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Yargos To Be Or Not To Be CD

 Yargos Discography of CDs

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Recording information: Frida Park Studio, Hannover, Germany; Urzeit Productions, Sehnde, Germany.

Yargos: Anca Grateroi (vocals); Wieland Hofmeister (guitar, keyboards); Andreas Kienitz (guitar); Ossy Pfeiffer (piano, keyboards, drums); Peter Pichl (bass guitar).

To Be Or Not To Be Music


Detailed To Be Or Not To Be Music Information



List Price $10.98 (You save $1.49)
Category Rock/Pop Albums, Rock CDs, Heavy Metal, Progressive
Label Locomotive
Orig Year 2006
All Time Sales Rank   207720  
CD Universe Part number 7019509
Catalog number 257
Discs 1
Release Date Feb 21, 2006
Studio/Live Studio
Mono/Stereo Stereo
Engineer Jan Nemec
Personnel Andreas Kienitz - guitar
Anca Grateroi - vocals
Ossy Pfeiffer - piano, keyboards, drums
Peter Pichl - bass guitar
Wieland Hofmeister - guitar, keyboards
Yargos To Be Or Not To Be Songs


Yargos To Be Or Not To Be Album Track Listing



1.Guilded Cage, The
2.Why?
3.Peace of Mind
4.Point of No Return
5.Time to Decide, A
6.Pink Confusion
7.Human Nature
8.Time Drops
9.Summer Tree #1, The
10.Full Circle
11.Sometimes It Is Easier
12.Turn Away
To Be Or Not To Be Music


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Textbook blend of Tex-Mex and country, spiced by Fender's immortal hit. ~ Ron Wynn Not to be confused with Freddy Fender's hit 1975 album of the same name, MCA Special Products' Before the Next Teardrop Falls contains a selection of ten highlights from his ABC/Dot recordings of the second half of the '70s. Although it falls short of being a definitive hits compilation, it's surprisingly thorough for a budget-line collection, containing his biggest singles and best-loved songs -- "Before the Next Teardrop Falls," "Secret Love," "You'll Lose a Good Thing," "Living It Down," and "Wasted Days and Wasted Nights." The remainder of the disc features very good album tracks, most culled from his first two records for the label. The result is a satisfying budget-line disc -- and it's not all that often that budget-line discs are satisfying. ~ Stephen Thomas Erlewine Before the next teardrop falls, one thing is for sure: Another Freddy Fender collection will be issued with the same title as this one, the original blockbuster album that made him a household name among an audience that extended well beyond country fans, at least for a few years. "Before the Next Teardrop Falls" was such a smash hit that record companies cashing in on Fender's popularity just had to use it on their releases. The concept of calling these packages "greatest hits" never occurred to anybody, apparently. ...
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Four albums in and still whacked on speed, Finnish five-piece Children of Bodom continue with its highly entertaining, giddy, pogo-stick metal on Hate Crew Deathroll. Attitude-wise, CoB has become the Manowar of melodic death metal, willfully leaping off the cliff of over-the-top metaldom (not unlike Swedish supergroup Witchery) -- which is refreshing, considering the poker-faced seriousness of most acts in the genre, and here, main Bodom-ite Alexi "Wildchild" Laiho keeps his tongue firmly in cheek while tearing through squirrelly cuts such as "Triple Corpse Hammerblow" and "Lil' Bloodred Ridin' Hood." Like its predecessor, Follow the Reaper, Hate Crew finds Laiho firing off frantic speed metal riffs and technical, shred-heavy solos alongside humorously irritating prog/horror ...
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mindFIELD is Gabriel Shaw, Regan Miller & Stacia Tucker.* Side-Line magazine"Singularity can be described as an electronic pop release, but with some extra power and bounce. Shaw avoids falling into the cheap clichés of the genre, but focus on refreshing sound sculptures."* ReGen magazine"mindFIELD takes the better parts of the two ...
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What the Critics SayThe music of Michael Chapdelaine had made a cameo appearance in Adam Holzman's encore, but nothing could have prepared us for the arrival of the man himself. A time-served classical guitarist who, in his own words, 'used to have a tuxedo', Chapdelaine has now reinvented himself as a ponytailed fingerstyle rocker, who performs on a metal-strung acoustic hooked up to powerful amplification while grooving around the stage to the beat of his own potent compositions. It's well-known that, when classical guitarists attempt to cross the divide, the bridge usually breaks halfway, assuming they even get that far. But Michael Chapdelaine has built his own bridge on his own terms and has grown from being a highly competent classical guitarist (as demonstrated on a superb retrospective CD titled The DBX Reels) into one of the most dynamic and free-thinking live performers you'll see anywhere on any instrument. Most astonishing of all was his wild reworking of Saudade No.3, in which an all-new central quasi-improvisation travelled from Stephen Foster to the Drifters (twice) and to Mungo Jerry(!) before finally returning to Dyens. But there's also a serious side to Chapdelaine, the excerpts from his own Homage to the American Indian, all of which were performed seated, revealing a capacity to create the most delicate and imaginative pictures in sound. So ended an international gathering in which Greece's burgeoning guitar culture joined forces with some of America's finest. My warmest thanks to the all concerned, and will the next person checking into Room 421 please cancel the sandwiches..............Classical Guitar Magazine (August 2003) Michael didn't bother wasting his time establishing his credentials by playing "Leyenda" and "Recuerdos" first (I have heard Muriel Anderson and Sharon Isbin both do exactly that, but Michael is beyond giving the proverbial flying fig). He gave us a solid 40 or 50 minutes of arrangements of classic pop tunes, with 2 or 3 originals in the mix. The first three tunes were remarkable primarily for showcasing the "rock-n-roll Golpe", a trick of thumping relentlessly on the bass strings with the side of the thumb on the back-beat ...
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