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Recording information: Queen Elizabeth Hall, London, England (11/2004). Trio Beyond: John Scofield (guitars); Larry Goldings (electric piano, Hammond b-3 organ, sampler); Jack DeJohnette (drums). Down Beat (p.57) - 4.5 stars out ... Full Descriptionof 5 -- "Scofield offers a keen, continuous flow of ideas, and Goldings is a provocateur who enhances both the drummer's clout and the guitarist's extrapolations."
JazzTimes (p.87) - "Trio Beyond proves its mettle deep in the heart of its improvisations..." Hide Description Trio Beyond Saudades Songs Purchase Saudades CD To buy, Click on price to add to cart | Dave Holland Overtime CD (2005)
Saudades album
 $13.89  
Recording information: Avatar Studios, New York, New York (2002 - 2004).
Personnel: ...
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Contains previously unreleased material. Some of the recordings on the CELLAR DOOR SESSIONS were originally released in edited form on the 1971 double-LP LIVE EVIL.
There is an entire universe contained in this box. Sumptuously packaged and scrupulously annotated, CELLAR DOOR SESSIONS 1970 is a six-disc set that documents Miles Davis's extended residency at the Washington, D.C., club. Davis is backed by a group of genius musicians: keyboardist Keith Jarrett, drummer Jack DeJohnette, bassist Michael Henderson, saxophonist Gary Bartz, percussionist Airto Moreira and guitarist John McLaughlin (who appears only on the last two discs). Together they pioneered an ecstatic fusion of jazz, rock, funk, and abstract sound-painting that established the blueprint for the future of progressive music.
Each disc contains a different live set, and while songs are often repeated across the set lists, no two tracks sound the same. The players improvise at a fever-pitch, pushing themselves to endless invention, and the ensemble's interplay--expressionistic, protean, and fierce--is near telepathic. The influence of rock artists like Sly Stone and Jimi Hendrix can be heard in the layering of deep funk rhythms and psychedelic inflections (especially with Miles's wah-filtered trumpet), but the overall sound seems to subsume and transcend the entire history of 20th century music. In a career full of musical innovation, this is some of Miles's most visionary work, and this essential ...
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The dramatic, spiraling inventions of Tyner lend a frenetic element to Coltrane's already intense lines, while Jones and Garrison find and rearrange nearly every rhythm and counter-rhythm imaginable. There are only four tracks here (spread out over two discs), but each--whether it's the fiery title track or the exhilarating take on "My Favorite Things"--is a study in artistry.
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ONE DOWN, ONE UP: LIVE AT THE HALF NOTE, recorded in the last year of the classic quartet's existence, captures John Coltrane, drummer Elvin Jones, pianist McCoy Tyner, and bassist Jimmy Garrison going full blast. Recorded a year after A LOVE SUPREME, Coltrane was already moving on to extended improvisation, stretching out a single composition for 15 or 20 minutes while ...
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The follow-up to I HAVE THE ROOM ABOVE HER, Paul Motian's lauded collaboration with guitarist Bill Frisell and saxophonist Joe Lovano, 2006's GARDEN OF EDEN finds the veteran jazz drummer leading a much larger ensemble through a remarkable set. As with the previous outing, Motian presents inventive covers of tunes by Jerome Kern (a light, gentle take on "Bill") and Thelonious Monk (the shuffling rendition of "Evidence"), but that's where obvious similarities between the two albums end. GARDEN features the unusual lineup of three guitarists, two saxophonists, and a bassist, all intuitively led by Motian's dynamic and dexterous rhythms. A graceful version of Charles Mingus's "Pithecanthropus Erectus" and the dreamy original "Etude" are but two highlights ...
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The husband-and-wife team of Marilyn and Alan Bergman are among the most oft-recorded/performed songwriters of the 20th and 21st centuries. Many of their songs have become pop and jazz standards, and they've won numerous awards, including three Oscars. LYRICALLY is ...
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Saudades Music Review Average Rating: (3.3 out of 5 stars)   Powerful, challenging, funny, and ballsy
The trio's take on Lifetime, Miles, and their own intense chemistry is challenging and joyful. Highly recommended - if you're up to it.
Submitted by Mortcola (Long Island)
Was This Review Helpful? Yes No
 Long time I had no such deception
Every theme on this album is just arhythmical.
And also, there are such bad parts, like at the solo of Jack DeJohnette at "Spectrum" you could say that he fell asleep at the middle of the solo, and after that he didn't even knew what to do. I seriously thought he was having a coffee or something.
For the most I like John Scofield's work, this album is just disappointing. Main melodies of every theme have a loussy development and at the end it just makes the album to be long and boring.
Submitted by Marcelo Stockle (Parral, Chile)
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TERRIFIC!!!!!!!!!!!!!
What else can you say about performance like that....just TERRIFIC!!!!
Submitted by najponk (prague)
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