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Dead 60s - Dead 60S CD Cover Art
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Dead 60S CD

 Dead 60s Discography of CDs

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 Our Price: $10.79  CD

Although the Dead 60s seem intent--in name and in approach--on burying the decade that belonged to fellow Liverpudlians the Beatles, they turn to another decade and style for inspiration: the punk and post-punk of the 1970s. Edgy, intense, and ...    Full Description

Dead 60S Music


Detailed Dead 60S Music Information



List Price $12.97 (You save $2.18)
Category Rock/Pop Albums, Rock CDs
Label Epic
Orig Year 2005
All Time Sales Rank   162577  
CD Universe Part number 7006653
Catalog number 77675
Discs 1
Release Date May 31, 2005
Studio/Live Studio
Mono/Stereo Stereo
Engineer Scott Carney; Darren Simpson
Personnel Ben Gordon - guitar, organ
Charlie Turner - bass guitar
Matt McManamon - vocals, guitar
Bryan Johnson - drums
Dead 60S Songs


Dead 60S Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Riot Radio
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Different Ace, A
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Nowhere
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Red Light
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Just Another Love Song
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Control This
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Loaded Gun
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Nationwide
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.We Get Low
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Horizontal
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample11.New Town Disaster
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample12.Last Resort, The
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample13.You're Not the Law

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The '60s Blues Revival begins here. Calling this album influential is an understatement akin to calling the Grand Canyon a rut; suffice to say that an entire generation of musicians (mostly young and white) heard this and had their lives changed forever. In fact, for at least a year after the album's release in 1965, it was impossible to walk down the hall of any college dorm in America without hearing one of the songs here echoing from somebody's room. Heard today, the thing still packs a wallop. Butterfield's harmonica and vocals are utterly idiomatic, without a hint of minstrelsy. Michael Bloomfield's lead guitar is stinging and eloquent, and the rhythm section, on loan from Howling Wolf, swings like mad. The only fly in the ointment is the fairly primitive production, ...
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This audio document of The Corrs' Dublin homecoming concert has pretty much everything fans of Irish pop could wish for, including an appearance from Bono in his earthly incarnation, fresh from an audience with President George W. Bush. It's to the band's credit that the charismatic singer fails to steal the show, despite creditable efforts via an anthemized version of Ryan Adams' beautifully downtempo "When the Stars Go Blue," and a great, leering rendition of Lee Hazlewood and Nancy Sinatra's "Summer Wine." Somewhat more mysteriously, Rolling Stone Ron Wood also turns up on what sounds dangerously close to a lounge version of Jimi Hendrix's "Little Wing," but this minor faux pas is redeemed by the Irish folk medley "Joy of Life/Trout in the Bath" which arguably features more full-on Irishness than the Dublin production of RIVERDANCE. There's also a lovely rendition of Neil Young's "Only Love Can Break Your Heart" that's topped only by Ron Wood's reappearance on a finale of the ...
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Often compared to countrymen Coldplay and Radiohead, the UK-based trio Keane plays a similarly majestic, sweeping blend of pop-informed rock music. Fueling the comparisons is the fact that lead vocalist Tom Chaplin makes heavy use of the same kind of Jeff Buckley-esque falsetto and emotion-filled wails favored by Chris Martin and Thom Yorke. On HOPES AND FEARS's epic tracks such as "She Has No Time," however, Keane takes the more dramatic elements of the aforementioned bands' sounds and magnifies them, creating piano- and synthesizer-driven cinematic soundscapes ...
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Emerging in an era rife with New Wave rip-off artists, the Kaiser Chiefs ran the risk of their sharp suits, angular haircuts, and early-1980s influences being taken the wrong way. While many of their peers shamelessly aped the most obvious aspects of the Cure, New Order, et al, Kaiser Chiefs (the name comes from a South African soccer team) much more subtly incorporated the sensibilities of their influences. Though one can hear traces of everything from Madness to XTC and Adam & the Ants on the Chiefs 2005 debut album, EMPLOYMENT, these Brits are no one's slavish imitators. Their undeniably catchy melodies, ...
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On CAPTAIN MY CAPTAIN, Team Dresch founder ...
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Big Techno Werewolves/Hans Grusel's Krankenkabinet
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