| | Sabrina Malheiros Vibrasons CD Sabrina Malheiros Discography of CDs
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The tracks of Malheiro's stunning 2006 debut CD "Equilibria" receive fresh guises in the form of remixes assembled for this collection. The list of remixers reads like a who’s who of the hippest cats around – Nicole Conte, Quantic, Spiritual South, Kenny "Dope" Gonzales, Kirk Degiorgio, Incognito & Venom, as well as hotly tipped mixes from upstarts Max Cole & Beatnik and Boston Rodriguez. One of the many highlights featured are the hip-hop beats on the instrumental version of "Equilibria" plus a bonus track from Malheiros contributed for this disc– a fiery drum ‘n’ bass cut called "Lemanja". The remixes by Nicola Conte, Kirk Degiorgio, Boston Rodriguez and Max Cole & Beatnik are all exclusive to this CD (as is the bonus track and instrumental). The mixes from Quantic, Spiritual South, Kenny Dope, Incognito, Venom and Roc Hunter were previously released on limited DJ vinyl runs. "Vibrasons" only adds greater perspective to "Equilibria" with its smooth mix of styles and tempos. Sabrina Malheiros Vibrasons Songs | 1. | Terra de Ningeum (Mixed by Nicola Conte) | |
| 2. | Passa (Mixed by Quantic) | |
| 3. | Saudade Rio (Mixed by Kirki Degiorgio's as One) | |
| 4. | Capoeira Vai (Mixed by Spiritual South) | |
| 5. | Equilibria (Instrumental) | |
| 6. | Passa (Mixed by Venom) | |
| 7. | Cade Voce (Mixed by Max Cole & Beatnik) | |
| 8. | Maracatueira (Mixed by Incognito) | |
| 9. | Nao Quero Nem Saber (Mixed by Boston Rodriguez) | |
| 10. | Capoeira Vai (Mixed by Roc Hunter) | |
| 11. | Lemanja (Bonus Track) | |
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Purchase Vibrasons CD To buy, Click on price to add to cart | Physics First Flight CD (2003) (Import)
Vibrasons album
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Hailing from the Swedish city of Malmoe, Physics have recently become the name on many a house gourmets lips, due to their unique sound and interesting blend of house beats and deep jazzy grooves. It is not the blend as such that has given them cred, but the way in which they mix their different components. With a general respect and love for music and particularly the genre within which they operate, Physics aim to please both the club visitor and the fuzzy listener by using live as well as programmed elements in order to convey the true vibes of what house is all about. This is the very foundation on which both their studio-produced and live-performed music are based. First Flight is the two childhood friends Mikael Surdi and Toby Olsson debut album. They started composing and playing together around the mid-eighties in the wake of ...
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Reba McEntire's 13th regular studio album Reba shocked some fans and critics by taking a distinct pop crossover direction after several years during which she maintained that she was a neo-traditionalist country artist. On Reba, the fiddles and steel guitars were banned from the studio as McEntire made like Aretha Franklin singing "Respect." The album topped the Billboard country charts for eight weeks, but McEntire seems to have felt that she should reassure her country base, and so Sweet Sixteen (which is her 16th album only if you count her Greatest Hits and Merry Christmas to You) welcomes the fiddles and steel guitars back as she returns to the neo-traditionalist fold. This is an album on which McEntire doubles back to a formula that worked for her in the past. Kendal Franceschi and Quentin Powers wrote her 1986 career song "Whoever's in New England," and they are back for two selections here, both of which have some of the melancholy of that ballad, but aren't as good. "It Always Rains on Saturday," for which McEntire claims a co-writing credit, takes too long to get to the point of its story, that the narrator is a divorced mother made lonely when her young son goes off to spend the weekends with his father. "Little Girl" (which became the LP's third country Top Ten hit) has the singer confessing to being overanxious and to having failed at love again. McEntire once coaxed a major hit, "Somebody Should Leave," from legendary country songwriter Harlan Howard. She hasn't obtained another one from him, but she has crossed pens with another heavyweight tunesmith, Don Schlitz, co-writing "Am I the Only One Who Cares," a too-cute story song about a fight between a mother and her teenager daughter that is mediated by a talking moon (!), and "You Must Really Love Me," a bluegrass workout in the style of Emmylou Harris. Another genre exercise is "'Til Love Comes Again" (the record's second country Top Ten), which leans heavily on fiddle and steel guitar and sounds like it was written for Patsy Cline, whom McEntire successfully impersonates. "Say the Word" investigates still another familiar country style, honky tonk. The album's pop elements are either muted or more closely tied to country than those on Reba. The track list begins with a cover of the Everly Brothers hit "Cathy's Clown" on which McEntire has altered the ...
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Recorded live with brief and unobtrusive emceeing in 1949 at the Empire in Hollywood, CA, this remarkably satisfying album of West Coast cool bop is so exceptional that anyone who gives a rip about honest jazz is advised to seek it out and soak it up. This disc contains what is quite possibly some of the very best music ever recorded by saxophonist Georgie Auld. A veteran of bands led by Bunny Berigan, Artie Shaw, Jan Savitt and Benny Goodman, Auld led his own big band from 1943 to 1946. The ten-piece group heard live at the ...
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