| | Jimmy Giuffre Tangents In Jazz CD Jimmy Giuffre Discography of CDs
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Remastered reissue CD that looks like vinyl. OLP. 2005.
Recording information: Los Angeles, CA (05/1955).
Personnel: Jimmy Giuffre (clarinet, tenor saxophone, baritone saxophone); Jack Sheldon (trumpet); Artie Anton (drums).
Liner Note Author: Peter Bölke.
Jimmy Giuffre Tangents In Jazz Songs Tangents In Jazz Music Review Purchase Tangents In Jazz CD To buy, Click on price to add to cart | Jimmy Giuffre Cool One: The 'Tangents In Jazz' & 'Four Brothers' Sessions' CD (2006)
Tangents In Jazz album
 $14.75
The Cool One CD combines Jimmy Giuffre's first two albums under his own name, Four Brothers and Tangents in Jazz, into one disc. Four Brothers, cut at three separate sessions between early 1954 and early 1955, is certainly the more conventionally bop-formatted of the pair, though it does vary in its approach, the lineup changing in size between a quintet, a septet, and a quartet. The earliest of the sessions is fairly standard, solid cool jazz, though the seven-piece shows signs of winging off into more daring directions with the fluttering melodics of "Four Brothers" and the choppy irregular beats and circling-round-each-other horns of "Sultana." While Giuffre scaled back to a quartet for the final Four Brothers recordings, a piece such as "Iranic" uses playfully lyrical horn lines and sporadic rhythm punctuations that similarly peeled away from expected jazz progressions. Tangents in Jazz, entirely recorded with a quartet (also featuring ...
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Tangents In Jazz CD music
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| | Norah Jones Come Away With Me (2002) Sacd
Tangents In Jazz music CDs
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COME AWAY WITH ME won the 2003 Grammy Awards for Album Of The Year, Best Pop Vocal Album and Best Engineered Album (Non-Classical).
"Don't Know Why" won the 2003 Grammy Awards for Record Of The Year, Song Of The Year and Best Female Pop Vocal Performance.
Arif Mardin won the 2003 Grammy Award for Producer Of The Year (Non-Classical).
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
A direct descendant from the pedigree of one of the 20th century's virtuosos, Norah Jones might not be on such a lofty artistic level as her dad Ravi Shankar, but certainly inherited some musical intuition from him. With nary a sitar nor raga within earshot, the young newcomer sounds very much an assimilated, western, 21st century pop-jazz singer. One thing that separates her from the pack is Ms. Jones' own piano stylings--not flashy, but deftly doubling or echoing her voice--that discreetly act as the glue holding together these airy, delicate, and beautiful arrangements.
But the centerpiece is certainly the 22-year-old's confident-beyond-her-years vocal delivery in addition to a precise ...
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Tangents In Jazz songs
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A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any ...
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This intriguing lineup doesn't quite live up to expectations. Trombonist Julian Priester and saxophonist Sam Rivers come from slightly different perspectives, the former immersed in the bop and post-bop traditions and the elder Rivers known for his more radical harmonic and rhythmic concepts. While the idea of bringing these two very accomplished players together must have appeared to be a no-miss effort, in reality they each seem to be improvising around, rather than with, each other. The third member of the triangle is Tucker Martine, who contributes a less-than-substantial electronic underbrush. The nine tracks sound as though they are freely improvised, and there are moments of lucidity and excitement in which hints of what might-have-been emerge. For example, on "The New System," Rivers' hands slide exotically and energetically on the piano keys to deftly embrace Priester's spacious sounds. Unfortunately, these outstanding moments are the ...
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| | Michel Camilo Live At The Blue Note CDs (2003)
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LIVE AT THE BLUE NOTE won the 2004 Grammy Award for Best Latin Jazz Album.
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
Fans of piano superman Michel Camilo had to wait a long time for this record, the first live album in his long career. The recording represents a series of firsts: in addition to premiering Camilo's live performance skills, it is his first documented work with the dynamic ...
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