| | Lou Rawls Black And Blue/Tobacco Road CD Lou Rawls Discography of CDs
Both BLACK AND BLUE and TOBACCO ROAD focus on jazz and blues standards, including George Gershwin's "Summertime," Hoagy Carmichael's "Rockin' Chair," W.C. Handy's "St. Louis Blues," and John D. Loudermilk's "Tobacco Road," which would become Rawls's signature tune. The artist's rugged, soulful singing is the perfect match for the well-arranged big band, and the 2006 CD-issue of these classic albums is a welcome arrival.
This excellent twofer brings together a pair of albums Lou Rawls recorded for Capitol in the early 1960s. Both sessions feature Rawls with a hard-swinging big band and flanked by a three-strong saxophone section and the soul-jazz organist Richard "Groove" Holmes. The results, as one might expect, are both raucous and smoky. And while Rawls wouldn't hit his stride commercially until 1966's LOU RAWLS LIVE, he sounds utterly in command here.
Personnel: Lou Rawls (vocals); Gene Edwards (guitar); Curtis Amy (soprano saxophone, tenor saxophone); Alexander Nelson (alto saxophone); Lou Ciotti, Jay Migliori (tenor saxophone); Jack Nimitz (baritone saxophone); Bob Rolfe, Bobby Bryant , Bud Brisbois (trumpet); Horace Tapscott, Lou Blackburn, Lester Robertson (trombone); Bob Knight (bass trombone); Richard "Groove" Holmes (organ); Jim Crutcher (bass instrument); Leroy Henderson (drums).
Black And Blue/Tobacco Road Music Lou Rawls Black And Blue/Tobacco Road Songs Black And Blue/Tobacco Road Review
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This CD contains B.B. King's first ABC-Paramount studio efforts -- Mr. Blues (1962) and Confessin' the Blues (1965), respectively. While there are inevitable similarities between the projects, offering them back-to-back allows listeners an acute sense of King's rapid maturation and development during what was by all accounts the nexus of the guitarist/vocalist's career. The dozen-song Mr. Blues was a haphazard start for King with the contents taken from three different recording sessions in a 13-month period (March 1, 1962 through April 11, 1963). Based on the results, the artist was being presented as a blues shouter, supported by an antiquated big band and/or orchestra. Arguably the best of the lot comes from the Maxwell Davis led ensemble on the first of several Big Joe Turner tunes, the Ahmet Ertegun penned "Chains of Love." The upgrade of Ivory Joe Hunter's "Blues at Midnight" is closer to the spirit of modern era King as he aptly demonstrates his singular testifyin' style. The fun and frolic of both "I'm Gonna Sit in 'Til You ...
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On paper it seems as if such titanic and distinctive musical personalities as Thelonious Monk and John Coltrane might not mix very well, but this stellar set, recorded live at Carnegie Hall in 1957, plays almost like a blissful extended duet between the two (with support from a sensitive yet hard-swinging bassist and drummer). The opener, "Monk's ...
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