| | Maldonado: Exabrupto CD - Import Nouvel Ensemble Mode CDS
Maldonado: Exabrupto Music | List Price | $17.98 (You save $1.59) | | Label | Stradivarius | | Orig Year | 4/11/2006 | | All Time Sales Rank |  81920  | | CD Universe Part number | 7051436 | | Discs | 1 | | Release Date | Apr 11, 2006 | | Recording Time | 1 5 | | Additional Info | Import |
Maldonado: Exabrupto Review
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Maldonado: Exabrupto Songs | 1. Exabrupto, for 3 ensembles, piano & percussion (15:07) | | Composer | Javier Torres Maldonado (1968 - ) | | Conductor | Lorraine Vaillancourt | | Date Written | 1998 | | Ensemble | Nouvel Ensemble Moderne | | Venue | Salle Claude-Champagne, Université de Mo | | Notes | Salle Claude-Champagne, Université de Montréal (10/25/1998/10/26/1998) | | 2. Tiento, for cello & electronics (6:33) | | Composer | Javier Torres Maldonado (1968 - ) | | Performer | Andrea Cavuoto (Cello) | | Date Written | 2004 | | Venue | Brunello - Chiesa S. Mariadell'Annunciat | | Recording Date | 07/2005 | | 3. The Unexpected Clock in the Mirrors, for violin, clarinet & ensemble (10:29) | | Composer | Javier Torres Maldonado (1968 - ) | | Conductor | Javier Torres Maldonado | | Performer | Rocco Parisi
Carlo Chiarappa (Violin) | | Date Written | 2005 | | Ensemble | Dynamis Ensemble | | Venue | Brunello - Chiesa S. Mariadell'Annunciat | | Recording Date | 07/2005 | | 4. Orior, for piano & electronics (7:28) | | Composer | Javier Torres Maldonado (1968 - ) | | Date Written | 1997 | | Venue | Brunello - Chiesa S. Mariadell'Annunciat | | Recording Date | 07/2005 | | 5. De ignoto cantu, for clarinet, percussion, cello & live electronics (6:57) | | Composer | Javier Torres Maldonado (1968 - ) | | Conductor | Javier Torres Maldonado | | Date Written | 2004 | | Ensemble | Dynamis Ensemble | | Venue | Brunello - Chiesa S. Mariadell'Annunciat | | Recording Date | 07/2005 | | 6. Luz, for accordion & string quartet (17:35) | | Composer | Javier Torres Maldonado (1968 - ) | | Date Written | 2000 | | Venue | Brunello - Chiesa S. Mariadell'Annunciat | | Recording Date | 07/2005 |
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After releasing a collection of Snoop outtakes plus their "Re-Lit" version of Dr. Dre's The Chronic, the WIDEawake Entertainment group continued their unleashing of Death Row Records vault with their most ambitious project yet. The Ultimate Death Row Collection kicks off with a disc full of hits from the infamous West Coast label's heyday. With "Gin & Juice" (Snoop Dogg), "Nuthin' But a "G" Thang" (Dr. Dre), "I Ain't Mad at Cha" (2Pac), "Regulate" (Warren G.), and a slew of others, it's a whirlwind of vital G-Funk hits and West Coast classics that finishes on a high note, the fan favorite "Afro Puffs" (Lady of Rage). Disc two and three are where things get interesting, as a series of unreleased and rare tracks present an alternative-reality version of Death Row. From the LBC Crew's ominous "Six Shooter" to Soopafly's underappreciated party cut "This Type of Flow," the collection makes the Row seem much more active and diverse than most will remember. Add to that undiscovered gems like Kurupt throwing some beef Too Short's way ("Everybody Needs to Slow Down") Danny Boy delivering a prime G-Funk ballad ( "Rock, Roll, & Bounce"), and Petey Pablo in Death Row mode ("Spit Game"), and there's plenty here for West Coast fans to savor. One wishes the liner notes were beefier or that all the "Producer Unknown" credits were resolved, though, and putting classic tracks like 2Pac's "All Eyez on Me" amongst the rarities makes this collection seem confused. Still, these are minor complaints, and when a collection shifts the mystery from "what did it all sound like?" to "why weren't these great tracks big hits?", it's an easy recommendation. ~ David Jeffries
Liner Note Author: John Hyland.
Recording information: Death Row Studios.
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Track Listing of songs: Mi Vida Eres Tu; Porque Sera; Volvamos a Vivir; Carino Es Como una Flor, El; Porque Tu Eres La Reina; Mi Amor Divino; Vamos a Enamorarnos; No Me Digas Mentiras; Besame; Perdoname por Dios; Me Cambiaste La Vida; Cuando Yo Amo; Santisima Virgen Maria; Dime Porque Me Haces Sufrir; Como Pasan Los Dias; Empezar Otra Vez; Que Clase de Amor;
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Two albums by Stanley Black & His Orchestra, Place Pigalle (1957) and Music of Lecuona (1958), were combined on a single compact disc and released by Dutton Vocalion in 2003. ~ Sean Westergaard
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This is an example of "new flamenco." Linares, an important figure in the field, works with young new wave flamenco musicians to mix fairly traditional singing with contemporary approaches to playing style, and at times lyrics from major poets living and dead. ~ John Storm Roberts
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Live Recording
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The Bethlehem label didn't make it out of the '50s before folding, and one of the reasons why is the ambitious yet misguided George Gershwin's Porgy and Bess, a three-LP box set that represents a complete recording of the Gershwin classic (with narration and sound effects). Bethlehem certainly had the talent to pull it off -- appearing on the label, and this production, are Mel Tormé, Duke Ellington & His Orchestra, Johnny Hartman, Bob Dorough, Betty Roche, Frances Faye, and minor period stars including vocalist Frank Rosolino, bandleader Stan Levey, and arranger Russ Garcia. And long-playing versions of theatrical productions were huge in the mid-'50s (a few sold millions of copies). The most popular of these, however, were simply easy-to-digest highlights LPs that never attempted to present the complete production. This version is a gargantuan two hours long, difficult to sit through even if every performance was stellar (and, unfortunately, that's far from the case). The recording makes a virtue of being hip, primarily through the narration of Al "Jazzbo" Collins, a radio DJ who may have been hip for the times but whose counterfeit excitement and perfect diction make the proceedings sound like a period newsreel. ("Watch out, Porgy, here comes that mean Sportin' Life!") Tormé, as the most popular vocalist on the label, was a shoe-in for the role of Porgy, despite Johnny Hartman's clear superiority, and Frances Faye received the role of Bess despite Betty Roche's ability to handle the role much better. Those mistakes are compounded by Russ Garcia's period arrangements (the Ellington group makes only one appearance) and some decidedly subpar performances from Frank Rosolino early in the program. Still, it has to be admitted that a highlights compilation of this record would sparkle very brightly, driven by Mel Tormé's swinging "I've Got Plenty o' Nuttin'" with a super-enthused backing chorus, George Kirby's "It Ain't Necessarily So," and Betty Roche's reprise of "Summertime" during the second half. ~ John Bush
Personnel: Mel Tormé; Duke Ellington, Ernest Newton, Frances Faye, Frank Rosolino, George Kirby , Joe Derise, John Whited, Johnny Hartman, Loulie Jean Norman, Ralph Carmichael, Russell Garcia, Sallie Blair, The Australian Jazz Quintet, The Bethlehem Orchestra, Betty Roché, Bev Kelly, James Joyce, Pat Moran, Bob Dorough, The Stan Levy Group.
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Maldonado: Exabrupto
For Sale Pre-Order Now! Available: Tuesday, December 08, 2009
$17.54 |
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