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With a name like The Ultimate Most Relaxing New Age Music in the Universe, Kin Kou's double-disc 24-track compilation of some of new age music's most serene moments should come with a warning sticker that says "do not play while operating a vehicle." While puffy-shirted legends like David Arkenstone, Kitaro, and Andreas Vollenweider lead the pack on this instrumental tour de force of non-power, it's the subtle work of lesser-known artists of the genre -- like Toshiyuki Watanabe, whose delicate "Falling Snow" is both sweet and sad -- that gives this soundtrack to heavily sanitized waiting rooms everywhere the power of its conviction. ~ James Christopher Monger Ultimate Most Relaxing New Age Piano In The Universe Music Ultimate Most Relaxing New Age Piano In The Universe Songs Ultimate Most Relaxing New Age Piano In The Universe Music Ultimate Most Relaxing New Age Piano In The Universe Review
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Perhaps the biggest surprise about this disc is that it's taken so long to happen. Bobi Céspedes has already enjoyed a distinguished career, singing as part of Conjunto Céspedes and with Mickey Hart's Planet Drum. But she's never stepped into the studio under her own name before. On the evidence of Rezos, though, it's to be hoped she'll be back there regularly. Born in Cuba, and a Yoruba priestess, she brings a strong Afro-Cuban sensibility to the material here, like "Obatala," named for her orisha. But there's a lot more going on here, like drum loops and some jazz licks, along with the more traditional call-and-response vocals. It's all wonderfully melodic, especially the exuberant "California," a paean to her home. The arrangements, by Oriente Lopez, are adventurous, using Rahsaan Fredricks' bass and One Drop Scott's hip-hop drum programming sparingly but subtly, but mostly letting the songs breathe and Céspedes' voice shine -- which it does. She positively sashays through "Nuevo Milenio," while the title cut kicks the record off with a deeply spiritual -- but rhythmically irresistible -- chant. At the end of the disc, she offers something even more grounded in "Ogun," a traditional Yoruba invocation with pure Afro-Cuban drumming. Céspedes' album might have been a long time coming, but it's more than worth the weight, with its golden mix of yesterday and tomorrow. ~ Chris Nickson
Principally recorded at The Altar Studios, Oakland, California.
Personnel: Gregorio Landau (guitar, tres); Octavio Rodriguez (quinto); Oriente Lopez (flute, piano, keyboards, background vocals); Julius Melendez ...
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Digitally remastered by Larry Keyes (Sony Music Studios, New York, New York).
When Peggy Lee made her first recording with Benny Goodman's orchestra, she was 19 and scared to death. The result, "Elmer's Tune," is one she probably wished were lost, but the other 15 recordings on this CD (all from 1941) find her improving month by month, struggling gamely through the difficult Eddie Sauter and Mel Powell arrangements. Many of these titles were formerly rare and offer an interesting look at the early Peggy Lee. ~ Scott Yanow
Recorded in Chicago, Illinois on August 15 & 20, 1941 and in ...
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