| | Ragga Party Mash-Up CD
Ragga Party Mash-Up Music Ragga Party Mash-Up Songs | 1. | Freeze |
| 2. | Pat It |
| 3. | War |
| 4. | Come On |
| 5. | Naw Left the Dance |
| 6. | Better Believe |
| 7. | Ready Fi Ride |
| 8. | More U Live |
| 9. | Untie Pam Hall |
| 10. | Sophisticated Ladies |
| 11. | Flatta This |
| Ragga Party Mash-Up Review
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Purchase Ragga Party Mash-Up CD To buy, Click on price to add to cart | Jimmy Cliff Harder They Come CD (1972) Remastered
Ragga Party Mash-Up
$11.05 The 2003 Deluxe Edition of THE HARDER THEY COME includes a bonus CD of early reggae tracks recorded between 1968 & 1972, rare photos and original artwork. Producers: Jimmy Cliff, Derrick Harriot, Leslie Kong, Byron Lee. Originally released on Mango SMSAS (7400). Includes liner notes by David Katz. Producers: Jimmy Cliff, Derrick Harriot, Leslie Kong, Byron Lee, Guilly Bright. In 1973, when the movie The Harder They Come was released, reggae was not on the radar screen of American pop culture. The soundtrack went a ways toward changing that situation. It is a collection of consistently excellent early reggae songs by artists who went on to thrive with reggae's increased popularity, and others for whom this is the most well-known vehicle. Jimmy Cliff is both the star of the movie and the headliner on the soundtrack. He contributes ...
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Ragga Party Mash-Up
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Ragga Party Mash-Up
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Ragga Party Mash-Up
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Personnel: Buju Banton (vocals); Toots Hibbert (vocals); Marcia Griffiths, Nadine Sutherland, Wayne Wonder, Beres Hammond. Liner Note Author: Buju Banton. Editor: Paul Shields. Jamaican dancehall veteran Buju Banton has featured duets with a wide array of artists on his albums right from the beginning, and this two-disc 33-track compilation from VP Records collects several of them in one convenient package. There's none of the slackness here that brought Banton his first taste of fame (and controversy), and his remarkable (and critically lauded) conversion to socially conscious material is well in evidence. Buju's gruff-voiced DJ stance has always been stronger than his singing side, and these pairings with the likes of Beres Hammond, ...
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Ragga Party Mash-Up
$17.45 Their best 80s effort, with assistance from members of the I-Tones. ~ Ron Wynn Albert Griffiths & the Gladiators' On the Right Track is a bit of a disappointment, especially considering that the excellent In Store for You had thrilled fans a mere year before. Perhaps part of the problem was due to the splitting of recording between Jamaica and the U.S. with two entirely different bands. More likely though, the Gladiators, now dwindled down to the duo of Albert Griffiths and Gallimore Sutherland, needed more time to regroup and gestate these songs. There's a tinge of ...
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| | L S Ellis Sucker Punch Requiem CD (2008)
Ragga Party Mash-Up
$16.39 Bassist Lisle Ellis has been a fine creative improvising bassist within tuneful or song line jazz structures. As an instrumentalist and soloist he has been praised for innovations beyond normalized players in his field. For this CD, Ellis has taken a new step, incorporating the styles his second career authored as a painter and musical sound sculpture. His inspiration is the New York City artist and poet Jean-Michel Basquiat aka SAMO, who was culturally and politically motivated, and was paid tribute by graffiti drawers in the Big Apple. A study of the requiem form, particularly the Catholic "Mass of the Dead" welded onto Basquiat's line "Jimmy Best on his back to the sucker punch of his childhood files" has led Ellis to the "Sucker Punch Requiem." Many of these pieces are shorter, repeated or modified later in the program, and act as preludes or interludes. Of the extended tracks, "La Pulgas" (Repelling Ghosts) starts with a fractured intro, then eases into a 9/8 to 4/4 shuffle, powered by the unlikely pairing of the tart alto sax of Oliver Lake and the more tonic flute of Holly Hofmann. These two, with Lake on soprano sax and teamed with trombonist George Lewis make due with "For Blues & Other Spells," as mainstream jazz pianist Mike Wofford also steps out and explores. This is no ordinary blues connotation, as its deft, deliberate stance turns to rock & roll, a chamber waltz, and a chance for veterans Lewis and Lake to have at it in vibrant discourse. "Untitled" (Still Life) is a deep tune, the true requiem coda, and wrapped in an Asian motif with the probing bass of Ellis, naked and unfettered, chiming "Taps" while the somber band tearfully agrees. Of the ...
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Ragga Party Mash-Up
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