The initial pressing of LARKS' TONGUES IN ASPIC is packaged in a cardboard-stock gatefold sleeve.
After the transitional ISLANDS, LARK'S TONGUES began the third Crimson phase that ended with RED. The quartet of David Cross, John Wetton, Robert Fripp and Bill Bruford (augmented on LARK'S TONGUES by madman percussionist Jamie Muir) is regarded as the most innovative of Crimson's many lineups, offering hard-edged improvisations on an unprecedented level. With founding member/lyricist Pete Sinfield departed, Robert Palmer-James stepped in with a more cutting, concise lyrical approach that matched the group's uncompromising instrumental precision.
The album opens with part one of the title track and closes with part two, and it's a tour de force that would become a KC milestone. Indicative of the band's mid-'70s sound it features Fripp's laser-like art-metal guitar crunch bobbing and weaving around Wetton's thick, Jack Bruce-like bass lines, Bruford's confounding polyrhythms and Cross' ethereal violin. Each member challenges the others as the band is collectively driven into uncharted, often surprising terrain. As always, there are a couple of beautiful ballads. "Book of Saturday" and "Exiles" benefit from elegant, soaring melodies and Wetton's emotive Greg-Lake-after-50-cigarettes vocal style. LARK'S TONGUES marked a new direction for the band and is easily among their finest efforts.
2006 Japanese reissue of the 1973 album, presented in miniature LP sleeve with obi-strip. WHD.
King Crimson: John Wetton (vocals, bass); Robert Fripp (guitar, Mellotron, percussion); David Cross (violin, viola, Mellotron); Bill Bruford (drums); Jamie Muir (percussion).
Personnel: John Wetton (vocals); Robert Fripp (guitar, Mellotron); David Cross (violin, viola, Mellotron); Bill Bruford (drums); Jamie Muir (percussion).
Audio Remasterers: Robert Fripp; Simon Heyworth.
Recording information: Command Studios, London, England (01/1973-02/1973).Q (11/00, p.129) - 4 stars out of 5 - "...Much of this sounds curiously, like latter-day post-rock, with gorgeous pastoral moments and jagged guitar crescendos....envincing a lofty...ambition which they rarely, if ever, matched again." The Wire (10/00, p.77) - "...The extrasensory 'instrumental' prowess of peak King Crimson is what is rewarding here..." Mojo (Publisher) (3/01, p.60) - "...Huge dynamic leaps, fiendish rhythmic twists, odd time signatures and solos that seem to erupt from nowhere....As a document of an outfit way ahead of its time, the record still packs a powerful punch..."
remastered masterpiece Having loved this album previously, but disliking the poor audio in the extensive quieter sections, I was anxious to hear the remastered version. It is not just a better recording, but a better version. Comparing side by side with the original release, vinyl and cd, the remastered HCCD is just plain better. There is much more low level detail, so you can hear the amazing subtleties of the performance. They also choose slightly different arrangements in many areas, which bring out the music, in a less lean way. Submitted by pacificaudiolabs (Orange County California) Was This Review Helpful? YesNo This review is for a different format.
1st Studio Album with This Line Up Is Uneven Affair After first hearing this line up of the band on "Night watch- Live 1973"...this "larks tongues" pales in comparison to either "nightwatch" or "USA". Whereas I feel both of those live albums are incredible performances from start to end, the studio record is inconsistent and does not have enough strong performances to make it essential. All of the tunes but one are given far superior renditions on the two live albums mentioned, and also have better overall sound quality than the "larks tongues" studio recording. The "Red" album comes close to their live power, but it too is inconsistent. The studio efforts by this version of the band seem too cluttered and unfocused with some un-needed and excessive overdubs (with vocals and percussion)which ruin some of the tunes on "Larks" and one of the tunes on "Red". Performed Live the music is given more space to breath.. to appreciate how good Fripp, Wetton, and Bruford really are "USA" and "Nightwatch" are imperative ..these completely dwarf "Larks Tongues" and most of "Red" also. I'd get the box set if it was available. When you consider the vast amount of live material available by this line-up, it's almost as if their studio albums represent an after thought (like the Grateful Dead). If you had to trim it down- The King Crimson records I consider to be absolutely essential are The 1st Album -"In the Court"- (everything after it was not as good until this line up formed), "Nightwatch", and "USA". From my perspective the only purpose "Larks Tongues" serves is to provide a point of reference as to how much the live stuff stomps all over this studio album. Even Fripp himself has said this version of Crimson never made a completely satisfactory studio album. I agree with him. Review by Chris Henrici Submitted by a reviewer (washington, DC) Was This Review Helpful? YesNo This review is for a different format.
Best experimental excursion The 1973 to 1975 period represents KC's most experimental endeavors. Lark's Tongue, Starless, and Red are all hallmark albums featuring new members Bill Bruford and John Wetton. Lark's tongue is perhaps the most atmospheric of them; the intro is a kalimba! Fripp's guitar work is both melodic and chaotic. Wetton's voice is reminiscent of Greg Lake. Bill Bruford's drums are nice and crisp. Everyone else at the time were structured, and maybe more "hit" oriented. This was improvisational, and meant to take the listener on a journey. So, sit back and prepare yourself! Submitted by a reviewer (Mount Kisco, NY, USA) Was This Review Helpful? YesNo This review is for a different format.
Ahead of their time, indeed... King Crimson has weathered the years better than most of their contemporaries. This album was, in my opinion, the last TRULY GREAT King Crimson album. This album contains some of the most unique music of its era, and even to this day, there is nothing that really sounds like this music. this is a definite "must have" for any Rock music collection. Submitted by a reviewer (Coeur d'Alene, Idaho) Was This Review Helpful? YesNo This review is for a different format.
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