Sacha Distel Master Serie CD France

Master Serie Music

Category	Rock/Pop Albums, International CDs, Pop, World, French
Label	Universal
All Time Sales Rank	458241
CD Universe Part number	7047866
Catalog number	9827168
Discs	1
Release Date	Mar 07, 2006
Mono/Stereo	Stereo
Additional Info	France

Sacha Distel Master Serie Songs

	1.	Scoubidou
	2.	Oh Quelle Nuit
	3.	Ce Serait Dommage
	4.	Toute La Pluie Tombe Sur Moi
	5.	L'Incendie A Rio
	6.	Monsieur Cannibale
	7.	Mon Beau Chapeau
	8.	Scandale Dans La Famille
	9.	Personnalités
	10.	Accroche Un Ruban
	11.	Ma Première Guitare
	12.	Ces Mots Tupides
	13.	Tu Es Le Soleil De Ma Vie
	14.	Un Air De Banjo
	15.	La Belle Vie
	16.	Chanson Bleue
	17.	Le Bateau Blanc
	18.	La Nuit Est Ma Maîtresse
	19.	Si On Pouvait Arrêter Le Temps

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Arranger: Goran Bregovic.

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Vinyl LP version also available directly from the label at www.whatmusic.comDespite the prevalence of scores of great improvising musicians in Brazil in the 1960s, few chose to play jazz. Most were caught up in the national fervour that was bossa nova and with so many great new tunes being written by the new young composers, there was little room for more than a nod towards straight ahead american jazz. Every rule has its exception, of course, and instrumentalists such as Paulo Moura and Edison Machado recorded brazilian jazz - jazz that just happened to come from Brazil. Another such artist was the trumpeter Julio 'Julinho' Barbosa who was part of a group of young players who would break from the norm of playing for dancing and jam their own forms of jazz at late night bars in Rio, SÃ£o Paulo and other cities across Brazil. The fact that the public wasn't really there for this jazz left some of the musicians bitter (witness the liner notes to Paulo Moura Hepteto's 'Fibra' - also out on whatmusic.com), chastising their own countrymen without recognising that by the late 60s jazz had retreated to small niches all over the world and that pop and rock music had truly taken over. More evidence, if it were needed, is that at the end of the single day that Julio Barbosa had to record this album, he left for Europe, never to return to live in Brazil.Whatmusic.com tracked the man down and put a few questions to him.Where we you born, Julio?Nova Friburgo, which is a city in the state of Rio de Janeiro What were your first steps towards becoming a musician?I started when I was 14 years old in the school band in the city where I lived, TeresÃ³polis. After that I left to join the army so that I could be part of the military band, and quite soon after I went down to Rio to play with some of the dance orchestras that existed at that time. From your playing you seem to be very influenced by improvised music and by jazz in particular. Who were your main influences?My earliest influences were Miles Davis and Dizzy Gillespie. I also listened to a lot of Duke Ellington, Stan Kenton and Bill Evans. In terms of Brazil, I drew inspiration from my own music and playing.When did you start leading your own group?That would have been at the end of the 50s into the early 60s. What were you seeking with your own band in terms of musical style and also in the musicians you chose to work with?The first group was called Grupo Sete de Ouros, the '7 of diamonds', and I had some great players like the pianist Chaim Levack, the bass player Vidal and ace drummer Dom Um RomÃ£o. The great sax player and bandleader CipÃ³ and legendary trombonist Ed Maciel, too. As well as the musicians we had singers like Wilson Simonal and Flora Purim in the group. I was looking to create a group that had something different and where we played at dances we'd play dance music for the most part but we'd always have a thirty-minute slot where we played only jazz.This album 'O Som do Julinho' was recorded in 1969? Some people list the record as having been released earlier but from the other albums on the back cover it looks more like 69. This must have been only a short time before Dom Salvador left Brazil to go the States? Yes, it was recorded in 69. It's funny because we recorded the album in a single day at the Musidisc studios and that very same night I left for Europe. And then Dom Salvador left for the States shortly after.One of the musicians on the album, the sax player Oberdan, was also part of Dom Salvador's AboliÃ§Ã£o group, that were starting to create a brazilian black music sound and Robertinho da Silva, who must have been very young, went on to play brazilian progressive rock. How did you come to work with these particular musicians?That's ...