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Our Price: $11.49  CDFor Sale Usually ships in 1-2 days
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The Pioneers are back with a 2-CD set of raw righteous rockabilly for the Hot Rod and Kustom crowd. Rockin' good messages from the house band for the Hot Rod Church for Sinners. If you like songs about Hot Rods, if you like Rockabilly music that really rocks, you will love The Pioneers. Includes the limited-edition bonus disc 'Desert and Dust'. The Pioneers are a Christian Rockabilly band from Orange County, California, who have taken on the spirit of 50s gospel roots music - only with an edge. As the worship band at Brian's church, The Hotrod Church for Sinners, The Pioneers have been rocking for over three years at church services, car shows, and festivals around California, playing their own hopped-up style of gospel rockabilly.
Recording information: Ernie's Little Yellow House Studio. Pioneers Gospel Cat Woman Songs | | Gospel Cat Woman CD DISC 1: |
| 1. | No Broken Glass |
| 2. | Gospel Cat Woman |
| 3. | Dealt a Bad Hand |
| 4. | Jungle Light |
| 5. | Sidewinder 39 |
| 6. | Dragstrip Jalopy |
| 7. | Scary Stories |
| 8. | God Is Boss |
| 9. | Bad Thought |
| 10. | How High |
| | Gospel Cat Woman Songs DISC 2: |
| 1. | Eddies Boogie |
| 2. | Desery and Dust |
| 3. | Hundred and a Half |
| 4. | I Dont Have to Get Drunk |
| 5. | Fast and Furious |
| 6. | Grand Ole Opry of the West Coast |
| 7. | I Got a Hot Rod |
| 8. | High Call Heaven |
| 9. | Cadillac Mic |
| 10. | Jesus Shed His Blood |
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Gospel Cat Woman Review
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| | Business Hardcore Hooligan CD (2003)
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It's street punk, and the lads love it. Veterans the Business return on Hardcore Hooligan with 12 more pint-slinging anthems to the working class and football terraces, rife with gang's-all-here singalongs and clogged with hard-barbed, brutally simplistic punk chording. Within the first four minutes, you're greeted with no less than two bawdy singalongs. "F-U! F-U-C! F-U-C-K! F*CK YOU!" the rousing opening theme, "Hardcore Hooligan," goes, to be ended by the cheers and jeers of the boys at the bar. But that's only the first minute and a half. What about "Southgate (Euro 96)," with its snarky putdowns of Premier League defender Gareth Southgate? The melody to "Lord of the Dance" is hijacked, and the supporters lock their arms and sing, "Dance now wherever you may be/'Cuz he missed the f*ckin' penalty!" The No Mercy for You holdover "Guinness Boys" throws some rollicking pub piano on the pitch, while "Maradona" and "England 5, Germany 1" are muscular and mean-spirited numbers with a large debt to the sloppy pacing of the Sex Pistols. Hooligan's aims are pretty ...
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Simply billed to Macé, Circulations is an impressive hourlong electro-acoustic work by composer Pierre-Yves Macé and his second album (after a lukewarm debut released on Tzadik). Making the best of a residency at Euphonia (Marseille), he first wrote four solo pieces for percussion, electric guitar, harp, and clarinet. At Euphonia, ...
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Arrangers: Georg Gabler; Felix Pando.
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Four Decades of Folk Rock is an expansive box set, allowing one disc and over an hour of music for each decade. For those who would argue that folk-rock was primarily a 1960s phenomenon in the United States and a '60s and '70s phenomenon in Britain, the box counters that the musical strains of folk-rock have informed everyone from R.E.M. to the Bangles to David Gray. It's unlikely, though, that anyone but record shop nerds and music historians will be very interested in the debate. For everyone else, the set will be measured by the quality of the music itself, and on that account, Four Decades delivers a remarkable set list.
Overall, the first two discs covering the '60s and '70s are likely to be the most familiar to listeners, perhaps because much of the music was issued at a time when rock seemed less divided by subgroups than today. Yes, the Byrds' "Turn! Turn! Turn!" may have been "folk-rock," but the rock family was broad enough to encompass the Byrds and Jefferson Airplane, Donovan and the Band. Still, one of the strong points of these early discs is the mixing of less familiar tracks with material that still circulates on Oldies stations. Most listeners, for instance, will be familiar with Buffalo Springfield's "For What It's Worth" and the Stone Poneys' (with Linda Rondstadt singing lead) "Different Drum," but are less likely to be on a sure footing with Tim Buckley's "I Never Asked to Be Your Mountain" and Tim Rose's version of "Morning Dew." The collection also makes a smart move by including a number of British performers including Nick Drake, Fairport Convention, and Steeleye Span.
The latter two discs representing the '80s and '90s (and beyond) may lack the cohesiveness of the earlier discs, but the music is nonetheless solid. Part of the problem stems from the shattering of once seemingly stable categories like rock/folk-rock into alternative rock, singer/songwriter, and Celtic. Unless one is a fan of every subgenre, she is unlikely to sing along with a number of these songs. Also, the mixture of such disparate categories is bound to create odd pairings.
It's odd, for instance, to stick Dexys Midnight Runners' "Come on Eileen" between Richard and Linda Thompson's "Wall of Death" and R.E.M.'s "Talk About the Passion." And it's selections like ...
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