remastered
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Judas Priest's 1990 release, PAINKILLER, shows the band returning to ferocious metal after such musical detours as 1986's TURBO. It also proved to be the British band's last outing with original singer Rob Halford. Drummer Scott Travis (ex-Racer X) makes his Priest debut here, while the sound and songwriting is comparable to thrash/speed metal.
The album-opening title track is one of Priest's heaviest and greatest songs (brace yourself before it kicks in!), and the band takes no prisoners on such titles as "Hell Patrol" and "A Touch of Evil." An inspired way to close out Halford-era Priest.
At the dawn of the '90s, Judas Priest were in sad shape: out of touch, seemingly creatively bankrupt, coming off the two worst albums of their career, and left for dead by many observers. Trying to right the ship, Priest jettisoned longtime producer Tom Allom and his tinny '80s sound, as well as the serviceable groove drumming of Dave Holland, and brought in veteran metal producer Chris Tsangarides and onetime Racer X skinsman Scott Travis. Most importantly, though, Priest stopped trying to be a stadium act in the midst of hair metal's heyday. All those changes come into sharp focus as soon as the title cut of Painkiller starts -- Travis' thunderous (and crisp-sounding) percussive maelstrom lights an immediate fire under the bandmembers' asses; Glenn Tipton and K.K. Downing tear through a crushing, diabolical riff; and Rob Halford starts shrieking like a wicked witch, giving perhaps the most malevolent-sounding performance of his career. It's a startling statement of musical purpose that arrived seemingly out of nowhere, heralding a comeback that rivals George Foreman's. Once the leanest, meanest, darkest metal band on the planet, Priest were clearly giving up on the mainstream and instead embracing the thrash and speed metal underground they'd helped spawn. Not only do they come to terms with it here, they teach those whippersnappers a thing or two, marrying furious instrumental pyrotechnics to an unerring sense of songcraft. Spurred on by Travis' jazz-trained double bass assault, Painkiller never once lets up, slowing down only for the elegant menace of the prog-tinged "A Touch of Evil," and without an unmemorable tune in the bunch.
That constant, balls-out intensity is a big reason why metal's younger generation has come to consider Painkiller perhaps the ultimate speed metal album. Older Priest fans will likely complain that the lyrics are silly, and they won't be wrong -- for all its fury, the title track is about the winged knight riding the monster motorcycle depicted on the front cover. However, there's a convincing argument to be made that this brand of comic book fantasy holds up better over time (and is more fun) than most would care to ...
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$15.75 | | Pietasters All Day CD (2007)
World Domination album
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The Pietasters have undergone personnel changes since being formed in Washington, D.C., in 1990, but they have seen their greatest upheavals in recent years, which may help explain why All Day is their first studio album of new material since 2002. Already by the time of the release of the previous album, Turbo, they had suffered the loss of bassist and songwriter Todd Eckhardt, who died of a heart infection in November 2001, although this was not reflected on that disc. Since then, another longtime member, guitarist and songwriter Tom Goodin, has departed. Toby Hansen, who had played trumpet in the group, has moved over to guitar, but the major addition to the lineup is Jorge Pezzimenti, whose participation as bassist, guitarist, keyboardist, singer, songwriter, and producer of the album rivals the preeminence of the Pietasters' founder, gruff-voiced singer Stephen Jackson. But despite these changes, the band's musical approach is much the same. The inner sleeve of the CD package provides a good indication of the contents. It displays mock-ups of 45-rpm records, as if each song on the album had once appeared on a 7" single in the 1960s or '70s. The labels of the faux discs indicate the musical styles of the songs -- some are on the purple Motown label, with the map of Detroit in the upper section, others are re-creations of the Jamaican Trojan label, etc. The label signals whether the song is arranged to sound like '60s pop-soul, reggae, or ska. (There is also one track, "So Long," done as garage rock, that would fit nicely on the Nuggets compilation.) The Pietasters are proudly retro, but as a third-generation outfit, their performances are just that much more removed from the sources. When they play Motown, they sound more like the Foundations than the Funk Brothers; their ska is more reminiscent of the English Beat than the Skatalites; and their reggae recalls UB40 rather than Bob Marley & the Wailers. Fans of the styles may care only that the Pietasters are reverent about their ...
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Call the City is guaranteed to rock your condo!With a unique ...
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