| | Sarah Mcleod All But Gone CD - Import Sarah Mcleod Discography of CDs
The achingly beautiful ALL BUT GONE is the second single from Sarah McLeod's solo album Beauty Was a Tiger, following on from Private School Kid (duet with Chris Cheney from The Living End). It's one of the most personal songs Sarah has ever ... Full Descriptionwritten and performed. All But Gone represents something of a bridge between Sarah's old world and the new, which explains why the single comes with a selection of acoustically recorded songs, including Gutter Queen, Everybody Calls Me Lonely, All But Gone and Billy Field's You Weren't In Love With Me. 2006. Hide Description Sarah Mcleod All But Gone Songs | 1. | All But Gone |
| 2. | Gutter Queen (Acoustic) |
| 3. | Everybody Calls Me Lonely (Acoustic) |
| 4. | You Weren't In Love With Me (Acoustic) |
| 5. | All But Gone (Acoustic) |
|
All But Gone Review
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Purchase All But Gone CD To buy, Click on price to add to cart | Michael Jackson Thriller CD (1982) Bonus Tracks; Remastered; Special Edition
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In true old-school "supergroup" fashion, Chickenfoot is a hard-rock dream team. Composed of vocalist Sammy Hagar (Montrose, Van Halen), bassist Michael Anthony (Van Halen), drummer ...
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"You Rock My World" was nominated for the 2002 Grammy Award for Best Male Pop Vocal Performance.
The question for a 42-year-old Michael Jackson heading towards the end of 2001 was whether or not the self-proclaimed King Of Pop could make his presence known on the charts after having spent much of the '90s laying low. If the chart-topping position achieved by INVINCIBLE is any indication, then the answer is a resounding yes. The album is primarily produced by Jersey wunderkind Rodney Jerkins, and Jacko wasted no time tapping other top-flight artists and knob-twirlers to help out, including Teddy Riley, Babyface and R.Kelly.
Michael pulls out all the stops here, whether peppering the opener "Unbreakable" with his trademark falsetto and a posthumous rap from the Notorious B.I.G, or recruiting ...
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The 1990s may not have been kind to Michael Jackson on a commercial level, due to fickle music tastes and assorted personal controversies, but NUMBER ONES reinforces Jackson's place in pop culture history. Unlike its preceding compilation, HIStory, this anthology trims the fat, although occasionally going overboard in leaving off certified chart-toppers like the Paul McCartney duet "Say Say Say" in lieu of lesser-known, latter-day fare like "Earth Song."
That said, casual fans of the Gloved One will still feast on plenty, ranging from dance classics like "Don't Stop 'Til You Get Enough" and "Rock with You" from 1979's stellar OFF THE WALL to the singles that powered the industry-shifting THRILLER and BAD. Among the hits featured here are "Beat It," (with its tour ...
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After DESTINY'S opening thumping baseline, funky guitar chords, and Michael Jackson's hiccuping "heeee-heee-heeee," there's only one sensible thing to do--blame it on the boogie. Or blame it on the Jacksons' 1978 platinum-selling album for being so damn good. The tenor of the times was finally right for the band, and everyone involved is on top form. With songs all written and produced by the Jacksons, the emphasis is on booty-shaking music with heart and real soul. Within a year Michael Jackson's OFF THE WALL album, on the charts for 52 weeks, would make him a force to be reckoned with. But on DESTINY, Michael's passion and desire is palpable, giving the album its real power and edge.
Besides "Blame it on the ...
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the Original mini CD from DateMonthYear.Releasede in 2003. "Haunted" and "Lovesafety" both used in TV programmes "Heir Apparent" and "Soapography".Review;Sampler review by Tracey Cooper on Thursday 24 November 2005 Just five tracks thus far, and very nice they are ...
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In an era when anyone can remix classic LPs, download drum loops or strum a few chords onto a computer and cut and paste their way to fame, The Paul Speidel Band is a group of three seasoned musicians who have learned how to make something special happen on stage through playing live music. A Boston music scene veteran, Speidel and his band put in 10 years of dues-paying in local blues haunts before the release of their debut CD, "The Paul Speidel Band". This CD showcases their unique blend of rockin' blues, jazzy grooves and catchy hooks and riffs. Like their blues and jazz colleagues of eras past, this band brought their live playing experience into the studio, capturing the edge and attitude of the music the moment it all came together. Speidel explains: "We think a lot about what it means to play The Blues and related roots styles in the digital age. How do you pay tribute to the great players in the style without doing the same things they did? For us, it's interpreting the tradition through live playing, re-telling the story of the music by playing it the way we hear it. The Blues is an American legacy which has informed all styles of popular music, and the beauty of it is that, while it's universal in experience, it's so personal in expression. We are constantly challenged and fulfilled by this music when we improvise together while playing live...the old blues groups were the first jam bands!"Reviews of "The Paul Speidel Band"... "From the minute I popped this disc into the CD player, I began bobbing my head and tapping my feet. Can you say feeling and energy? Throughout this entire album, all three musicians play with such feeling and great energy that it just bleeds right through the speakers. So many musicians today have lost sight of the "music" and simply play as part of a routine. The Paul Speidel Band is one of the few groups with genuine musicians who honestly love what they are doing and play from their soul. Although there were no lyrics on this disc, the emotion can be felt simply by listening. For a debut CD, this one was a big score! Aside from just the talent, the sound was clear and the mixing was well done. From the first song "The Opener" to the last "D-Bop Blues," this album kept me hooked from beginning to end. Rating: A+ -- Laurie Hackney (Live Magazine) "Guitarist Speidel kicks off the aptly titled "The Opener" with workman-like precision, then goes on to lead his full-bodied sound across some multi-dimensional blues trio territory. His picking is sharpest and cleanest on the "Hear My Cry/Breakdown" medley; only "Motor Cycle" runs out of steam halfway through. Taking nothing away from the art of singing, it's a real pleasure to hear an album of instrumentals. Some icing is added with one acoustic number -- "E-Mail 'E' Rag" -- but this remains a serving of gutsy electric blues, with longtime band members Brendan Byrnes on drums and Ed Spargo on bass, not only providing a sturdy foundation, but also egging Speidel on. Things ...
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