| | Basket Of Wild Strawberries: A Selection Of Keyboard Works By Jean-Philippe Rameau CD Barto / Rameau CDS
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Basket Of Wild Strawberries: A Selection Of Keyboard Works By Jean-Philippe Rameau MP3 Album Price: $9.99
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| Category | Classical, Chamber Music/Recitals, Baroque Period, Suite, Prelude, Rondo, Gigue, Fanfare, Sarabande, Gavotte, Allemande, Musette, Rigaudon, Tambourin, Double |
Basket Of Wild Strawberries: A Selection Of Keyboard Works By Jean-Philippe Rameau Music | List Price | $16.97 (You save $2.42) | | Label | Ondine | | Orig Year | 4/18/2006 | | All Time Sales Rank |  10948  | | CD Universe Part number | 7042198 | | Catalog number | 1067 | | Discs | 1 | | Release Date | Apr 18, 2006 | | Recording Time | 1 16 |
Basket Of Wild Strawberries: A Selection Of Keyboard Works By Jean-Philippe Rameau Classical Review Basket Of Wild Strawberries: A Selection Of Keyboard Works By Jean-Philippe Rameau Songs 1. Premier livre de pièces de clavecin, for harpsichord: Prélude (4:14)  Windows Media  Real Audio | | Common Name | Premier Livre De Pieces De Clavecin For Harpsichord | | Composer | Jean-Philippe Rameau (1683 - 1764) | | Performer | Tzimon Barto (Piano) | | Genre | Baroque Period / Dance Suite / Suite | | Date Written | 1706 | | Period | Baroque | | Country | France | | Venue | Järvenpää Hall, Helsinki, Finland | | Recording Date | 02/2005 | | 2. Premier livre de pièces de clavecin, for harpsichord: Allemande (4:32) Windows Media Real Audio | | Common Name | Allemande, Premier Livre De Pieces De Clavecin For Harpsichord | | Composer | Jean-Philippe Rameau (1683 - 1764) | | Performer | Tzimon Barto (Piano) | | Genre | Baroque Period / Dance Suite / Suite | | Date Written | 1706 | | Period | Baroque | | Country | France | | Venue | Järvenpää Hall, Helsinki, Finland | | Recording Date | 02/2005 | | 3. Premier livre de pièces de clavecin, for harpsichord: Sarabandes I & II (5:13) Windows Media Real Audio | | Common Name | Premier Livre De Pieces De Clavecin For Harpsichord | | Composer | Jean-Philippe Rameau (1683 - 1764) | | Performer | Tzimon Barto (Piano) | | Genre | Baroque Period / Dance Suite / Suite | | Date Written | 1706 | | Period | Baroque | | Country | France | | Venue | Järvenpää Hall, Helsinki, Finland | | Recording Date | 02/2005 | | 4. Premier livre de pièces de clavecin, for harpsichord: Gavotte (2:19) Windows Media Real Audio | | Common Name | Gavotte, Premier Livre De Pieces De Clavecin For Harpsichord | | Composer | Jean-Philippe Rameau (1683 - 1764) | | Performer | Tzimon Barto (Piano) | | Genre | Baroque Period / Dance Suite / Suite | | Date Written | 1706 | | Period | Baroque | | Country | France | | Venue | Järvenpää Hall, Helsinki, Finland | | Recording Date | 02/2005 | | 5. Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: Pièces de clavecin (2:27) Windows Media Real Audio | | Common Name | Pieces De Clavecin Avec Une Methode Sur La Mecanique Des Doigts For Harpsichord | | Composer | Jean-Philippe Rameau (1683 - 1764) | | Performer | Tzimon Barto (Piano) | | Genre | Baroque Period / Suite | | Date Written | 1724 | | Period | Baroque | | Country | France | | Venue | Järvenpää Hall, Helsinki, Finland | | Recording Date | 02/2005 | | 6. Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: Pièces de clavecin (1:54) Windows Media Real Audio | | Common Name | Pieces De Clavecin Avec Une Methode Sur La Mecanique Des Doigts For Harpsichord | | Composer | Jean-Philippe Rameau (1683 - 1764) | | Performer | Tzimon Barto (Piano) | | Genre | Baroque Period / Suite | | Date Written | 1724 | | Period | Baroque | | Country | France | | Venue | Järvenpää Hall, Helsinki, Finland | | Recording Date | 02/2005 | | 7. Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: Pièces de clavecin (1:22) Windows Media Real Audio | | Common Name | Pieces De Clavecin Avec Une Methode Sur La Mecanique Des Doigts For Harpsichord | | Composer | Jean-Philippe Rameau (1683 - 1764) | | Performer | Tzimon Barto (Piano) | | Genre | Baroque Period / Suite | | Date Written | 1724 | | Period | Baroque | | Country | France | | Venue | Järvenpää Hall, Helsinki, Finland | | Recording Date | 02/2005 | | 8. Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: Pièces de clavecin (1:14) Windows Media Real Audio | | Common Name | Pieces De Clavecin Avec Une Methode Sur La Mecanique Des Doigts For Harpsichord | | Composer | Jean-Philippe Rameau (1683 - 1764) | | Performer | Tzimon Barto (Piano) | | Genre | Baroque Period / Suite | | Date Written | 1724 | | Period | Baroque | | Country | France | | Venue | Järvenpää Hall, Helsinki, Finland | | Recording Date | 02/2005 | | 9. Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: Pièces de clavecin (3:21) Windows Media Real Audio | | Common Name | Pieces De Clavecin Avec Une Methode Sur La Mecanique Des Doigts For Harpsichord | | Composer | Jean-Philippe Rameau (1683 - 1764) | | Performer | Tzimon Barto (Piano) | | Genre | Baroque Period / Suite | | Date Written | 1724 | | Period | Baroque | | Country | France | | Venue | Järvenpää Hall, Helsinki, Finland | | Recording Date | 02/2005 | | 10. Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: Pièces de clavecin (1:30) Windows Media Real Audio | | Common Name | Pieces De Clavecin Avec Une Methode Sur La Mecanique Des Doigts For Harpsichord | | Composer | Jean-Philippe Rameau (1683 - 1764) | | Performer | Tzimon Barto (Piano) | | Genre | Baroque Period / Suite | | Date Written | 1724 | | Period | Baroque | | Country | France | | Venue | Järvenpää Hall, Helsinki, Finland | | Recording Date | 02/2005 | | 11. Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: Pièces de clavecin (3:28) Windows Media Real Audio | | Common Name | Pieces De Clavecin Avec Une Methode Sur La Mecanique Des Doigts For Harpsichord | | Composer | Jean-Philippe Rameau (1683 - 1764) | | Performer | Tzimon Barto (Piano) | | Genre | Baroque Period / Suite | | Date Written | 1724 | | Period | Baroque | | Country | France | | Venue | Järvenpää Hall, Helsinki, Finland | | Recording Date | 02/2005 | | 12. Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: Pièces de clavecin (4:07) Windows Media Real Audio | | Common Name | Pieces De Clavecin Avec Une Methode Sur La Mecanique Des Doigts For Harpsichord | | Composer | Jean-Philippe Rameau (1683 - 1764) | | Performer | Tzimon Barto (Piano) | | Genre | Baroque Period / Suite | | Date Written | 1724 | | Period | Baroque | | Country | France | | Venue | Järvenpää Hall, Helsinki, Finland | | Recording Date | 02/2005 | | 13. Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: Pièces de clavecin (4:47) Windows Media Real Audio | | Common Name | Pieces De Clavecin Avec Une Methode Sur La Mecanique Des Doigts For Harpsichord | | Composer | Jean-Philippe Rameau (1683 - 1764) | | Performer | Tzimon Barto (Piano) | | Genre | Baroque Period / Suite | | Date Written | 1724 | | Period | Baroque | | Country | France | | Venue | Järvenpää Hall, Helsinki, Finland | | Recording Date | 02/2005 | | 14. Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: Pièces de clavecin (7:15) Windows Media Real Audio | | Common Name | Pieces De Clavecin Avec Une Methode Sur La Mecanique Des Doigts For Harpsichord | | Composer | Jean-Philippe Rameau (1683 - 1764) | | Performer | Tzimon Barto (Piano) | | Genre | Baroque Period / Suite | | Date Written | 1724 | | Period | Baroque | | Country | France | | Venue | Järvenpää Hall, Helsinki, Finland | | Recording Date | 02/2005 | | 15. Pièces de clavecin avec une méthode sur la mécanique des doigts, for harpsichord: Pièces de clavecin (1:07) Windows Media Real Audio | | Common Name | Pieces De Clavecin Avec Une Methode Sur La Mecanique Des Doigts For Harpsichord | | Composer | Jean-Philippe Rameau (1683 - 1764) | | Performer | Tzimon Barto (Piano) | | Genre | Baroque Period / Suite | | Date Written | 1724 | | Period | Baroque | | Country | France | | Venue | Järvenpää Hall, Helsinki, Finland | | Recording Date | 02/2005 | | 16. Nouvelles suites de pièces de clavecin, for harpsichord: Allemande (8:13) Windows Media Real Audio | | Common Name | Allemande, Nouvelles Suites De Pieces De Clavecin For Harpsichord | | Composer | Jean-Philippe Rameau (1683 - 1764) | | Performer | Tzimon Barto (Piano) | | Genre | Baroque Period / Suite | | Date Written | 1727 | | Period | Baroque | | Country | France | | Venue | Järvenpää Hall, Helsinki, Finland | | Recording Date | 02/2005 | | 17. Nouvelles suites de pièces de clavecin, for harpsichord: Les Trois Mains (2:57) Windows Media Real Audio | | Common Name | Les Trois Mains, Nouvelles Suites De Pieces De Clavecin For Harpsichord | | Composer | Jean-Philippe Rameau (1683 - 1764) | | Performer | Tzimon Barto (Piano) | | Genre | Baroque Period / Suite | | Date Written | 1727 | | Period | Baroque | | Country | France | | Venue | Järvenpää Hall, Helsinki, Finland | | Recording Date | 02/2005 | | 18. Nouvelles suites de pièces de clavecin, for harpsichord: Sarabande (2:47) Windows Media Real Audio | | Common Name | Nouvelles Suites De Pieces De Clavecin For Harpsichord | | Composer | Jean-Philippe Rameau (1683 - 1764) | | Performer | Tzimon Barto (Piano) | | Genre | Baroque Period / Suite | | Date Written | 1727 | | Period | Baroque | | Country | France | | Venue | Järvenpää Hall, Helsinki, Finland | | Recording Date | 02/2005 | | 19. Nouvelles suites de pièces de clavecin, for harpsichord: Fanfarinette (2:56) Windows Media Real Audio | | Common Name | Fanfarinette, Nouvelles Suites De Pieces De Clavecin For Harpsichord | | Composer | Jean-Philippe Rameau (1683 - 1764) | | Performer | Tzimon Barto (Piano) | | Genre | Baroque Period / Suite | | Date Written | 1727 | | Period | Baroque | | Country | France | | Venue | Järvenpää Hall, Helsinki, Finland | | Recording Date | 02/2005 | | 20. Nouvelles suites de pièces de clavecin, for harpsichord: La Triomphante (1:35) Windows Media Real Audio | | Common Name | La Triomphante, Nouvelles Suites De Pieces De Clavecin For Harpsichord | | Composer | Jean-Philippe Rameau (1683 - 1764) | | Performer | Tzimon Barto (Piano) | | Genre | Baroque Period / Suite | | Date Written | 1727 | | Period | Baroque | | Country | France | | Venue | Järvenpää Hall, Helsinki, Finland | | Recording Date | 02/2005 | | 21. Nouvelles suites de pièces de clavecin, for harpsichord: Gavotte & Six Doubles (8:28) Windows Media Real Audio | | Common Name | Nouvelles Suites De Pieces De Clavecin For Harpsichord | | Composer | Jean-Philippe Rameau (1683 - 1764) | | Performer | Tzimon Barto (Piano) | | Genre | Baroque Period / Suite | | Date Written | 1727 | | Period | Baroque | | Country | France | | Venue | Järvenpää Hall, Helsinki, Finland | | Recording Date | 02/2005 |
Basket Of Wild Strawberries: A Selection Of Keyboard Works By Jean-Philippe Rameau Music Composers on Basket Of Wild Strawberries: A Selection Of Keyboard Works By Jean-Philippe Rameau CD : Jean-Philippe Rameau Genres on Basket Of Wild Strawberries: A Selection Of Keyboard Works By Jean-Philippe Rameau CD : Baroque Period, Dance Suite, Suite Performers on Basket Of Wild Strawberries: A Selection Of Keyboard Works By Jean-Philippe Rameau CD : Tzimon Barto Purchase Basket Of Wild Strawberries: A Selection Of Keyboard Works By Jean-Philippe Rameau To buy, Click on price to add to cart | Amy Winehouse Back To Black CD (2006)
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This second CD by guitarist Alberto Rodriguez brings forth a musical production rich in compositional styles. Its diversity is astonishing; yet it all befits the sign of what the guitarist himself, rather enigmatically, terms "densities." Unlike his first release, here all compositions are his own. These recordings attest to the coming of age of a magnificent guitarist and composer. In contemporary painting, figurative depiction gave way to chromatic and then expressive abstraction. In literature the storyline was often overwhelmed by the lexical profusion of the so-called "novel of language." In music throughout the last century, harmonic exploration would take the privileged place formerly accorded almighty melody. It was all about the creation of textures, musical fabrics, where intricate workings are everything, or almost everything. Schönberg, Berg, Webern were all composers in search of the grail of absolute music. So was Glenn Gould's youthful enthusiasm for Bach towards the mid 20th century, as music persisted in the quest to regain its purity, understood as the abstraction of sound, far from the melodic aggressiveness of Romanticism or the descriptive simplicity of neo-Romantic or programmatic music. This new CD by guitarist and composer Alberto Rodriguez Ortiz bears witness to last century's musical trajectory, but now as a creative tension between harmonic exploration and that final destination, so easy on the universal ear, which is melody. In the opening piece for two guitars, entitled Densidades, this idea of texture and musical fabric attains a special manifestation. It is a work of complex architecture, inverted symmetries, and harmonic interplays, where the full sound achieved by the guitar shows just what a well-suited ...
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