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Yargos To Be Or Not To Be CD

 Yargos Discography of CDs

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Recording information: Frida Park Studio, Hannover, Germany; Urzeit Productions, Sehnde, Germany.

Yargos: Anca Grateroi (vocals); Wieland Hofmeister (guitar, keyboards); Andreas Kienitz (guitar); Ossy Pfeiffer (piano, keyboards, drums); Peter Pichl (bass guitar).

To Be Or Not To Be Music


Detailed To Be Or Not To Be Music Information



List Price $10.98 (You save $1.49)
Category Rock/Pop Albums, Rock CDs, Heavy Metal, Progressive
Label Locomotive
Orig Year 2006
All Time Sales Rank   204327  
CD Universe Part number 7019509
Catalog number 257
Discs 1
Release Date Feb 21, 2006
Studio/Live Studio
Mono/Stereo Stereo
Engineer Jan Nemec
Personnel Andreas Kienitz - guitar
Anca Grateroi - vocals
Ossy Pfeiffer - piano, keyboards, drums
Peter Pichl - bass guitar
Wieland Hofmeister - guitar, keyboards
Yargos To Be Or Not To Be Songs


Yargos To Be Or Not To Be Album Track Listing



1.Guilded Cage, The
2.Why?
3.Peace of Mind
4.Point of No Return
5.Time to Decide, A
6.Pink Confusion
7.Human Nature
8.Time Drops
9.Summer Tree #1, The
10.Full Circle
11.Sometimes It Is Easier
12.Turn Away
To Be Or Not To Be Music


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There's a breed of (post-1980s) bands with the same degree of grand rock experimentalism as Pink Floyd and Yes, who simultaneously adhere to the concept of concise songwriting. Porcupine Tree is one such band--their sound is a balance of lush ambient textures, charming vocal harmonies, rock & roll directness, and acoustically- and electronically-generated ...
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The first made-for-compact disc Deep Purple collection, Anthology still offers a satisfying, extended glimpse at the seminal English hard rockers without the extra fat (meaning the rare outtakes) of the comprehensive Shades quadruple box set. And despite Anthology's mid-70's cutoff date (all material from the '80s and '90s albums by the re-formed Mark II lineup, and ...
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Four albums in and still whacked on speed, Finnish five-piece Children of Bodom continue with its highly entertaining, giddy, pogo-stick metal on Hate Crew Deathroll. Attitude-wise, CoB has become the Manowar of melodic death metal, willfully leaping off the cliff of over-the-top metaldom (not unlike Swedish supergroup Witchery) -- which is refreshing, considering the poker-faced seriousness of most acts in the genre, and here, main Bodom-ite Alexi "Wildchild" Laiho keeps his tongue firmly in cheek while tearing through squirrelly cuts such as "Triple Corpse Hammerblow" and "Lil' Bloodred Ridin' Hood." Like its predecessor, Follow the Reaper, Hate Crew finds Laiho firing off frantic speed metal riffs and technical, shred-heavy solos alongside humorously irritating prog/horror movie keyboards; this time, however, he has tightened up the arrangements (most songs clock in under four minutes) and significantly improved the enunciation of his ...
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CD $12.49
mindFIELD is Gabriel Shaw, Regan Miller & Stacia Tucker.

* Side-Line magazine"Singularity can be described as an electronic pop release, but with some extra power and bounce. Shaw avoids falling into the cheap cliches of the genre, but focus on refreshing sound sculptures."* ReGen magazine"mindFIELD takes the better parts of the two sounds and makes them into a superior whole. It's a fine combination of the style and structure of Haujobb combined with the sensibilities and tone of Unlearn-era Psykosonik. ...

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CD $18.95
What the Critics SayThe music of Michael Chapdelaine had made a cameo appearance in Adam Holzman's encore, but nothing could have prepared us for the arrival of the man himself. A time-served classical guitarist who, in his own words, 'used to have a tuxedo', Chapdelaine has now reinvented himself as a ponytailed fingerstyle rocker, who performs on a metal-strung acoustic hooked up to powerful amplification while grooving around the stage to the beat of his own potent compositions. It's well-known that, when classical guitarists attempt to cross the divide, the bridge usually breaks halfway, assuming they even get that far. But Michael Chapdelaine has built his own bridge on his own terms and has grown from being a highly competent classical guitarist (as demonstrated on a superb retrospective CD titled The DBX Reels) into one of the most dynamic and free-thinking live performers you'll see anywhere on any instrument. Most astonishing of all was his wild reworking of Saudade No.

3, in which an all-new central quasi-improvisation travelled from Stephen Foster to the Drifters (twice) and to Mungo Jerry(!) before finally returning to Dyens. But there's also a serious side to Chapdelaine, the excerpts from his own Homage to the American Indian, all of which were performed seated, revealing a capacity to create the most delicate and imaginative pictures in sound. So ended an international gathering in which Greece's burgeoning guitar culture joined forces with some of America's finest. My warmest thanks to the all concerned, and will the next person checking into Room 421 please cancel the sandwiches..............Classical Guitar Magazine (August 2003) Michael didn't bother wasting his time establishing his credentials by playing "Leyenda" and "Recuerdos" first (I have heard Muriel Anderson and Sharon Isbin both do exactly that, but Michael is beyond giving the proverbial flying fig). He gave us a solid 40 or 50 minutes of arrangements of classic pop tunes, with 2 or 3 originals in the mix. The first three tunes were remarkable primarily for showcasing the "rock-n-roll Golpe", a trick of thumping relentlessly on the bass strings with the side of the thumb on the back-beat ( 1 - foomp - 3 - foomp etc.

) It's very effective for creating the illusion of a rhythm section and solves that "empty sounding" problem that solo-guitar pop tune arrangements sometimes have. Also, it's a very comforting sound if you happen to miss sitting in traffic next to someone with sub-woofers in the trunk of the car. ...

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