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Clever wordplay and country music form the backdrop for actor Rick Moranis's debut album, the Grammy-nominated AGORAPHOBIC COWBOY, where he's improbably accompanied by members of Norah Jones's backing band on a set that covers a laundry list ... Full Descriptionof nebbishy insecurity in songs like "I Ain't Goin' Nowhere" and "It's the Champagne Talkin'." Though Moranis is no Johnny Cash--or even Ray Stevens--this homespun collection radiates self-deprecating good humor, and the assured backing guarantees that the singer's witticisms go down smoother than Tennessee sippin' whiskey.
Live Recording
Personnel: Rick Moranis (vocals); Tony Scherr (guitar, bass guitar, background vocals); Jason Mercer (banjo); Andy Statman, Daniel Marcus (mandolin); Charlie Burnham (fiddle); Andy Ezrin (piano); Chris Brown (organ); Dan Reiser (drums); Robert Dipietro (shaker).
Hide Description Rick Moranis Agoraphobic Cowboy Songs Buy Agoraphobic Cowboy CD Purchase Agoraphobic Cowboy CD To buy, Click on price to add to cart | Who Tommy CDs (1969) Hybrid; Bonus Tracks; SACD Hybrid; Remastered; Deluxe Edition
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This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
The definitive rock opera, TOMMY liberated the Who from a "singles band" stigma, marking them as a substantial artistic force. Composer Pete Townshend had flirted with the conceptual format on two previous releases, but here his vision is spread over two ambitious records that play to the Who's main strengths. Anthems such as the raucous "Pinball Wizard" and the surprisingly serene "I'm Free" emphasize the kinetic power of the band, while Townshend's cast of characters (the perverted Uncle Ernie, ...
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Released at a time when lead singer Rod Stewart was exploring the Great American Songbook, the music presented on FIVE GUYS WALK INTO A BAR... reinforces the argument that the Faces were one of rock's great overlooked bands. The quintet's ease around a bar never diminished the organic musicianship that found them easily melding their love of rock & roll, blues, and soul.
Fueled by Ron Wood's stellar guitar work, Ian McLagan's fluid keyboard playing, and the rock-solid rhythm section of Ronnie Lane and Kenney Jones, the Faces shared space with Stewart's burgeoning solo career, but still managed to crank out four excellent studio albums in less than six years. Not only are these records all included in their entirety in this four-disc collection, but the band's official output is practically doubled here by way of numerous live BBC performances, alternate versions, and rehearsal tapes. Along with the soaring passion of "Flying," fall-down raucousness of "Stay with Me," and unheralded Lane-penned classic "Debris" are loving covers of tunes by John Lennon, Luther Ingram, Free, and Robert Johnson. Words can't do justice to the wealth of musical manna ...
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FUTURAMA is an animated sci-fi comedy from the genius of Matt Groening, the mastermind responsible for THE SIMPSONS. The show was equally hilarious as its predecessor, and sported a cast of guest characters to rival Homer and pals, including the voice of Al Gore as himself in "Crimes of the Hot," and William Shatner and Leonard Nimoy in "Where No Fan Has Gone Before," a priceless spoof on Star Wars fans. The story centers around Philip Fry, who in 1999 accidentally got himself cryogenically frozen while working a dead-end job as a pizza delivery boy. Waking up in the year 3000, ...
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Crucial to this aesthetic success is the fact that Burke and Miller avoided the obvious dusty honky-tonk warhorses. Instead, Burke invests Tom T. Hall's "That's How I Got to Memphis" with stirring pathos, plays the scorned lover on Miller's "Does My Ring Burn Your Finger," and fills Kevin Welch's "Millionaire" with warmth and grit. New tunes written to order by Gillian Welch and Patty Griffin keep things fresh, and guest vocals from Emmylou Harris and Dolly Parton keep King Solomon squarely rooted in the NASHVILLE of his dreams.
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This is a multi-channel Super Audio CD playable only in Super Audio CD players.
Recorded live at Folsom Prison, Folsom, California on January 13, 1968. Includes liner notes by Johnny Cash and Steve Earle.
Want to hear part of the reason why Johnny Cash is an icon, a singer respected and influential in country, folk, and rock & roll? THIS is it! In 1968--one of the most tumultuous years in American history since the Depression--Cash recorded an album live in front of a (literally) captive (but wildly appreciative) audience, in Folsom Prison. With two guitars, bass, drums, and a small vocal group (including Cash's wife June Carter Cash and the Statler Brothers), Cash sings his hits and lesser-known songs ("Send a Picture of Mother") and some haunting country standards ("Dark as a Dungeon"), as well as songs about REAL outlaws ("Cocaine Blues") to a rapt audience that hangs on every word. That boom-chicka-boom sound is as sharp as the first mean wind of winter, and Cash is in fine fettle (though his voice cracks from time to time). With its unique setting, this is as harrowing an album as any ever recorded.
Want to hear part of the reason why Johnny Cash is an icon, a singer respected and influential in country, folk, and rock & roll? THIS is it! In 1968--one of the most tumultuous years in American history since the Depression years--Cash recorded an album live in front of a (literally) captive (but wildly appreciative) audience, in Folsom Prison. With two guitars, bass, drums, and a small vocal group (including Cash's ...
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