Paul Simon Surprise CD

Personnel: Paul Simon (guitar, acoustic guitar, electric guitar); Paul Simon (vocals); Adrian Simon, Adriana Simon, Jessy Dixon Singers (vocals); Alex Al (bass instrument); Abraham Laboriel, Sr., Pino Palladino (bass guitar); Andy Smith (programming); Vincent Nguini (acoustic guitar); Bill Frisell (electric guitar); Herbie Hancock (piano); Gil Goldstein (harmonium, keyboards); Leo Abrahams (fretless bass); Robin Dimaggio, Steve Gadd (drums); Jamey Haddad (percussion); Brian Eno (electronics).
Audio Mixer: Tchad Blake.
Recording information: Capitol studios, Los Angeles, CA; Clinton Studios, NY; Lansdowne Studios, London, England; Mayfair Studios, London, England; Ocean Way, Nashville, TN; Right Track Studios, NY; sony Studios, NY; the Hit Factory, NY.
Photographers: Paul Simon; Loreto Caceres; Charles Duke; Peter Zander; Foster Witt; Laurent Millet; Paul Treacy; Jason Todd; Erika Larsen; Geoff Spear; Michael Vitti.
As a master craftsman of song, Paul Simon takes his time between albums. SURPRISE arrived six years after its 2000 predecessor YOU'RE THE ONE, but proved to be well worth the wait. In the realization of a process that was already beginning on that earlier album, SURPRISE fully assimilates the international influences of GRACELAND and RHYTHM OF THE SAINTS into a style that's equally polyrhythmic yet indebted to no lone cultural tradition. It doesn't hurt that this is a historic collaboration with producer Brian Eno, who's been delving into pan-ethnic waters since 1981's MY LIFE IN THE BUSH OF GHOSTS.
For his part, Eno adds more electronics to the mix than Simon has ever employed before, but like the former's trademark, they're of a warm, organic nature. Ultimately, they add as much propulsion to the tunes as Simon's world-music percussionists of yore did, and they're fully integrated with Simon's own graceful acoustic guitar patterns. A continually evolving artist, Simon leaves structural convention ever further behind; the vocal syncopations and poetic imagery are unmistakable, but they consistently flout expectation. Lyrically, SURPRISE makes its post-9/11 and post-Katrina allusions clearly but subtly, joining with the electro-acoustic musical approach in making this an album of, but not bound to, its time.
The obvious surprise of Surprise, Paul Simon's tenth solo album and his first since 2000's underrated You're the One, is that the singer/songwriter has enlisted Brian Eno as his collaborator. At first glance the pairing seems odd, even awkward, since they seem to come from opposing backgrounds: Simon the folk-rock troubadour and Eno the avant-garde art rock adventurist. Dig a little deeper, and the similarities do surface. For one, there is the mutual shared interest in world music -- most evident in Eno's productions/collaborations with Talking Heads at the turn of the '70s and on Simon's 1986 Graceland and its 1990 follow-up, The Rhythm of the Saints, but there are undercurrents running as far back as Simon & Garfunkel's "Cecilia." But more than any other singer/songwriter of his generation, Paul Simon has demonstrated a keen interest in having his albums sound unique and distinct from each other, using each album as an opportunity to explore a different sonic characteristic, so working with a sonic landscaper (as his back-cover credit on Surprise calls him) is not out of character. Similarly, Eno has not been entirely adverse to pop, either, as his ongoing collaboration with U2 proves, not to mention his productions for James or even the flamboyant pop of such early Roxy Music singles as "Virginia Plain." So, their collaboration here is unexpected, but not unnatural -- in fact, it's anything but unnatural, since Surprise is as seamless and graceful as Graceland, which it resembles greatly in how it blends a new sound with Simon's songs. But where Graceland found Simon writing around existing rhythm tracks, the opposite is true here: Eno fills in the space behind songs, creating an evocative,Rolling Stone (p.229) - 3.5 stars out of 5 -- "Eno outfits some of Simons' most elegant songs with spacey accouterments..."
Entertainment Weekly (p.75) - "[W]ith moments of stellar songwriting....Eno finds a smart way to accent Simon's worry lines." -- Grade: A-
Q (p.114) - 4 stars out of 5 -- "Eno's washes of sound are present and correct. He also appears to have given Simon's still bittersweet voice a deeper, warmer timbre."
Q (p.123) - Ranked #32 in Q Magazine's "100 Greatest Albums of 2006" -- "A timely reminder of the power of thinking; positive or otherwise."
Mojo (Publisher) (p.100) - 3 stars out of 5 -- "Though couched in arrangements that sometimes camouflage their immediacy, the tunes are dependably strong."