| | Sun Ra Heliocentric Worlds Volumes 1 & 2 CD Sun Ra Discography of CDs
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Not available
Our Price: $10.89
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2 LPs on 1 CD: THE HELIOCENTRIC WORLD OF SUN RA VOL. 1 (1965)/THE HELIOCENTRIC WORLD OF SUN RA VOL. 2 (1965)
Personnel: Sun Ra (bass marimba); Marshall Allen (alto); Pat Patrick (baritone); Robert Cummings (bass clarinet); Danny Davis (alto saxophone); Chris Capors, Walter Miller (trumpet); Teddy Nance (trombone); Bernard Pettaway (bass trombone); Ronnie Boykins (bass instrument); Jimhi Johnson, John Gilmore, Roger Blank (percussion).
Recording information: RLA Sound Studios, New York, New York (04/20/1965); RLA Sound Studios, New York, New York (11/16/1965).Uncut (p.123) - 4 stars out of 5 - "[T]here is no precedent for the timpani and marimba duets, skittering piccolos and growling low-end brass improvisations..." Heliocentric Worlds Volumes 1 & 2 Music Sun Ra Heliocentric Worlds Volumes 1 & 2 Songs | 1. | Heliocentric | $0.99 | |
| 2. | Outer Nothingness | $0.99 | |
| 3. | Other Worlds | $0.99 | |
| 4. | Cosmos, The | $0.99 | |
| 5. | Of Heavenly Things | $0.99 | |
| 6. | Nebulae | $0.99 | |
| 7. | Dancing in the Sun | $0.99 | |
| 8. | Sun Myth, The |  |
| 9. | House of Beauty, A | $0.99 | |
| 10. | Cosmic Chaos |  |
| Heliocentric Worlds Volumes 1 & 2 Review
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$12.05 With ALL IN ONE, Bebel Gilberto made her home at Verve, which is not just an auspicious label for music but also the home of some of the best Brazilian records of all time--by Antonio Carlos Jobim, Astrud Gilberto (who is no relation, although she was married to Bebel's father before Bebel's birth), Stan Getz, and, of course, her father, Joao Gilberto. It's obvious Gilberto is well aware of this: the cover is reminiscent of an Astrud Gilberto album and she sings a version of "Bim Bom," which was written by her father and is known popularly for Astrud's version (what's more, it features the piano work of Brazilian royalty Dan Jobim). Still, it's clear Bebel Gilberto knows where to draw the line, and ALL IN ONE is defined more by her songs and her collaborators than the weight of Brazilian musical history that she must carry. Multi-percussionist Carlinhos Brown gets the most instrument credits (his kit bag must weigh a ton), and his string of percussion instruments brings a rich texture to every song he graces. (He also co-wrote the best new songs, "Nossa Senhora" and "Ela [On My Way].") Also appearing is superstar producer Mark Ronson for the single "The Real Thing," a song whose history hits a sweet spot here--Stevie Wonder originally wrote it in the late '70s for Sergio Mendes & Brasil '77. Ronson takes the song back to Wonder's Motown ...
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$6.05 This is part of Columbia Records' Tony Bennett Master series.
1964's follow-up to the seminal I WANNA BE AROUND, WHO CAN I TURN TO continues the established Bennett tradition of mixing a few choice standards with some little-known songs to delight the cogniscenti plus a show-stopping hit to tie it all together. Deliciously medium-slow versions of "Wrap Your Troubles in Dreams" and "Between The Devil And The Deep Blue Sea" fill the the first category easily. Then there are songs like Cy Coleman and Carolyn Leigh's "I Walk A Little Faster," Fran Landesman and Tommy Wolfæs "Listen, Little Girl," the debut of Bill Evans' "Waltz For Debby" with Gene Lees' lyrics, an excerpt from Mel Torme's CALIFORNIA SUITE--all these serve to mark this release as an unusual one in the Bennett canon. You know the singer agrees, since this is another in the Tony Bennett Master Series hand-picked by Bennett himself.
Recorded at CBS 30th Street Studios, New York between August and October 1964. Originally released as Columbia Records (CL 2285). Includes original release liner notes by ...
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