| | Ragga Party Mash-Up CD
Ragga Party Mash-Up Music Ragga Party Mash-Up Songs | 1. | Freeze - Various Artists |
| 2. | Pat It - Various Artists |
| 3. | War - Various Artists |
| 4. | Come On - Various Artists |
| 5. | Naw Left the Dance - Various Artists |
| 6. | Better Believe - Various Artists |
| 7. | Ready Fi Ride - Various Artists |
| 8. | More U Live - Various Artists |
| 9. | Untie Pam Hall - Various Artists |
| 10. | Sophisticated Ladies - Various Artists |
| 11. | Flatta This - Various Artists |
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Ragga Party Mash-Up Review
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Purchase Ragga Party Mash-Up CD To buy, Click on price to add to cart | Peter Tosh - Captured Live DVD (2002)
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| | Peter Tosh Legalize It CD (1976) Remastered
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After spending 12 years as a member of Bob Marley's Wailers, Peter Tosh was eager to break free from the shadow of the legendary frontman. In 1976, he released LEGALIZE IT, still one of the most significant albums in the history of reggae. The title track expresses one of Tosh's many political causes, justifying the legalization of marijuana as a remedy for various medical ailments. "Burial" is one of several tracks that features the talents of the Wailers' stand-out lead guitarist, Al Anderson.
Tosh adds his own seasoning to the reggae pot as he incorporates keyboards in "Whatcha Gonna Do" and synthesizers and sound effects on "Igziabeher." "Ketchy Shuby," a sing-along about fooling around, features the background vocal talents of Rita Marley, Bunny Wailer, and Judy Mowatt. Tosh's life ended too early, and LEGALIZE IT is the strongest testament to ...
| | Albert Griffiths On The Right Track CD (1989)
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Their best 80s effort, with assistance from members of the I-Tones. ~ Ron Wynn
Albert Griffiths & the Gladiators' On the Right Track is a bit of a disappointment, especially considering that the excellent In Store for You had thrilled fans a mere year before. Perhaps part of the problem was due to the splitting of recording between Jamaica and the U.S. with two entirely different bands.
More likely though, the Gladiators, now dwindled down to the duo of Albert Griffiths and Gallimore Sutherland, needed more time to regroup and gestate these songs. There's a tinge of uncertainty to much of the set, a number of the arrangements are ill-considered, with the rhythms marred by over-reliance on repetitive drum programming thumping over the live beats. And something's out of whack when Griffiths is reaching back not just into his own songbook but that of others for help. The album reaches a nadir with a cover of the limpid old Elvis Presley standard ...
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The Deuce Project compose a hearty post-grunge mix on their Maverick debut, Stone Cold. What's most impressive is the dynamic between childhood friends Noah Pierce and Josh McMillan, for the two of them create a lush pop sound ...
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| | L S Ellis Sucker Punch Requiem CD (2008)
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Bassist Lisle Ellis has been a fine creative improvising bassist within tuneful or song line jazz structures. As an instrumentalist and soloist he has been praised for innovations beyond normalized players in his field. For this CD, Ellis has taken a new step, incorporating the styles his second career authored as a painter and musical sound sculpture. His inspiration is the New York City artist and poet Jean-Michel Basquiat aka SAMO, who was culturally and politically motivated, and was paid tribute by graffiti drawers in the Big Apple. A study of the requiem form, particularly the Catholic "Mass of the Dead" welded onto Basquiat's line "Jimmy Best on his back to the sucker punch of his childhood files" has led Ellis to the "Sucker Punch Requiem." Many of these pieces are shorter, repeated or modified later in the program, and act as preludes or interludes. Of the extended tracks, "La Pulgas" (Repelling Ghosts) starts with a fractured intro, then eases into a 9/8 to 4/4 shuffle, powered by the unlikely pairing of the tart alto sax of Oliver Lake and the more tonic flute of Holly Hofmann. These two, with Lake on soprano sax and teamed with trombonist George Lewis make due with "For Blues & Other Spells," as mainstream jazz pianist Mike Wofford also steps out and explores. This is no ordinary blues connotation, as its deft, deliberate stance turns to rock & roll, a chamber waltz, and a chance for veterans Lewis and Lake to have at it in vibrant discourse. "Untitled" (Still Life) is a deep tune, the true requiem coda, and wrapped in an Asian motif with the probing bass of Ellis, naked and unfettered, chiming "Taps" while the somber band tearfully agrees. Of the shorter pieces, "Summonings" is a spooky siren song with SAMO's name being invoked, "Portrait of the Artist as a Young Derelict" is a dirge, "Bas Relief" a free jazz snippet feature for Lake and drummer Susie Ibarra, "Suicide Study" is a blues shuffle/swing for Hofmann and Wofford and the first take of four "Perishable Fig." inserts gives the most industrial electronic surge. The diversity held throughout this CD is astonishing, disarming, ...
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