| | Paul Di'Anno Living Dead CD Paul Di'Anno Discography of CDs
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Paul Dianno is the original voice of Iron Maiden. This new album features new material; the first in nearly 6 years, featuring "The Living Dead." The bonus DVD features an in-depth interview with Paul Dianno, "The Living Dead" video, rare photos, footage, more.
Although he only appeared on a pair of albums with Iron Maiden, Paul Di'Anno has carved quite a niche for himself with headbangers worldwide. He'll forever be associated with belting out such New Wave of British Heavy Metal classics as "Prowler," "Phantom of the Opera," and "Wrathchild," but Di'Anno has been issuing solo releases on a somewhat regular basis since the mid-'80s. His 2006 release, The Living Dead, catches Maiden's original vocalist in an extreme metal mood, as the rough, almost punk-esque vocals of his Maiden days are barely detectable. In its place is the album-opening title track, which surprisingly sounds very much like Bruce Dickinson-era Maiden, while "Brothers of the Tomb" features some Rob Halford-esque falsetto vocals, and the Nigel Tufnel-titled "Mad Man in the Attic" is classic thrash metal. Interestingly, it's a cover of Megadeth's "Symphony of Destruction" that sees Di'Anno return to his renowned vocal style (circa the Maiden days), and longtime fans will surely be happy to hear a pair of Maiden covers close the album, "Wrathchild" and "Phantom of the Opera." Also included is a DVD disc, which includes a promo video for the album's title track and a revealing interview with the singer. [Note: The Living Dead was previously released as 2000's Nomad, with a few track list alterations.] ~ Greg Prato
The Living Dead Video
In Depth Interview
The Iron Maiden Story (79 - 81) & Beyond
DVD Features:
Include:
Living Dead Music | List Price | $16.97 (You save $3.32) | | Category | Rock/Pop Albums, Rock CDs, Hard Rock | | Label | Cleopatra | | Orig Year | 2006 | | All Time Sales Rank |  51017  | | CD Universe Part number | 7054457 | | Catalog number | 1602 | | Discs | 1 | | Release Date | May 16, 2006 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Additional Info | With DVD; Bonus Tracks |
Paul Di'Anno Living Dead Songs | 1. | Living Dead, The | |
| 2. | Mad Man in the Attic | |
| 3. | War Machine | |
| 4. | Brothers of the Tomb | |
| 5. | P.O.V. 2005 | |
| 6. | Nomad | |
| 7. | S.A.T.A.N. | |
| 8. | Cold World | |
| 9. | Do or Die | |
| 10. | Dog Dead | |
| 11. | Symphony of Destruction | |
| 12. | Wrathchild - (Live) | |
| 13. | Phantom of the Opera - (Live)  | |
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Purchase Living Dead CD To buy, Click on price to add to cart | Dope American Apathy CDs (2005) Bonus CD; Limited Edition; Special Edition
Living Dead album
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A major label shakeout left Dope facing an uncertain future after 2001's widely overlooked LIFE. Undaunted, the New York City quartet released and toured behind 2003's GROUP THERAPY without support or conventional promotion. 2005 found Dope with a new home on Artemis Records and a venomous new studio album. AMERICAN APATHY draws upon many styles; industrial, glam, metal, and punk are blended together, forming the band's unmistakable sound.
"Revolution" takes aim at the current presidential administration, while elsewhere they channel the spirit of Pretty Boy Floyd's sleaze with Powerman 5000's pulsing grooves. "Always" and "Dream" offer ...
| | Bruce Dickinson - Anthology DVDs (2006)
Living Dead CD music
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| | Children Of Bodom: Chaos Ridden Years - Stockholm Knockout Live DVD (2006)
Living Dead music CDs
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| | Belphegor Pestapokalypse VI CD (2006)
Living Dead songs
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Along with raging against the Catholic Church and promoting the apocalypse in the name of their ol' buddy Satan, Austria's Belphegor have always prided themselves on delivering the most brutal, lightning-fast combination of death and black metal imaginable -- over and over again, album after album. 2006's Pestapokalypse VI is yet another example of this enterprise; opening with a track that's helpfully entitled "Belphegor -- Hell's Ambassador," before unleashing a veritable deluge of similarly frenzied sonic typhoons. These invariably contain eye-popping displays of high-velocity musicianship set to suspiciously machine-like percussion, and, at their best (check out the standout pair of "Seyn Todt in Schwartz," "Pest Teufel Apokalypse"), challenge Belphegor's better-known contemporaries, such as Poland's Behemoth and Brazil's Krisiun, for tee-total speed-freak supremacy. Thankfully, slower-creeping numbers like "Angel of Retribution" and "Bluhtsturm Erotika" do crop up on occasion to offer infrequent, but much needed respites from the disc's otherwise incessant barrage of metronome-melting rampages -- but is it enough? Believe it or not, even hardened death and black metal fans feel the need to come up for air every once in a while, and, since we're talking among friends here: what's the ...
| | Cannabis Corpse Blunted At Birth CD (2007)
Living Dead album
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| | Blaze Bayley - Live In Poland DVD (2007)
Living Dead CD music
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| | Charles Mingus Mingus CD (1960)
Living Dead music CDs
$9.65
This album, with a similar faked live atmosphere to CHARLES MINGUS PRESENTS CHARLES MINGUS, begins with the bassist speaking to an imaginary audience, and things soon get moving with "MDM," an acronym for Monk-Duke-Mingus. It intertwines three themes--Monk's "Straight, No Chaser," Ellington's "Main Stem," and Mingus' "51st Street Blues." Aside from spotlighting solos by Eric Dolphy, Ted Curson and Jimmy Knepper, this song also displays a large variety of jazz styles, from traditional to cutting edge. For "Stormy Weather," the players are reduced to a quartet of Mingus, longtime partner-in-rhythm Danny Richmond, Eric Dolphy, and Ted Curson. No standards in Mingus' hands are dry or predictable, and this one is no exception.
The third and last song here, "Lock 'Em Up"--originally titled "Hellview of Bellevue"--is a reference to Mingus' stint at the infamous New York hospital. It's an intense and intensely personal number, full of anguished voices and dissonance, and it hits the listener with all the verity of personal experience.
"My policy on a Mingus date is to give him complete freedom - not that he wouldn't take it anyway." Producer Nat Hentoff's realistic attitude to working with this controversial figure is probably the chief reason why the Mingus/Candid albums have retaine
Recorded at Nola Penthouse Sound Studios, New York, New York on October 20th, and November 11, 1960. Includes liner notes by Nat Hentoff.
Personnel: Eric Dolphy (flute, bass clarinet, alto saxophone); Charles McPherson (alto saxophone); Booker Ervin (tenor saxophone); Lonnie Hillyer , Ted Curson (trumpet); ...
| | Amina Nomad: Best Of CD (2001) Digipak
Living Dead songs
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In many ways, Amina's become as much French as Tunisian, since that's where her career's been based, although her North African roots often shine through on this collection, which really is, for once, a greatest-hits package. From 1991 Eurovision Song Contest winner "Le Dernier Qui A Parle" -- for once a truly adventurous piece of music in a competition which generally aims for the lowest common denominator -- to two new tracks, "Ya Baba" and "Ederlezi," she shows a path that can easily embrace both pop (the French hit "Dis Moi Pourquoi") and the more radical "C'est Gai," which brings in dub and Malian flute, thanks to producers Renegade Soundwave. There's also plenty of West African influence, thanks to ongoing collaborations with Senegal's Wasis Diop, who co-wrote both "Le Dernier Qui A Parle" and "Digge." However, probably the most singular track has to be here remake of "My Man," originally a French torch song, but now ...
| | Modest Mouse The Moon & Antarctica (Expanded Edition) CD (2000) Bonus Tracks; Remastered; Expanded Edition
Living Dead album
$8.99
After wowing the college and indie rock world with two lauded independent CDs, THIS IS A LONG RIDE FOR SOMEONE WITH NOTHING TO THINK ABOUT and THE LONESOME CROWDED WEST as well as many EPs, Modest Mouse signed to a major. This is often a cause for apprehension with indie favorites, but THE MOON & ANTARCTICA weathers these concerns.
While the band's lo-fi sound is a little higher-fi in this major label debut, the basic pop structures that have always tied Modest Mouse's music together are pushed more to the forefront, and the production works well. All sonic changes are slight, and the band's sardonic, slightly skewed lyrics, with their evasive take on modern life, maintain their bite. Even the poppiest tune, the breezy "Gravity Rides Everything," is fraught with tape-effects and arrhythmic percussion. The band also retains a punked-out, dissonant, discordant approach on some tracks, such as the infectious "A Different City" and the creepy "Alone Out There." THE MOON & ANTARCTICA finds Modest Mouse with its musical integrity still intact.
Modest Mouse's Epic debut, The Moon & Antarctica, finds them strangely subdued, focusing on mortality as well as the moody, acoustic side of their music and downplaying the edgy, spastic rock that helped make them indie stars. Not that their first major-label release sounds like a sellout -- actually, the slight sheen of Brian Deck's production enhances the album's introspective tone -- but occasionally The Moon & Antarctica's melancholy becomes ponderous. Unfortunately, the album's middle stretch contains three such songs, "The Cold Part," "Alone Down There," and "The Stars Are Projectors," which tend to blur together into one 17-minute-long piece that bogs down the album's momentum. In
Additional Tracks
Recorded at Clava Studio, Chicago, Illinois.
Personnel: Beverly ...
| | Trancazos Tropicales: Salsa CD (2004)
Living Dead CD music
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| | Three Bridges Promises CD (2006)
Living Dead music CDs
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| | Jesus & Mary Chain Psychocandy CD (2009) (Import) Import; Remastered; Reissued
Living Dead songs
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| | Fray How To Save A Life CD (2005) With DVD; Special Edition
Living Dead album
$16.09
This Denver-based quartet mixes the sweeping, arena-ready feel of Coldplay with the sincere, radio-friendly folk-rock of bands like Counting Crows for a highly melodic brand of palatable pop. The Fray's first release, HOW TO SAVE A LIFE, is packed with songs that push all the right mass-appeal buttons: sumptuous piano, swaying mid-tempo rhythms, ...
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