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Ursula 1000 Here Comes Tomorrow CD

 Ursula 1000 Discography of CDs

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When it comes to funky kitsch electronica, the line between charming and cloying is a very, very thin one. It's a mark of Alex Gimeno's genius that he's able to negotiate that line with such consistently good (if not always absolutely perfect) judgment. His third album continues his exploration of vintage rock and disco sounds, Latin dance music, early electronica, psychedelic goofiness, and ethnic exotica. Every track teeters precariously on the brink of precious over-cuteness, but none of them actually falls over, and the tension of waiting for that to happen only adds to the fun. The best thing about the album, though, is its incredible variety of sounds. You've got your T. Rex tribute (on the stomping "Hello! Let's Go to a Disco," featuring Dougie Dimensional from the Gentle People), your Austin Powers-on-ecstasy go-go workout ("Kaboom!"), your blues-mambo-bhangra mash-up ("Got Cha"), your token pseudo-mystical Indian track ("Ragnarock"), your organ-based weirdo funk ("Mirkin the Mystic"), your straight-up old-school electro-funk ("Electrik Boogie"), and even a celebration of the 2 Tone ska revival ("Two Tone Rocka"). And bongos, baby -- lots of bongos. Recommended. ~ Rick Anderson
Here Comes Tomorrow Music


Detailed Here Comes Tomorrow Music Information



List Price $15.98 (You save $2.59)
Category Rock/Pop Albums, Rock CDs, Dance, Electronica, Techno
Label Eighteenth Street
Orig Year 2005
All Time Sales Rank   93180  
CD Universe Part number 7034398
Catalog number 91
Discs 1
Release Date Mar 21, 2006
Studio/Live Studio
Mono/Stereo Stereo
Ursula 1000 Here Comes Tomorrow Songs


Ursula 1000 Here Comes Tomorrow Album Track Listing



1.Kaboom!  
2.Hello! Let's Go to a Disco
3.Gotcha
4.Electrik Boogie
5.Two Tone Rocka
6.Boop
7.Mirkin the Mystic
8.Urgent/Anxious
9.Descarga en la Discoteca
10.Arrastao
11.Ragnarock
12.Here Comes Tomorrow
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Hard to believe the Roomates have been around so long that almost as much time has passed since their formation and the doo wop era they so superbly resurrect. While their revivalist compatriots were busily bringing rockabilly back to life in the mid-'80s, this group of friends turned even further back into the past for inspiration. Surprisingly perhaps, considering the adoration their elders held for African-American R&B, the Roomates preferred white doo woppers particularly Dion & the Belmonts and the sound of the stellar Laurie label. But, as Steve Webb explains in the sleeve notes, what drew them to the Belmonts was their more egalitarian distribution of vocals between the lead singer and the harmonizers. And the Roomates certainly share the lead around, with only Mark Webb, Steve's brother, choosing not to step out into the limelight. A few years in to the band, the group added a fourth singer, a host of their own compositions to their repertoire, and finely polished their vocals and arrangements. This set, their third full-length, features all of the above across 24 tracks -- ten originals and 14 scrumptious covers. The latter are astutely chosen numbers from the likes of the Duprees, the Cascades, the Capris, and the Belmonts of course, as well as a quite stunning a cappella version of the Platters' classic "Smoke Gets in Your Eyes." ...
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Germany is not generally known as one of the funkier nations on Earth, and when the Teutonic set try to get wild and swinging, something usually sounds a bit off in the results -- which is a big part of the fun with this compilation. The In-Kraut collects 20 German pop tunes recorded between 1966 and 1972, ranging from a witty Hildegard Knef track that sounds like her answer to Peggy Lee's "Is That All There Is" to a big band arrangement of the Rolling Stones' "Jumpin' Jack Flash," complete with a gloriously out-of-place organ solo. What you get is a terrific collection of swingin' bachelor pad music, complete with a view of the Reeperbahn; most of the tracks suggest someone like Si Zentner trying to play something like rock & roll, with an added level of cultural disconnect added as the performers struggle to play American-style pop, often while attempting to sing in English (frequently in a manner that suggests they learned the lyrics phonetically). If this sounds like a pan so far, though, it isn't -- The In-Kraut is actually lots of fun, with most of the tunes boasting tight arrangements, great studio bands, and punchy, enthusiastic performances, even if the results often have little to do with rock & roll. (It's significant that, according to the liner notes, the upbeat "Marihuana Manta" was recorded by a musician who never smoked dope in his life, while "Molotov Cocktail Party" sounds less like a call to revolution than a tribute to the pleasures of blowing up stuff.) For the most part, The In-Kraut finds studio-centric big bands attempting to tackle rock & roll, and while they don't quite make it on face value, they come up with something that's exciting, compelling, and lots of fun -- proof that sometimes squares can be a lot cooler than you'd expect. ~ Mark Deming Marina Records proudly presents The In-Kraut -- twenty handpicked soul, beat, now sound, mod and soundtrack gems from Germany -- all recorded between 1966 and 1974. Among them many Kraut-pleasin' obscurities and long-forgotten nuggets that appear now ...
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