| | Parissa Gol-E-Behesht CD Parissa Discography of CDs
(1 Customer Review)
Composer: Hamid Motebassem.
Personnel: Behnam Samani (drums, tambourine); Pejman Hadadi (drums).
Recording information: Studios Of Rundfunk, Berlin Brandenburg (02/2005).
Translator: Shams Anwari. Parissa Gol-E-Behesht Songs | 1. | Kereshmeh (Gusheh: Grace) |
| 2. | Chahar-Mezrab |
| 3. | Daramad, Saz-O Avaz |
| 4. | Tasnif-E AB-E Zolal |
| 5. | Bayat-E Radje', Saz-O Avaz |
| 6. | Bidad |
| 7. | Forud |
| 8. | Tasnif-E Bot-E Ziba |
| | Gol-E-Behesht Songs DISC 2: |
| 1. | Moghaddameh, Saz-O Avaz; Daramad |
| 2. | Tasnif-E Dar Ayeneh |
| 3. | Hedjaz (Gusheh) |
| 4. | Charar-Mezrab and Avaz (Chaharpareh) |
| 5. | Kamancheh Solo |
| 6. | Tasnif-E Hadith-E Asheghi |
| Gol-E-Behesht Music Review Purchase Gol-E-Behesht CD To buy, Click on price to add to cart | Parissa Shoorideh CDs (2003) (Import)
Gol-E-Behesht album
$44.95 Iranian singer Parissa was forced into lengthy sabbatical when the ayatollahs took over her country in 1979. Under their rule, female singers weren't allowed to perform. It wasn't until 1995 that she returned to the concert stages of the world. For this project she takes the work of the 13th century mystic and poet (and founder of the whirling dervishes) Rumi as the basis for her music. Parissa proves to be a remarkable, sometimes eerie singer, giving to classical Persian vocal improvisations on melodies and themes. She easily captures the listener's attention and holds it. You ...
| | Tommy Bolin Teaser CD (1975) Japan
Gol-E-Behesht CD music
$22.09 This 1975 first outing by the late rock-guitar virtuoso Tommy Bolin includes "Homeward Strut," "Marching Power" and "Lotus."
After performing in a variety of bands since the late '60s, Bolin finally released his first solo album in 1975. Teaser is an impressive display of the guitarist's prowess and range, and is a natural progression from the previous Bolin-dominated James Gang albums Bang and Miami and his work with drummer Billy Cobham. The album features heavy doses of jazz-rock fusion (furthered by guests Jan Hammer, Dave Sanborn, and Michael Walden) in the instrumentals "Homeward Strut" and "Marching Powder," and straight-ahead rock in tracks like "The Grind." Bolin was always equally adept at subtleties, and the ballad "Dreamer" and the exotic "Savannah Woman" (with percussion from Phil Collins) represent this stylistic range here. Overshadowed historically by his guitar dynamics, Bolin's understated yet strong vocals are another selling point. Teaser is a stronger album than its one successor, the uneven Private Eyes, and survives as Bolin's signature work. ~ Rob Caldwell
After performing in a variety of bands since the late '60s, Bolin finally released his first solo album in 1975. Teaser is an impressive ...
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| | Celtic Woman CD (2005)
Gol-E-Behesht album
$11.09 CELTIC WOMAN is the brainchild of David Downes, a composer/conductor who was heavily involved with the American production of RIVERDANCE. Not surprisingly, all of the lights, drama, and musical bombast of that esteemed show are present on this production as well. Instead of showcasing legions of dancers, however, CELTIC WOMAN puts the emphasis on the rich heritage of traditional and contemporary Irish music, as performed by five talented female performers from varying musical backgrounds.
Though the melodies are often extremely simple and unadorned, the production is just as lush and majestic as anything on Yanni's LIVE AT THE ACROPOLIS, and should appeal to fans of that disc. The opening track features the extraordinary, bell-like vocal timbre of 15-year-old Chloe Agnew over an orchestral backing that includes ...
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| | Chiranji Lalji Newar Ree Mira: Devotional Songs Of Mirabai CD (2006) (Import) Import; United Kingdom
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$17.45 Recording information: Aahta Stuios, Jaipur.
| | Hitsville West - San Francisco's Uptown Soul CD (2007)
Gol-E-Behesht album
$14.75 With the exception of Sly & the Family Stone, the San Francisco Bay Area was not noted for having an especially large or important soul scene in the 1960s. Like most major cities, however, it produced more in the genre than is generally realized. This 24-track anthology principally draws on rare 45s issued between 1965-1969 on an assortment of small labels, also including five previously unreleased cuts. If you're accustomed to how collections of local soul rarities are usually packaged, you know the drill: these are largely promising singers and groups who are consciously trying to imitate bigger artists and national trends (most frequently Motown, though also some soul-pop dance sounds), never getting anywhere commercially or even getting a chance to record much. As such compilations go, though, it's decent, and largely geared toward uptempo pop-tinged soul that's guaranteed to put smiles on the faces of many a Northern soul fan on British dancefloors. There's some good, slightly rough-around-the-edges energy to many of the performances that makes them less formulaic than many such regional releases. Of course, sometimes the role models get a little too obvious; Troy Dodds' "The Earthquake," for instance, is trying its damnedest to sound like early ...
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