| | Gonzalo Rubalcaba Solo CD Gonzalo Rubalcaba Discography of CDs
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The virtuoso Cuban pianist Gonzalo Rubalcaba performs a variety of standards and original compositions on this remarkable stylistic display. While Rubalcaba is obviously capable of jaw-dropping feats of pianistic skill, on SOLO he more frequently opts for an understated approach that creates a nuanced setting for his lyrical flights of fancy. Combining Cuban rhythms and impressionistic neo-classical forms, this collection of improvisations is spellbinding, with the delicacy of a spider's web and the underlying resilience of a rock-solid technical foundation.
Recording information: Hit Factory And Criteria Studios, Miami, FL (06/08/2005-06/10/2005).
Photographer: Jana Leon.
Personnel: Gonzalo Rubalcaba (piano); Gonzalo Rubalcaba.
Audio Mixer: Jim Anderson .
Down Beat (p.69) - 3.5 stars out of 5 -- "SOLO is generally measured, lush and romantic....The disc's real threat comes on 'Prologo,' which is more vigorous, more overtly Latin, rollicking and playful, punctuated with moments of darkness and ambiguity." JazzTimes (p.78) - "Accept SOLO for what it is -- spontaneous inner dialogue from a brilliant, inquisitive mind -- and your enjoyment of this album will be considerably enhanced." Gonzalo Rubalcaba Solo Songs Solo Review
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Purchase Solo CD To buy, Click on price to add to cart | Herbie Hancock Piano CD (1980) Bonus Tracks; Remastered
Solo album
$7.59 Previously available only as a limited edition, Japanese import.
Herbie Hancock never really focused on solo piano. However, this 1978 release, which was previously only available in Japan, is a rare gem in the Hancock discography. Thanks to this overdue 2004 reissue, the listener is invited to explore the musical mind of this pianist in an up-close and intimate setting.
All 11 tracks on THE PIANO are quite reflective, with Hancock employing many rich chordal textures and winding melodic gestures throughout. On "My Funny Valentine," Hancock combines the harmonic palette of Bill Evans with his own distinctive phrasing and unexpected modal shifts. His own composition "Blue Otani" is the only bluesy piece on this disc, and here Hancock slyly suggests the stride piano tradition without ever really playing in this style. "Harvest Time" is the most atmospheric piece on the album. As Hancock's fingers glide over the keys, one can almost envision the first blush of daybreak on a farm. For anybody seeking to better understand the conceptual and technical wizardry of Hancock, THE PIANO is a priceless find.
Recorded after the funky fusion of Head Hunters, Thrust, Sextant, and other electric albums, and before the dawn of "Rockit" and more commercially viable and hip-hop-oriented material, Herbie Hancock ...
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Solo CD music
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Solo music CDs
$18.95 The dramatic, spiraling inventions of Tyner lend a frenetic element to Coltrane's already intense lines, while Jones and Garrison find and rearrange nearly every rhythm and counter-rhythm imaginable. There are only four tracks here (spread out over two discs), but each--whether it's the fiery ...
| | Thelonious Monk At Carnegie Hall CD (2005)
Solo songs
$12.89 On paper it seems as if such titanic and distinctive musical personalities as Thelonious Monk and John Coltrane might not mix very well, but this stellar set, recorded live at Carnegie Hall in 1957, plays almost like a blissful extended duet between the two (with support from a sensitive yet hard-swinging bassist and drummer). The opener, "Monk's Mood," for example, features the composer/pianist's typically brilliant, idiosyncratic playing, while Coltrane floats over the top in the most lyrical of modes. Monk, in particular, is a master of tension-and-release tunefulness, creating rhythmic and harmonic intricacies that seem to spur Coltrane's saxophone exploration to ...
| | Conrad Herwig Que Viva Coltrane CD (2004) (Import) Netherlands
Solo album
$16.09 What more could Latin jazz fans ask for, seriously? Not only are all the players just this side of top guns, they have been playing together in the same group for just shy of ten years. An all-star lineup and the genuine synergy that comes with regular collaboration do not happen often. When they do, well, it's clave magic. Pianist Edsel Gomez's playing is sly and intuitive. Bassist John Benítez, whose Descarga in New York could be one of the decade's most defining Latin jazz records, is strong and confident. Richie Flores is the genre's most underappreciated conguero, and his playing is typically incendiary. Robby Ameen is, of course, among the most in-demand drummers on the scene, and his playing is dazzling as always. Brian Lynch has a voice all his own, and of course Conrad Herwig is one of modern jazz's most influential trombonists. This being Herwig's second go at the Coltrane songbook, the obvious choices are done with, leaving him some gems that were hidden slightly below the surface of public interest. "Lonnie's Lament" is masterfully arranged and funky enough to make your hair stand on end. "Countdown" is at times both graceful and storming. Que Viva Coltrane is a ...
| | Arthur Murray More Fabulous Ballroom CD (1999)
Solo CD music
$7.59 The music reissued on More Fabulous Ballroom was originally recorded by the Arthur Murray Orchestra in 1961 for use on dance instruction LPs, including 21 tracks that illustrate dance steps for the ...
| | John Coltrane Trane's Blues CD (1999)
Solo music CDs
$9.65 Recorded between March 1956 and September 1960. Includes liner notes by Bob Belden.
In short, this collection of Coltrane performances is fantastic. Though each tune here is based on more or less traditional 12-bar blues structures, there is never a dull or predictable moment. The changes are as natural as breathing. Coltrane, flanked by such legends as Lee Morgan, Donald Byrd, McCoy Tyner, Paul Chambers, and Art Blakey, simultaneously reveres and subverts the form with his wild, supremely inventive approach to harmonic expression. On "One And Four" (later recorded as "Mr. Day"), Coltrane modernizes the blues by superimposing the major third over the suspended chords, creating compelling, angular tensions.
"Trane's Blues," a tune Coltrane later re-recorded with Miles Davis, represents the saxophonist's gift for composing catchy themes around his challenging solo flights. The inclusion of two cuts from BLUE TRAIN makes this set a must. Both "Blue Trane" and "Locomotion" are modern jazz classics that feature definitive, virtuousic soloing by all of the musicians. TRANE'S BLUES is a keeper. This is a case study in how a musician can embrace one of the simplest, most traditional forms and revitalize it with dazzling, boundary-pushing creativity.
Digitally remastered by Ron McMaster.
Compilation producer: Michael Cuscuna.
Personnel: John Coltrane (tenor saxophone); Kenny Burrell (guitar); Hank Mobley (tenor saxophone); Donald Byrd, ...
| | Hank Jones Touch CDs (2002)
Solo songs
$15.29 THE TOUCH contains 2 original LPs on 2 CDs: ROCKIN' IN RHYTHM (1977)/LAZY AFTERNOON (1989).
This two-disc reissue combines sessions Hank Jones waxed for Concord Jazz 12 years apart. The first CD contains 1977's Rockin' in Rhythm, originally co-billed to Jones, bassist Ray Brown, and drummer Jimmie Smith. The trio ably handles a group of standards, though, as annotator Leonard Feather notes of the opening song, "Your Feet's Too Big," the nominal songwriters can be happy they are receiving royalties for improvistations that often use very little of their original tunes. On this track and three others, Jones plays an electric piano to good effect. He dominates the music, making his new star billing on the session appropriate. The ten tracks on the second disc were recorded in July 1989 and originally issued as Lazy Afternoon. Here, Dave Holland on bass and Keith Copeland on drums, with Ken Peplowski adding clarinet and alto sax, join Jones. Though originally billed as a Jones solo album, this is actually more of a group effort than Rockin' in Rhythm, with each of the musicians getting considerable solo time. The aspect that makes ...
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Solo album
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Solo songs
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