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While it took Mission of Burma more than two decades to follow up its 1982 debut with 2004's ONOFFON, the Boston-based post-punk act needed only two years to create their third full-length outing, THE OBLITERATI. As on its predecessor, this ... Full Description'06 album rumbles along with both heft and speed, and shows a band remarkably hitting its stride more than 20 years into its career. Core members Roger Miller (guitar/vocals), Clint Conley (bass/vocals), and Peter Prescott (drums/vocals) all contribute numerous tracks, and although fierce, highly percussive tunes are the order of the day (see the blistering "Spider's Web" and the lumbering "Let Yourself Go"), the disc also leaves room for disarmingly spare moments, most notably the melancholy, string-laden "13." Anyone under the impression that the Mission of Burma reunion was a one-shot deal will be set straight by THE OBLITERATI.
Mission Of Burma: Clint Conley, Peter Prescott, Roger Miller , Bob Weston.
Recording information: Q Division, Somerville, Massachussets.
Rolling Stone (p.96) - 3.5 stars out of 5 -- "Roger Miller's multilayered guitar attack buzzes and hisses as fiercely as any other band out there." Q (p.113) - 3 stars out of 5 -- "These broiling drum-led riffs offer curdled cries, much volume and even humour..." Alternative Press (p.204) - 4 stars out of 5 -- "The sound that inspired bands like Sonic Youth -- and thus the indie-rock blueprint -- is still intact..." The Wire (p.45) - "THE OBLITERATI is packed with energy and furious with ideas. It takes the basic verities of post-punk but twists and evolves them into songs that are immediate and vibrant." Kerrang (Magazine) (p.56) - "Refining their stripped-bare post-punk sound with an elegantly anguished sense of melody that suits the introspective, confessional lyrics..." Mojo (Publisher) (p.94) - "THE OBLITERATI finds Peter Prescott's fierce drumming, Roger Miller's whiplash guitar and Clint Conley's unequivocal bass still in rude health." Hide Description Mission Of Burma Obliterati Songs Purchase Obliterati CD To buy, Click on price to add to cart | Sonic Youth Sonic Nurse CD (2004) Enhanced CD
Obliterati album
$11.89 Since 1990's GOO, Sonic Youth has increasingly refined its edgy avant-garde noise excursions with a unique approach to traditional rock song structure. 2004's SONIC NURSE continues the trend. The guitars still squall (as one would expect from a band specializing in distortion since the early 1980s), but that squall seems carefully orchestrated now. The effect is due, in large part, to the presence of professional soundscaper, producer, and musician Jim O'Rourke, who mixed SONIC NURSE, and has been working with the band since 2000.
The opener, "Pattern Recognition," brews a quiet hurricane of drums, interlocking guitar rhythms, and high-end leads under bassist Kim Gordon's deadpan vocals. Guitarist Thurston Moore's equally ...
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Obliterati CD music
$15.89 Never one to tread the expected path, Lucinda Williams followed her big breakthrough album, CAR WHEELS ON A GRAVEL ROAD, with a pair of low-key records full of sad, quiet, fragile songs (interrupted by the occasional barn-burner). LIVE @ THE FILLMORE concentrates heavily on those latter two releases, unleashing all the intense, burning emotions that lay at their core, making plain the inherent frisson lurking below the surface of such ostensibly laconic tunes as "Lonely Girls" and "Righteously." Meanwhile, songs that already had plenty of bite in their studio versions are pumped up to an even more electrifying, visceral level (a bold, crunching "Changed the Locks;" the roaring, bluesy "Joy"). The debt Williams and her band owe to Neil Young & Crazy Horse is illuminated ...
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Obliterati music CDs
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Obliterati songs
$11.89 Sonic Youth's turn-of-the-century output has shown a marked focus on the more abstract aspects of the band's sound, as evidenced by, if nothing else, the prolific number of experimental releases on the band's SYR imprint, including the double-album tribute to avant-garde composers, GOODBYE 20TH CENTURY. And while to use the phrase "stylistic departure" is unbefitting of a band with such catholic tastes and influences, the straightforward pop element that marks 2006's RATHER RIPPED, the band's 14th proper studio album, is so pronounced and, to a certain extent, jarring, it's difficult not to focus in on it. From the Thin Lizzy-like twin-guitar interlude on "Incinerate" to the gentle lullaby melody of "Do You Believe in the Rapture" (arguably the loveliest song Sonic Youth has produced since "Diamond Sea") to Kim Gordon's newfound pop croon on the opener, "Reena," and "Turquoise Boy," the band hasn't made a record with this many fun, enjoyable tunes in years. Of course, accessible is a relative word when discussing Sonic ...
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