| | Jerry Raines Dangerous Redhead CD Jerry Raines Discography of CDs
Personnel: Jerry Raines (acoustic guitar); Charles Brunet, Terry Darcey, Roy Montrell, Pershing Wells (guitar); Rickey Folse, Lee Allen (tenor saxophone); Big Boy Myles (trombone); Wayne DeVille, Mac Rebennack, Ronnie Folse (piano); Remy Pierre, Chuck Badie (electric bass); Marvin Berg, John Boudreaux (drums). Jerry Raines Dangerous Redhead Songs Dangerous Redhead Review
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Purchase Dangerous Redhead CD To buy, Click on price to add to cart | Train Save Me, San Francisco CD (2009)
Dangerous Redhead
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San Francisco's Train hit the charts with a bang early in the 21st century with hits like "Calling All Angels" and "Drops of Jupiter." They began as a band that courted an alternative audience and quickly traded it -- without changing their sound much -- for a more adult fanbase with mixed ...
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With the release of GET LUCKY, Mark Knopfler has made as many solo studio albums as he made group studio albums with Dire Straits, which itself may be a signal that it's time to stop comparing his two careers and simply accept them as separate entities. Of course, since Knopfler was the lead singer, chief instrumentalist, and songwriter for Dire Straits, there are obvious similarities, even if he has taken a deliberately different path as a solo artist. Basically, he's a lot quieter. "Border Reiver," the first song here, begins with a pennywhistle and a piano, then strings join in. Soon enough, Knopfler's distinctive conversational baritone begins calmly intoning lyrics, and eventually there are examples of his melodic fingerpicked guitar style on both acoustic and electric guitar. He even works up to a smoldering swamp rock shuffle, a la J.J. Cale, on "Cleaning My ...
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This reissue of REVOLVER has been digitally re-mastered. It comes packaged with replicated original U.K. album art, an expanded booklet containing original and newly written liner notes, and rare photos. Limited quantities of the CD are embedded with a brief documentary film about the album.
Arguably the first psychedelic rock album, REVOLVER was praised for its musical experimentation--the Indian sounds of "Love You To," the Motown-inspired "Got To Get You Into My Life," the backwards guitar in "I'm Only Sleeping." "Tomorrow Never Knows" was the most radical departure from previous Beatles' recordings for its skeletal bass/drums propulsion enhanced only with tape loops (contributed by all four Beatles and added in the mix-down process), more backwards guitar, and an eerie John Lennon vocal.
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“The first step to controlling your world is to control your culture. To model and demonstrate the kind of world you demand to live in. To write the books. Make the music. Shoot the films. Paint the art.” (Chuck Palahniuk) From vision to concept, this is For the Wait. Visually, the band presents a pure and emotional live show that provides their audience with a complete, non-stop set, with no breaks, ...
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