| | I Love Mom Soundtrack CD
I Love Mom Soundtrack Music I Love Mom Soundtrack Songs | 1. | Your Song - Elton John |
| 2. | Now That I Have You - Luther Vandross |
| 3. | Arms of a Woman - Amos Lee |
| 4. | Please Remember Me - Tim McGraw |
| 5. | How Do I Live - LeAnn Rimes |
| 6. | Security - Joss Stone |
| 7. | It Must Have Been Love - Roxette |
| 8. | First Time Ever I Saw Your Face, The - George Michael |
| 9. | Lovin' You - Minnie Riperton |
| 10. | Song For My Mother - Frankie Beverly/Maze |
| 11. | Better Days - Dianne Reeves |
| 12. | More Love - Kim Carnes |
| 13. | Over the Rainbow - Eva Cassidy |
| 14. | She Believes in Me - Kenny Rogers |
| 15. | When You Walk in the Room - Paul Carrack |
| 16. | Once Bitten Twice Shy - Great White |
| 17. | Best, The - Tina Turner |
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I Love Mom Soundtrack Review
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Purchase Music From I Love Mom CD To buy, Click on price to add to cart | Cadillac Records CD (2008)
I Love Mom Soundtrack
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Based on the story of Leonard Chess, the co-founder of the legendary Chess Records label, CADILLAC RECORDS is a film that chronicles the rise of one of America's great recording institutions. Throughout the 1950s and '60s, Chess was the premiere label for blues and R&B, putting out music by such iconic talents as Howlin'Wolf, Muddy Waters, Chuck Berry, and Bo Diddley. The soundtrack features contemporary R&B and hip-hop stars ...
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| | Two's Company CD (1953) Original Broadway Cast
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This is a pretty amazing artifact, from Bette Davis' only appearance in a Broadway musical. TWO'S COMPANY, which starred Davis and David Burns (and included a young Tina Louise in its cast), was a charming revue by Vernon Duke, with lyrics by Ogden Nash and Sammy Cahn, that ran only 50 performances before closing. It was charming but not much more, and no amount of star power could get past the fact that Davis simply was not a singer, a fact evidently drilled home every time she opened her mouth. Fortunately, RCA Victor did a cast recording, which was released. There were lots of other things "wrong" with the piece in 1952-1953, including Peter Kelley, who seems to be parodying what a leading man is supposed be in musicals (indeed, at moments, he sounds eerily like Steve Martin lampooning that kind of performer), and none of the rest of the cast members featured here manages to make a much better impression on anything resembling a serious level. Still, as a remnant of a high-profile flop by a major composer, TWO'S COMPANY has value, even if it isn't essential listening.
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