| | Jon Larsen Short Stories From Catalonia CD Jon Larsen Discography of CDs
Short Stories From Catalonia Music Jon Larsen Short Stories From Catalonia Songs | 1. | Rupit |
| 2. | Rosalert |
| 3. | Montserrat |
| 4. | El Velero |
| 5. | Bar Pastis |
| 6. | Adios Marcelo |
| 7. | Els Joglars |
| 8. | Musique Noir |
| 9. | Bielball |
| 10. | L 'Ascensor |
| 11. | Els Quatre Gats |
| 12. | Anna De Codorniu |
| 13. | La Masia |
| 14. | Set Portes |
|
Short Stories From Catalonia Review
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Purchase Short Stories From Catalonia CD To buy, Click on price to add to cart | Artie Shaw Complete Thesaurus Transcriptions 1949 CDs (2010)
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| | Rippingtons Modern Art CD (2009)
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The Rippingtons have been one of the most durable and fertile bands (ex-members include Dave Koz and David Benoit) on the contemporary jazz scene--MODERN ART is album number 18 for guitarist Russ Freeman and company. For the group's fans, their smooth, ...
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Track Listing of songs: DISC 1: In the Mood; Begin the Beguine; I've Got a Gal in Kalamazoo; Cherokee; One O'Clock Jump; Perdido; King Porter Stomp; Little Brown Jug; I'm Getting Sentimental Over You; Harlem Nocturne; You Made Me Love You; Moonlight Sonata; DISC 2: Chattanooga Choo ...
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Polish Death Metal
| | Paolo Conte Una Faccia In Prestito CD (1995) (Import) Germany; Argentina
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Una Faccia in Prestito finds Paolo Conte approaching sixty, and much at ease in his hard-earned role of venerable, ultra cool, international cult figure. All of the elements that made Conte's music and persona so unique are on display here, perhaps even in an ostentatious manner. Una Faccia in Prestito presents Conte at his most mannerist, as he nonchalantly revises or combines genres with astonishing musical facility. The aesthetic of pastiche, always important in Conte's oeuvre, becomes the very essence of this album, both musically and lyrically. Indeed, in the same way that Conte amalgamates swing, bolero, paso doble, jig, milonga, or German music hall, his texts often become a hybrid of various European languages, including Italian, French, English, Spanish, Portuguese, and even his own native dialect of the Asti region. Conte employs the same crew that accompanied him since the early 1990s (Jino Touche, Daniele Di Gregorio, Massimo Pitzianti), and the arrangements and performances are customarily faultless. Still, at 17 tracks in under ...
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Informatik: Da5id Din, Matthew Crofoot.
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Short Stories From Catalonia album
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Slam Stewart was well known for his gimmick of humming and playing his bass in octave unison, which is featured prominently throughout this compilation of two studio sessions. The bulk of the music features Stewart leading a trio with pianist Johnny Guarneri (who wrote 6 originals for the date) and drummer Sammy Weiss; stronger are their interpretations of standards like "That Old Black Magic" and "My Blue Heaven." The final two tracks are by a quartet with Erroll Garner, guitarist Mike Bryan, and drummer Hal West, playing the obscure "Dark Eyesky" ("Dark Eyes," which he had previously recorded with Art Tatum in 1944) and "Play Fiddle Play." While this ...
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| | Gebhard Ullmann Essencia CD (2001) Import
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Gebhard Ullman's many projects have made him a hard man to pigeonhole. While he sometimes prefers combinations of instruments just off the beaten track (as on his Clarinet Trio recording), this one uses the conventional grouping of reeds, piano, and string bass with uncommonly delightful results. Perhaps not unexpectedly, Ullman transforms the potentially ordinary into something just a little bit different. To be sure, most of the pieces are freely improvised, and there is little sense of anything definitive being created. Yet, with very slow tempos and a quiet beauty (for example, on the stunning title piece, during which the bass clarinet and bass gently caress), Ullman succeeds admirably in crafting a delicate construct that is uniquely his own. There are times, on "Gospel," for example, when the intensity invigorates, but these are the exception. Even on this piece, repetitive 16th notes draw in the listener with a mesmerizing, hypnotic pull. Throughout, all three musicians play as if every note is the last. There are no accommodations to cliché, and conventional assumptions are dismissed. Thus, the listener is always left guessing and is ...
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