| | She's The Man Soundtrack CD (48 Customer Reviews)
Composer: Nathan Wang.
Composer: Gary Chase.
Audio Mixer: Joel Iwataki.
Recording information: Paramount Scoring Stage M.
Editor: Brent Brooks. She's The Man Soundtrack Music | List Price | $18.98 (You save $4.39) | | Category | Rock/Pop Albums, Soundtrack CDs, Alternative | | Label | Lakeshore | | Orig Year | 2006 | | All Time Sales Rank |  77453  | | CD Universe Part number | 7031784 | | Catalog number | 33851 | | Discs | 1 | | Release Date | Mar 14, 2006 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Gregory Butler | | Engineer | Joel Iwataki; Joel Iwataki | | Additional Info | Original Soundtrack |
She's The Man Soundtrack Songs She's The Man Soundtrack Music Review She's The Man Soundtrack CD Purchase Music From She's The Man CD To buy, Click on price to add to cart | Disturbing Behavior DVD (1998) Widescreen
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John Waters' Cry-Baby goes hand in hand with Hairspray, and is a musical film that will probably appeal more to Waters' fans than fans of musical cinema. There is nothing original or exciting about the music on the soundtrack, as energetic as it is, and its bizarre nature is probably due to the scenes from the film rather than its own oddities. Waters describes it as "music that proved kids knew how to be bad before sex, drugs, and rock & roll," yet there seems to be little separation between those attributes and the concoction of lust and loudness here. Songs like "Doin' Time for Bein' Young" and "High School Hellcats" are no different from rock & roll, except that they sound like weak imitations of songs from Grease. Waters, the master of imitation and suburban insult, may very well have planned it that way. What might have changed ...
| | T Rex Dandy In The Underworld CDs (1977)
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The 1997 reissue of DANDY IN THE UNDERWORLD features 5 additional tracks that did not appear on the original release; "To Know You Is To Love You (To Know Him Is To Love Him)," "City Port," "Dandy In The Underworld (Single Version)," "Tame My Tiger" and "Celebrate Summer."
PRINCE OF PLAYERS is Edsel's alternate version of DANDY IN THE UNDERWORLD.
T. Rex's final release came out in 1977, when punk emerged like a ragged, safety-pin bedecked David to strike the Goliath of progressive rock square between the eyes with a well-aimed, rough-edged rock. The musical landscape has never been quite the same since.
Marc Bolan, always a keen observer of musical trends, was quick to embrace the punk ethos, even declaring himself to be its godfather. But DANDY is no punk record. It's an eclectic set, but all in all, it sounds like T. Rex. "Jason B. Sad" has a "Get it On" flavor, while "I Love to Boogie" has a similar feel to the classic "Jeepster." The title track, a midtempo groover, sports synthesizer textures and slick production. Yet these songs show Bolan's heartfelt commitment to classic chord patterns of '50s rock & roll, as the cover of "To Know Him Is to Love Him" further attests. It's hard to hear the punk influence here: certainly "We love to boogie/on a Saturday night" is a far cry from "I want to be anarchy..." But in an era when rock was becoming increasingly self-important, T. Rex shared the essential punk preference for songs that were fast, simple, and disposable.
Marc Bolan's abbreviated career and profound influence on '70s rock and beyond has guaranteed an extraordinary level of interest in everything that he and T. Rex produced. As a result, alternative versions of most of T. Rex's albums have been issued, brimming with working versions, demos, and odd bits and pieces. While 1977's DANDY IN THE UNDERWORLD was a return to form, it was not a genuine hit. However, it showed that Bolan's singing and his ability to pen short, dirty-sweet ditties were undiminished.
DANDY'S outtake album, PRINCE OF PLAYERS, is a pleasant grab-bag of late-period T. Rex, including rocking live recordings of hip-shakers like "Groove a Little," "Hang-Ups," and the anthemic title track, all of which are much raunchier than the originals. On a stripped-down "Jason B. Sad," a helium-voiced Bolan sounds like a cartoon sprite, but the unmistakable guitar riff is pure T. Rex. Among the unexpected treats: Bolan's vocal on "Pain and Pleasure" is more pure and immediate than on the original album version; a demo of "I Love to Boogie," with just Bolan and acoustic guitar, is a total delight; ...
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