| | Carlos Barbosa-Lima Carioca CD Carlos Barbosa-Lima Discography of CDs
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Our Price: $13.15 CDFor Sale Usually ships in 1-2 days
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Personnel include: Carlos Barbosa-Lima (guitar); Danny Rivera (vocals); Marcilio Lopes (mandolin); Nilson Matta (acoustic bass); Duduka Da Fonseca (drums, percussion).JazzTimes (p.70) - "The great Brazilian guitarist Carlos Barbosa-Lima demonstrates his remarkable contrapuntal approach to the nylon-stringed instrument on this collection of moving choros, sprightly chorinhos and alluring sambas." Carlos Barbosa-Lima Carioca Songs Carioca Review
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Purchase Carioca CD To buy, Click on price to add to cart | Stan Getz Jazz Samba CD (1962)
Carioca
$14.69 Digitally remastered using 20-bit technology by Suha Gur (Polygram Studios).
The album that launched Jobim's now classic "Desafinado" Jazz Samba was released in 1962, in the early days of America's bossa nova craze and before the music lost its charm to cliche. Joined by fellow Latin jazz pioneer Charlie Byrd on classical guitar, and a discreet ...
| | Stan Getz Getz Plays Jobim: The Girl From Ipanema CD (2002)
Carioca
$9.65
| | Lucinda Williams World Without Tears CD (2003)
Carioca
$12.05 WORLD WITHOUT TEARS was nominated for the 2004 Grammy Award for Best Contemporary Folk Album. "Righteously" was nominated for Best Female Rock Vocal Performance.
Though it's ultimately a less balladic, more stylistically varied album than its dreamy predecessor ESSENCE, WORLD WITHOUT TEARS starts out with a slow-burning, reverb-drenched ballad, but then takes a sharp turn into sensual lyricism, pounding drums, and churning guitar on "Righteously." For some time, the dominant topic of Lucinda Williams albums has been the edgy appeal of dangerous, often doomed men, and true to form there are plenty of those on WORLD WITHOUT TEARS. Witness the tragic anti-hero of "Real Live Bleeding Fingers and Broken Guitar Strings," ...
| | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
Carioca
$6.75 A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth.
Those familiar with the Live Adventures album these two recorded at the Fillmore West know how brilliant they could be on stage, and here's another gem, recorded at the ...
| | Tom Waits Real Gone CD (2004)
Carioca
$13.25 The absence of piano is significant--Waits's jazzy harmonic underpinning is entirely dismantled here, leaving only the most basic, blues-oriented structures atop which Waits hangs his distinctive poetic imagery, at once surreal ...
| | Brian Lynch Latin Jazz Sextet Conclave CD (2005) (Import) Netherlands
Carioca
$16.39
| | Sonny Rollins Moving Out CD (1954)
Carioca
$9.89 Following on the heels of his magisterial work with Miles Davis on BAGS' GROOVE, Sonny Rollins entered Van Gelder Studios with a fire-breathing quintet on August 18, 1954, resulting in four of the five selections which make up MOVING OUT. This session might just as well have been titled "Busting Out," because MOVING OUT represents a breakthrough for Rollins as a bandleader and an improviser.
Rollins really stretches out on the title tune and "Swingin' For Bumsy," playing with a new-found rhythmic command and melodic authority--spreading his wings and flying with Bird-like harmonic declamations, and a dramatic flair all his own. The oft-neglected Kenny Dorham proves a brash soaring foil, but it is the legendary pianist Elmo Hope who really arouses the Heath Blakey axis. Hope's dense, dancing accompaniements prod the soloists into uncharted waters, while his limber, sprawling improvisations represent a singular school of modern piano, occupying a space somewhere between Bud Powell and Thelonious Monk. On the ballad "Silk N' Satin," Hope's brief interlude provides a dark spiritual contrast to Rollins' romantic yearning, while his blues shouts and broad harmonic brushstrokes on "Solid" inspire Rollins to really dig in and shout.
"More Than You Know" is an extra track from one of the sessions which produced ...
| | Ella Fitzgerald Best Is Yet To Come CD (1982)
Carioca
$9.89 When this session was recorded ...
| | Serge Gainsbourg Comic Strip CD (1997)
Carioca
$11.99
| | Joe Temperley Nightingale CD (1992) (Import) Ireland
Carioca
$7.29
| | Red Hot Swing Cats Minnie The Moocher CD (1998)
Carioca
$7.89
| | Buahima Chit-Tak! CD (Import) Japan
$38.09 | | Seiko Matsuda Matsuda,Seiko Vol. 2-Eternal CD (2006) (Import)
Carioca
$40.75
| | Sofarock One CD (2007)
$9.59 |
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