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Can - Saw Delight CD Cover Art
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Can Saw Delight CD

 Can Discography of CDs

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 Our Price: $14.15  CD

This is a Super Audio CD playable only on Super Audio CD players.

Can's final album to feature Holger Czukay; the remaining members would make two more, OUT OF REACH and CAN, before splitting in 1979. 1977's SAW DELIGHT is also the album ...    Full Description

**Super Audio CD (SACD) Hybrid**
This CD will play in standard CD players.
A Super Audio CD player is required to take advantage of the SACD sound technology.
Saw Delight Music


Detailed Saw Delight Music Information



List Price $16.98 (You save $2.83)
Category Rock/Pop Albums, Rock CDs, Alternative, Kraut Rock, Enhanced CD, Super Audio
Label Mute
Orig Year 1977
All Time Sales Rank   44435  
CD Universe Part number 7062253
Catalog number 9318
Discs 1
Release Date May 30, 2006
Studio/Live Studio
Mono/Stereo Stereo
Producer Can; Rebop Kwaku Baah
Engineer Rene Tinner
Personnel Holger Czukay - vocals, synthesizer
Jaki Liebezeit - vocals, drums
Michael Karoli - vocals, guitar, electric violin
Irmin Schmidt - vocals, keyboards
Rosko Gee - vocals, bass
Reebop Kwaku Baah - vocals, percussion
Additional Info SACD Hybrid; Remastered
Can Saw Delight Songs


Can Saw Delight Album Track Listing



1.Don't Say No
2.Sunshine Day and Night
3.Call Me
4.Animal Waves
5.Fly by Night
Saw Delight Music


Saw Delight Other Versions



Can
Saw Delight  Japan; Remastered; Mini LP Sleeve
CD$44.15
Can
Saw Delight  (1977) 
CD$26.29
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Unlimited Edition
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Can Unlimited Edition CD  (1976) Remastered

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CD $14.15  4 stars
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. Released in 1976 as a double-album expansion of 1974's LIMITED EDITION, UNLIMITED EDITION collects previously unreleased recordings made by Can between 1968 and 1974. Because the group owned their own rehearsal space/studio, Inner Space, they could record pretty much at whim, not only when release schedules dictated. While in some hands, this lack of structure would be an open invitation for endless, boring jams, the members of Can are far too self-disciplined for that. While a distinct looseness permeates these songs, none of them are unstructured or repetitive enough to truly be called jams. Instead, they're explorations, like the improvisations ...
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This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. Whereas many fans favor the frazzled funkadelia of EGE BAMYASI and TAGO MAGO, SOON OVER BABALUMA is undeniably Can's masterpiece. With BABALUMA, guitarist/violinist Michael Karoli, founding keyboardist Irmin Schmidt, and Can's peerless rhythm section (bassist/tape manipulator Holger Czukay and human drum-machine Jaki Liebezeit) achieve an effortless fusion of rock, jazz, improvisation, world music, and psychedelia. Like no group before or since, Can assimilates the soulful sway of dub reggae, the florid, traditional dervish-dances of Eastern Europe, and the transcendental grooves of Latin and non-Western musics into an indivisible, utterly irresistible whole. The impossibly fluid "Splash" sounds like the creation of a single, multi-armed music-making entity. Liebezeit's octopus-limbed polyrhythms cavort with Czukay's joyous low-end flourishes and playful splices; Karoli's strings whirl, alternately searing and tiptoe-ticklish; Schmidt's voluptuous textures bewitch, his piano enchantments pirouetting through the tango of "Come sta, La Luna." The towering ...
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A ragged-but-right Can recorded the material found on DELAY before and after completing 1968's official debut, MONSTER MOVIE. Literally delayed, this important document of the band's beginnings was edited from archival tapes by bassist and co-founder Holger Czukay and didn't see release until 1981. It's a surprisingly strong collection that's redolent of the group's influences (Stooges, Hendrix, Velvet Underground, Captain Beefheart, perhaps the 13th Floor Elevators) and sheds light on Can's formative years. "Butterfly" kicks off DELAY in an immediately recognizable mode. Czukay, superb drummer Jaki Liebezeit, and guitarist Michael Karoli lock into a mesmerizing, maze-like groove while expatriate American artist Malcolm Mooney extemporizes a parched mantra about how "dying butterfly began to fly," and keyboardist Irmin Schmidt fills the spaces with dissonant, seesawing electronics. If possible, "Little Star of Bethlehem," a spoken/sung saunter through feedback-streaked Band of Gypsies territory, ...
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Saw Delight songs
CD $14.15
1976's FLOW MOTION is probably Can's most immediately accessible album, borne out by the fact that the opening track, "I Want More," was the group's sole chart hit in Britain. The album title is uncannily (sorry) descriptive; this music flows with the sinuous grace of a dancer. The Stockhausen-influenced repetition that marked their earlier records is still evident here, but Holger Czukay's bass has a new limberness and melodic bent, showing a fresh appreciation of the supple rhythms of reggae and other Carribean musics. Czukay's bass combines with Michael Karoli's headspinning polyrhythms to create a powerful, intoxicating sound. The lengthy ...
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RITE TIME finds Can's original lineup--including first vocalist Malcolm Mooney-- reconvening nearly 20 years after its stunning 1968 debut, MONSTER MOVIE. With the decade-long legacy of Can's unparalleled accomplishments (and another decade of oft-worthy solo activities) under their collective belts, the musicians have little to prove here. Unlike many cash-in reunion efforts, RITE TIME is a thoroughly entertaining coda for an extraordinary musical career. Recorded in sun-drenched Nice during December of 1986, the one-off RITE TIME captures an ageless band at play. Without so much as a blink, the regrouped Can leaps right back into the loose-limbed polymorphic groove-working magic of such monumental albums as SOON OVER BABALUMA. While time may have taken the edge off the restless intensity that informed the earlier TAGO MAGO and EGE BAMYASI, Can still sounds vital. Jaki Liebezeit remains an incomparable drummer; multi-instrumentalists Holger Czukay and Irmin Schmidt have honed their instrumental and electronic signatures to perfection; Michael Karoli's dazzling guitar work ...
Can
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Saw Delight CD music
CD $14.15  Top 500
Can briefly disbanded in 1977, but three of the core members reformed the next year to produce the mildly disappointing OUT OF REACH. The same three--Irmin Schmidt, Michael Karoli and Jaki Liebezeit--continued the following year with the much-improved CAN, an album which largely picks up where the final quartet album, 1977's SAW DELIGHT, left off. The trio knew during the sessions that this would be the final Can album, barring compilations and occasional temporary reunions, some of which involved original singers Malcolm Mooney and Damo Suzuki, and there's a hint of valedictory sadness in tracks like "All Gates Open" and "Can Be." However, the mood is far from somber. "A Spectacle," ...
Greatest Hits
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This collection of Moe Bandy hits gives listeners a good survey of the life work of this beloved country singer. While this compilation leaves off in 1990, it includes some of Bandy's most well-known tunes, including "Till I'm Too Old to Die Young," "I Just Can't Say No to You," and "You Haven't Heard the Last of Me," to name a few. Serene and melodious, GREATEST HITS is superb easy listening, pop inflected C&W music. His singing is slick, stylized, and memorable, evincing deep meaning from each lyric. For example, on "She Has No Memory of Me" he laments the end of a marriage. "She looks in the mirror in her new room, and smiles where the tears used to be," he croons sadly. This song is particularly effective in its universal sentiment of lost love. For fans of Bandy's brand of C&W, GREATEST HITS delivers a plethora of tranquil ballads together with a good dose of Southern twang. Recorded at Eleven-Eleven Sound, Nashville, Tennessee. Personnel: Moe Bandy (vocals); Brent Rowan (acoustic & electric guitars); Don Potter, Kenny Bell, Mark Casstevens, ...
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Boa Love Letter   (2007) (Import)

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