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The achingly beautiful ALL BUT GONE is the second single from Sarah McLeod's solo album Beauty Was a Tiger, following on from Private School Kid (duet with Chris Cheney from The Living End). It's one of the most personal songs Sarah has ever ... Full Descriptionwritten and performed. All But Gone represents something of a bridge between Sarah's old world and the new, which explains why the single comes with a selection of acoustically recorded songs, including Gutter Queen, Everybody Calls Me Lonely, All But Gone and Billy Field's You Weren't In Love With Me. 2006. Hide Description Sarah Mcleod All But Gone Songs | 1. | All But Gone |
| 2. | Gutter Queen (Acoustic) |
| 3. | Everybody Calls Me Lonely (Acoustic) |
| 4. | You Weren't In Love With Me (Acoustic) |
| 5. | All But Gone (Acoustic) |
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Purchase All But Gone CD To buy, Click on price to add to cart | Gary Moore Bad For You Baby CD (2008)
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| | Hinder Take It To The Limit CD (2008)
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For their second release, Hinder polish their good-time pop-metal fusion to a glittering finish. With bright, engaging melodic hooks, rousing guitar parts, and an overall party vibe, Hinder parties not like it's 1999 but rather like it's 1988. If Ratt and Poison had material as strong as Hinder's, they might've been as popular in the '00 decade as in their `80s heyday. TAKE IT TO THE LIMIT ...
| | Lou Reed Berlin: Live at St. Anne's Warehouse CD (2008)
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Though it was dismissed as morbid and self-indulgent upon its initial 1973 release, critics and audiences alike have come to view Lou Reed's unquestionably grandiose concept album, BERLIN, as one of the high points of his solo career. The album's narrative arc traces the trajectory of a doomed, defiantly self-destructive romance in the modern German city, and pits dark,cabaret influenced orchestration against Reed's deadpan vocals to remarkably chilling effect. The album's bleak, incisive lyrics and unapologetically melodramatic atmosphere would prove influential in the years to come.
Matador's BERLIN: LIVE AT ST. ANN'S documents an exceptional 2006 performance of BERLIN that saw Reed accompanied by a seven-piece orchestra, a sterling rhythm section, and the Brooklyn Youth Chorus. Standouts include a jaw-dropping rendition of "The Kids" and an encore performance of the Velvet Underground standard "Candy Says," which is itself suffused ...
| | Creedence Clearwater Revival Chronicle: The 20 Greatest Hits CD (1976)
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Digitally remastered by Gary Hobish (1994, Fantasy Studios, Berkeley, California).
Guided, perhaps, by musical snobbery or roots-rock phobia, some people inexplicably don't like Creedence Clearwater Revival. As the kings of earnest country-inflected rock in an age when radical stances were de rigueur, CCR sported straight-ahead tunes, and may have seemed a bit unhip. But their music stands the test of time with a vengeance. For the doubtful listener, this outstanding, 20-track hits collection has evidence of their greatness in staggering abundance.
Though they produced several excellent albums, Creedence was predominantly a singles band, and CHRONICLE compiles many of their biggest hits. From the slowly building saunter of "Suzie Q" and the spooky, R&B-soaked "I Put a Spell on You" to the fierce "Fortunate Son" and the swampy blues of "Run Through the Jungle," CHRONICLE features the ensemble's signature tunes. Beautifully melancholy songs "Who'll Stop the Rain" and "Someday Never Comes" play off sunny, melodic anthems "Down on the Corner" and "Lookin' Out My Back Door," fully revealing the band's wide range. The group's tight, no-frills musicianship leaves John Fogerty's keening voice and superb songwriting at the fore, and the results--brought together here on one of rock's best greatest-hits packages--make for some of the genre's most endearing and enduring music.
Recorded ...
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| Queen Greatest Hits I, II & III: The Platinum Collection CDs (2002) Box Set
All But Gone album
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Recorded between 1974 & 1997. Includes liner notes by Jim Jenkins, Jacky Smith, Andy Davis, Phil Symes.
With Queen officially enshrined in the Rock & Roll Hall Of Fame, Hollywood Records reintroduces the band yet again with the release of GREATEST HITS I, II & III. While Volumes I and II are full of Queen classics you already know by heart, the third cobbles together odds and sods from the far corners of Queen's canon along with solo cuts from Freddie Mercury and Brian May.
Opening with the operatic rock classic "Bohemian Rhapsody," it's easy to hear not only how this British quartet achieved the kind of global acclaim that ensured they'd be enshrined alongside the likes of the Beatles and Led Zeppelin. When they weren't dabbling in playful '50s-flavored rock & roll ("Crazy Little Thing Called Love"), catchy glam ("Killer Queen"), or hard-edged funk ("Another One Bites The Dust"), Queen was capable of delivering heartfelt love letters ("You're My Best Friend"). The band's '80s output is equally intriguing, ranging from the hard-hitting "Headlong" to duets with David Bowie ("Under Pressure") and soaring movie ...
| | Elvis Presley ELV1S: 30 # 1 Hits CD (2002) Remastered
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Includes liner notes Peter Guralnick and Ernst Mikael Jorgensen.
Commemorating the 25th anniversary of Elvis Presley's death, 30 #1 HITS presents a career-spanning serving of the King's chart-toppers.
Dating back to "Heartbreak Hotel" (which was inspired by a suicide note printed in the Miami Herald), most of these cuts have become indelibly etched into the fabric of pop culture and each has a unique story behind it. "Love Me Tender" has its origins in the Civil War ballad "Aura Lee," "It's Now Or Never" found Elvis Americanizing the Neapolitan ballad "O Sole Mio," and "Wooden Heart" likewise was converted from a German children's song.
This Memphis native's choice of artists to cover was equally intriguing and includes Hollywood legend Al Jolson ("Are You Lonesome Tonight?"), New Orleans soul shouter Smiley Lewis ("One Night"), blues great Big Mama Thornton ("Hound Dog"), and country titan Hank Snow ("[Now And Then There's] A Fool Such As I"). Further testimony of Presley's long-lasting appeal is the inclusion of the JXL Radio Edit Remix of "A Little Less Conversation," a UK #1 that not only enabled Elvis to have more chart-toppers than The Beatles, but also became a hit ...
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