| | Tania Maria In Copenhagen CD Tania Maria Discography of CDs
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Recording information: Jazzhus Montmartre, Copenhagen, Denmark (11/01/1978-09/07/1979); Sweet Silence Studio, Copenhagen, Denmark (11/01/1978-09/07/1979).
Photographers: Jan Persson; Gorm Valentin.
Personnel: Tania Maria (vocals, piano).
Liner Note Author: Niels Christensen.
Tania Maria In Copenhagen Music Tania Maria In Copenhagen Songs | 1. | Bim Bom |
| 2. | Baiao Improvisado |
| 3. | Casinha Perquenina |
| 4. | Rapaz de Dem |
| 5. | Quero Nao |
| 6. | Refrao Popular |
| 7. | Chorinho Do Marquinho |
| | Tania Maria In Copenhagen Songs DISC 2: |
| 1. | Mr. & Mrs. |
| 2. | Catoamante |
| 3. | Pingas Da Vida |
| 4. | Seu Dia Vai Chegar |
| 5. | O Que E Amar |
| 6. | Carona |
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Tania Maria In Copenhagen Music Review Purchase Tania Maria In Copenhagen CD To buy, Click on price to add to cart | Al Jarreau Christmas CD (2008)
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| | Ray Davies Kinks Choral Collection CD (2009)
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| | Herb Alpert South Of The Border CD (1964) Remastered; Special Edition
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Herb Alpert/Herb Alpert & the Tijuana Brass/Tijuana Brass: Herb Alpert (trumpet); John Pisano (electric guitar); Tonni Kalash (trumpet); Bob Edmondson (trombone); Lou Pagani (piano); Pat Senatore (bass guitar); Nick Ceroli (drums).
Herb Alpert was still using an array of SoCal studio all-stars as his Tijuana Brass when South of the Border (1964) began to restore the combo's good name after the modest Herb Alpert's Tijuana Brass, Vol. 2 (1963) failed to ignite a fire in listener's ears. In his essay accompanying Shout! Factory's 2005 Signature Series reissue of South of the Border, Alpert comments that the Sol Lake composition "Mexican Shuffle" "opened a new door for me." That passageway meant the loss of the Tijuana ...
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| | Artie Traum Thief Of Time CD (2002)
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Although Artie Traum has long been a folk-rock artist first and foremost, the word "jazz" frequently comes up in connection with the veteran singer/songwriter and acoustic guitarist. Traum has often brought a major jazz influence to his work, and he is quite capable of functioning in an instrumental setting (the Traum CD Acoustic Jazz Guitar is a collection of instrumental performances spanning 1992-2004). But Thief of Time is strictly a vocal album; it is also one of Traum's most rewarding and consistent efforts. Traum has, on occasion, recorded albums that were inconsistent and uneven, but this 2007 release is memorable from start to finish -- and Traum (who wrote or co-wrote most of the material) excels on tracks that have a strong post-bop jazz influence (such as "Midnight Blue," "Back in the Sugarcane," and the infectious opener, "Bonnie Jean") as well as tracks that don't (for example, "Halifax," "Last Tree in the Bronx," and the haunting "Insult a Man"). A few of the songs find Traum playing some electric guitar (including "Bonnie Jean" and "Cuckoo Bird," another selection with a definite jazz influence), but Traum plays a lot more acoustic guitar on this 48-minute CD -- which is appropriate because even though he clearly knows his way around the electric guitar, he is really an acoustic-oriented artist at heart. Traum's ability to perform instrumentals on other albums does not erase the fact that he is very much a part of the storytelling troubadour tradition; acoustic-oriented settings have a long history of serving troubadours well, and an acoustic-oriented approach certainly serves Traum well on the captivating Thief of Time. ~ Alex Henderson
Back in the '60s -- when a young Artie Traum was building his résumé on the New York City folk scene -- baby boomers had a saying: never trust anyone over 30. But from a musical standpoint, one of the problems with that assertion (apart from the fact that it was just plain ageist) is the fact that some musicians get better and better as they grow older. Traum is a perfect example. The Bronx-born singer/songwriter was in his late fifties when he recorded South of Lafayette in 2002, and he is very much on top of his game throughout this excellent album -- which is best described as folk-rock with frequent jazz overtones. Not all of the songs on this 45-minute CD are jazz-influenced, but many of them are -- and Traum's appreciation of jazz is a major asset on memorable offerings like "The Ballad of Frankie O," "The Map," the cynical "In Paris," and the haunting title track. Musically, "Memorial Day 1959" isn't as jazz-influenced as the abovementioned songs, but lyrically, it employs a lot of jazz imagery. Looking back on life in New York City in 1959 (the year Traum turned 16), Traum fondly recalls a time when John Coltrane and Symphony Sid were cultural icons in his home town. "Memorial Day 1959" ...
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