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Tripod CD

 Tripod Discography of CDs

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TriPod is America's newest and most unique music attraction - a hard-rocking trio with no guitars or keyboards! Adds one music critic: "...but after hearing the full sonic assault, you won't miss those instruments at all!" TriPod's newest release combine

TriPod: Clint Bahr (vocals, 12-string bass); Keith Gurland (flute, clarinet, alto saxophone, tenor saxophone, background vocals); Steve Romano (drums, percussion).

Tripod Music


Detailed Tripod Music Information



List Price $16.98 (You save $2.29)
Category Rock/Pop Albums, Rock CDs, Progressive
Label Moonjune
Orig Year 2003
All Time Sales Rank   383684  
CD Universe Part number 7021824
Catalog number 4
Discs 1
Release Date Mar 21, 2006
Studio/Live Studio
Mono/Stereo Stereo
Producer Ron Allaire; Tripod
Recording Time 55 minutes
Tripod Songs


Tripod Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Jerome's Spotlight$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Trip the Light$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Dance of the Kabuki$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Prelude$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.No Diamond Cries$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.East Flatbush$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Buzz$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Smoke & Mirrors$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Conversation Drag$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.World of Surprise$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample11.Ghosts$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample12.Fashion$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample13.Fuzz$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample14.As the Sun$1.87

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Tripod Music Reviews



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There's no shortage of legendary producers in line to work with music world titans U2; when work with Rick Rubin broke off, Brian Eno and Daniel Lanois stepped in. The resulting NO LINE ON THE HORIZON, 2009's offering from the Irish rockers, continues in the grand U2 tradition, as soaring pop anthems like opening single "Get on Your Boots" pair with experimental melanges like "Tripoli," on a striking album featuring touches of all the albums come before, yet hinting at new worlds for Bono to conquer. After spending the 1990s experimenting with electronic music and returning to arena-ready rock during the first few years of the 21st century, U2 stakes out territory somewhere between those two points on 2009's NO LINE ON THE HORIZON. Enlisting its go-to production trio of Brian Eno, Daniel Lanois, and Steve Lillywhite, the Irish quartet seems intent on crafting a quirkier companion piece to HOW TO DISMANTLE AN ATOMIC BOMB, and they succeed with restless tracks such as "Get on Your Boots," which sounds like "Vertigo" hijacked by T. Rex, and "Stand Up Comedy," a wiry number that lets the Edge cut loose with barbed guitar lines. Some of most striking songs on HORIZON are the ones that venture farthest from U2's comfort zone, as on the surprisingly weighty title track, a tune that counterbalances its nearly industrial heft with a high-pitched keyboard melody, and, of course, Bono's soaring vocals. Although HORIZON is willfully less accessible than BOMB or ALL THAT ...
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Despite her star having lost some of its luster in the 2000s, Whitney Houston is still regarded as a benchmark for modern singers of all stripes (from soulful divas to would-be pop idols). Almost seven years in the ...
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The title of Sony Music Special Products' All About Love is a little funny since almost all of 'Til Tuesday's songs were about love, in some fashion or another. Really, the title is just a clever way of making the selection seem a little more careful and considered than it actually is. When it comes down to it, All About Love is like any of its budget-line brethren -- a random sampling of an artist's catalog, ...
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Initial pressings of GOOD MORNING AZTLAN included a bonus enhanced disc featuring two previously unreleased live recordings and documentary footage. Jettisoning the studio bells-and-whistles used by the Mitchell Froom/Tchad Blake production team throughout the '90s, Los Lobos change gears by hooking up with Radiohead/XTC producer John Leckie on GOOD MORNING AZTLAN, the band's 10th full-length album. Named for the mythical birthplace of the Aztecs, this 12-pack of songs draws deeply from Los Lobos' unique mix of rock, R&B, blues, and Mexican folk music. With David Hidalgo and Cesar Rosas cranking up their guitars, songs like the title cut and the rumbling shuffle "Done Gone Blue" juice up the proceedings alongside mellower fare like the Curtis Mayfield-flavored soul of "The Word" and the delicate Latin flavors of "Malaque." Ever aware of their roots in East L.A., these first-generation Mexican Americans have always made a point of writing about those who've come to this country to achieve the American dream. "Tony & Maria" finds the band revisiting characters first written about on 1985'S HOW WILL THE WOLF SURVIVE, only to find these immigrants facing a life of fading hope. Other high points find saxman Steve Berlin blasting through the gritty funk-rock "Get To This," Quetzal singer Martha Gonzalez's harmonies gilding the soulful "Hearts Of Stone," and all of Los Lobos sizzling on the cumbia "Maria Christina." Great rock & roll bands aren't supposed to be as modest as Los Lobos, an unlikely band comprised of five world-class musicians who write, sing, and play brilliantly, have been doing it for close to 30 years -- and don't appear to feel compelled to make a big show of it. Lack of flash should never be confused with a lack of creativity, of course, and their best album, 1992's Kiko, showed they could bend traditional structures and play with the possibilities of the studio as well as any hipsters half their age. But straightforward meat-and-potatoes rock and soul have always been their strongest calling card, and their post-Kiko work with producer Mitchell Froom found them struggling to balance their more experimental instincts with their gifts as straight-ahead players, often with uneven results. Good Morning Aztlán finds Los Lobos working with a new producer, John Leckie, whose work with Radiohead, the Fall, and Kula Shaker confirms his credentials in helping to craft intelligent, creative music. But Leckie has also worked with Dr. John and Roy Harper, and knows the importance of letting a great musician simply play; as a result, Good Morning Aztlán sounds like Los Lobos' strongest album since Kiko. Leckie has replaced Froom's banks of tape-loop keyboards and webs of audio trickery with a solid, straightforward sound that reflects the band's skills as one of rock's most consistently impressive live acts, but Hollywood, California. Initial Run Incl.Bonus Disc W/ 2 Prev.Unrel.Live Trax + Doc. Recorded at CRG Studios, Rowland Heights and Sunset Sound, Personnel: Cesar Rosas (vocals, guitar); Conrad Lozano (vocals); Louie Pérez (guitar, jarana, drums, percussion); Fermin Herrera ...
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