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GEPE Gepinto CD

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Gepinto Music


Detailed Gepinto Music Information



Category Rock/Pop Albums, World CDs, Pop, Alternative, Dance
Label Quemasucabeza (Chile)
Orig Year 2006
CD Universe Part number 7098465
Discs 1
Release Date Apr 18, 2006
Studio/Live Studio
Mono/Stereo Stereo
Additional Info Import
GEPE Gepinto Songs


GEPE Gepinto Album Track Listing



1.La Enfermedad De Los Ojos
2.Nunca Mucho
3.Multiplicación
4.Sal
5.Namas
6.Los Barcos
7.Los Trapenses
8.El Gran Mal
9.Torremolinos
10.Vacaciones
11.Nihilo
12.Estilo Internacional
13.Guinea
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"There is now at least one person in sight who is an assurance for the future of Indian vocal music", this was the accolade bestowed on Rashid Khan from Pandit Bhimsen Joshi, the elder statesman of Khayal singing, when answering the concerns of connoisseurs of Hindustani music about whether its tradition of excellence would continue. Still in his thirties, a comparatively young age by Indian music standards, Rashid Khan has emerged as one of the most revered artists in the modern era of North Indian Classical music. He is one of the few contemporary vocalists whose performances capture the rare quality of 'tasir', the indescribable ability to create a genuine impact on listeners.

Despite being born into a family of celebrated musicians, it is said that the young Rashid showed little interest in music initially. Tutelage under his illustrious grand-uncle and guru, the late Ustad Nissar Hussain Khan, changed the course of his life and inspired him to develop a profound love of music which emanates through his singing today.

Rashid Khan's genius is highlighted through his rendition of both Khayal and Tarana. Two distinctive vocal styles which are found in this performance, recorded live on the 2nd January 2003, at the prestigious Saptak Festival in Ahmedabahd, India.

Khayal is a Persian word meaning idea, conception or imagination and is the most popular form of singing in Hindustani classical music. It was developed over several centuries by musicians who wished to free vocal music from the constraints of the highly structured, ancient Dhrupad form, to give greater scope to the imagination and individuality of the singer. While the emphasis on the text is of lesser importance than the singers ability to improvise on the raga, Khayal covers diverse topics such as divine love, separation of lovers, seasons, praise of kings, patrons and the pranks of Lord Krishna, invariably combining devotion with romance. Khayal is marked with melodic elaboration, decorative elegance, sensuousness and romanticism. Tarana is a vocal composition that is usually sung in a fast tempo using syllables such as na, ta, re, da, odani, tanon, etc, sounds which have their roots in the Pakhawaj drum and Kathak Dance repertoire. In a Tarana, there is no poem as such and the emphasis is on producing rhythmic patterns using syllables.

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In 1999, he recorded his first CD, Made In The Image, produced ...

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