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Yellow Generation - Dual CD Cover Art CD music music CDs songs album

Yellow Generation Dual CD - Import

 Yellow Generation Discography of CDs

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 Our Price: $17.09  CD
For Sale Limited Availability

Japanese pressing. Sony. 2005.
Dual Music


Detailed Dual Music Information



List Price $18.99 (You save $1.90)
Category World Albums, Japanese CDs
Label Sony BMG
CD Universe Part number 6993834
Catalog number 494305
Discs 1
Release Date Jan 01, 2008
Yellow Generation Dual Songs


Yellow Generation Dual Album Track Listing



1.Dual
2.two love, true love
3.Dual (less vocal)
4.two love, true love (less vocal)
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Terra feels like an attempt to move Mariza into the musical mainstream. She's already established herself at the forefront of fado, as one of the leading performers of the emotive Portuguese style, and there's no doubt she possesses a wonderful voice. But the addition of several guests, such as Chucho Valdés, Ivan Lins, and Tito Paris (among others) seems to open up the seams between fado and other genres, including Brazilian music and jazz. It does so relatively subtly, and she keeps her base pretty firmly in fado (witness the glorious "Ja Me Deixou"). But the inclusion of a standard like "Smile," which closes the album and has her singing in English, is evidence of the move to broaden her appeal, as is the lushness of the arrangements, much fuller than she's used in the studio in the past. Her duet with Paris on "Beijo de Saudade" is a highlight, and the voices play off each other gloriously, hers pure and clear, his gruff and harsh. Ultimately, the question is whether it all works, and it does, because it doesn't try to do too much, just a small re-positioning, although what ...
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Though she's undoubtedly resigned to nearly eternal comparisons with Amalia Rodrigues, the master of Portugal's fado, Mariza's debut album finds her breaking out of the mold from the beginning. Newcomers to the fado will quickly become familiar with the style from the plaintive crystal of Mariza's voice and her evocative guitar accompaniment, but her delivery occasionally recalls jazz or the blues. Double bassist Ricardo Cruz and pianist Tiago Machado help carry the effervescent "Poetas," while light percussion adds a note of intrigue on the closer, "Barco Negro." ~ John Bush Debut;From Portugal Recorded at Pe De Vento Studios, Portugal. Personnel: Jorge Fernando (guitar, viola); Custódio Castelo (guitar); Davide Zaccaria (cello); Ricardo Cruz (double bass); Dalu ...
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Transparente is Mariza's "big" album, it seems, the one designed to make her more than just the shining star of the new fado. The music connects the dots between Portugal and Brazil, giving an international quality to it all. Her voice is as crystal clear as ever, and production by Jacques Morelenbaum is wonderfully transparent. Yet there's a sheen to it all that seems intended to rub off any rough edges. You can hear it in the soft strings that cushion "Meu Fado Meu." It just seems to be trying too hard, rather than letting the music unfold. It's apparent, too, in the fact that the songs are all short -- the longest barely passes three-and-a-half minutes. Not that it's not a gorgeous album; it enfolds the ears like silk; Mariza herself has never sounded more seductive, and the cello on "Quando Me Sinto So" is as warm and inviting as a lover's kiss. But unlike her previous work, there seems an air of calculation about all this, the sense of deliberately seeking out a larger audience rather than allowing the music to speak for itself. She'll never sing a bad note, and there's absolutely nothing to fault with this album. The arrangements are understatedly lush, the playing impeccable, everything as close to perfect as it's possible to be. But at heart, it just doesn't feel real. ~ Chris Nickson Recording information: AR Studios, Rio De Janeiro, Brazil. Photographer: Isabel Pinto. Arranger: Jaques Morelenbaum. Personnel: Mario Pacheco (guitar); António Neto, Joao Lyra, Jesuina Noronha Passaroto, Ricardo Taboada, Lula Galvao (classical guitar); Alceu Maia (cavaquinho); Daniel Guedes, Antonella Pareschi, Joao Daltro, Paschoal Perrota, Walter Hack, Rogério Rosa, ...
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Recorded in Los Angeles, California on May 8, 1968. Originally released on Prestige (7576). Digitally remastered by Phil De Lancie (1991, Fantasy Studios, Berkeley). For Sonny Criss this was an unusual date. The altoist is backed for the set by a nonet arranged by the great Los Angeles legend Horace Tapscott. The arrangements are challenging but complementary to Criss' style, and he is in top form on the six Tapscott originals. The CD reissue includes two additional alternate takes, and is highly recommended for both Criss' playing and Tapscott's ...
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South London''s Weevil combine the best of singer Jonnie''s Pavement-inspired rock band and ...
Staer
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Japanese pressing. Canyon. 2005.
Throw Some D'S
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Elvis Presley Big Hunk Of Love   (2007) (Import) Germany; Limited Edition; Deluxe Edition; Extended Play

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Limited Edition CD single released to coincide with the 30th Anniversary of the death of The King. This is one of 18 limited titles that will be released through the end of 2007, all of them fitting in a box that comes with the first installment of the series ('Heartbreak Hotel'). Each CD will be released in `mini-vinyl' replica card sleeves with an outer and inner bag. The outer bag features the original U.S. or U.K. Picture artwork and the inner bag replicates a generic RCA single sleeve from the time of the original release. The artwork for the CD Disc will replicate the original 7" vinyl release including authentic vinyl label artwork and the discs themselves will be black `mock-vinyl'. Each ...
Confidence And Consequence
Too Pure To Die Confidence And Consequence CD  (2006)

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Too Pure to Die's debut album, Confidence and Consequence, was originally released in 2006 by tiny independent Sumerian Records, and then duly vanished without a trace for lack of marketing, promotion and, one would assume, music worth buying. But, lo and behold, just one year later, the band was picked up by formidable Trustkill Records, which hired rising producer Andreas Lars Magnusson (the Black Dahlia Murder, Becoming the Archetype, etc.) to remix their LP, and blend in new vocals from recently added singer Paul Zurlo, to boot. Initially, their signing and reintroduction seems like a major coup, as the distinctive metallic riffing, piercing harmonics, and clear-cut hardcore shouts of the title track (and later standouts "It Won't Hurt" and "99") reveal promising traces of Hatebreed, Throwdown, even Killswitch Engage. But as the album unfolds, it quickly becomes apparent that, remix notwithstanding, the vast majority of the album's tracks ("Bad Luck," "Dead to Me," "Our Only Chance," etc.) still sound surprisingly lifeless, leaden, and flat. And worse, their lack of inertia gets no assistance from Zurlo's emphatic, but oft ill-timed screams -- never mind Magnusson's ...
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Japanese only SHM paper sleeve pressing. The SHM-CD [Super High Material CD] format features enhanced audio quality through the use of a special polycarbonate plastic. Using a process developed by JVC and Universal Music Japan discovered through the joint companies' research ...
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cdu4asppid music 6993834 cdu4pidall cdu4pls0 ver232cdu cdu4all 12/23/2009 4:24:11 AM