| | Original Masters - Karajan - The First Recordings CD Karajan, Herbert Von CDS
| Category | Classical, Romantic Period, Orchestral/Symphonic, Box Sets, Classical Period, Opera, Symphony, Dance - Classical, Prelude, Overture, Waltz, Tone Poem, Rondo, Operetta, Singspiel |
The Polydor recordings from 1938 to 1943: Karajan's fascinating first essays in the classical repertoire from Mozart (Symphony no. 40) to Richard Strauss (Don Juan), with Beethoven (Symphony no. 7) , Tchaikovsky (Pathétique Symphony), Dvorak (New World Symphony) and a beautiful CD of Opera Préludes. These recordings were painstakingly restored in the 1980s and previously released in the Dokumente series in 1988. CD booklet, with great new article by Karajan biographer Richard Osborne, includes the full series of dynamic early Karajan photos by Siegfried Lauterwasser. Original Masters - Karajan - The First Recordings Music | Label | Deutsche Grammophon | | Orig Year | 8/8/2006 | | All Time Sales Rank |  25285  | | CD Universe Part number | 7119170 | | Discs | 6 | | Release Date | Aug 08, 2006 | | Mono/Stereo | Mono | | Recording Time | 6 28 | | Additional Info | Boxed Set |
Original Masters - Karajan - The First Recordings Review
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Feisty re-imaginings of beloved songs from the pop, folk, and classical canon make violinist David Garrett's self-titled album an unpredictable and joyous listen. Garrett--a former student of Itzhak Perlman--has remarkable control over his tone, guiding his violin to sound tremblingly sweet ("Nothing Else Matters"), bluesy and soulful ("Ain't No Sunshine"), jaunty ("Zorba's Dance"), and even aggressive and artfully harsh ("Thunderstruck"), a versatility that allows him to cover Metallica and traditional Hungarian folk dances with equal aplomb.
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Track Listing of songs: Past Three O'clock, carol; O Come, All Ye Faithful; Ding Dong! Merrily on High; In the Bleak Midwinter; Weihnachtsoratorium; Once in Royal David's City; Sussex Carol; Quelle est cette odeur agreable?; Il est ne, le divin enfant; Enfance du Christ, oratorio for soprano, 2 tenors, baritone, 3 basses, chorus & orchetsra, L'; Enfance du Christ, oratorio for soprano, 2 tenors, baritone, 3 basses, chorus & orchetsra, L'; Es ist ein Ros entsprungen; Stille Nacht, heilige Nacht; Still, Still, Still; Singet und klinget ihr Kinderlein; Holly and the Ivy, The; Three Kings, The; Tomorrow Shall Be My Dancing Day; Away in a manger; Personent Hodie; In dulci jubilo; Jesus Christ the Apple Tree; Hark! the Herald Angels Sing;
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The haunting bagpipes, a shiver of strings behind them...you can almost feel the cool fog rolling in from the sea, and across a Scottish field. A battlefield, in this case, in the year 1314. It was then that a band of half-starved, hopelessly outnumbered Scottish patriots fought for freedom at a place called Bannockburn. John Horner's soundtrack to "Braveheart," the Mel Gibson film about that epic struggle, is a lustrous, many-faceted, at times stirring piece of work. Even without the images from the film dancing through your head, Horner's themes have staying power and emotional substance. He maintains the feel of place throughout, but never relies too heavily on obvious instrumental cliches (the pipes, for instance, are used sparingly). No doubt, tracks like "The Battle of Stirling" will resonate a bit more if you've seen "Braveheart." That said, Horner's score has a rare quality: It is cinematic, but also enjoyable on its own as orchestral music.
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Original score writen by James Horner.
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Video On Pbs During December Fund Drive
Recorded at Andre Rieu Studios, B.V., Maastricht, Netherlands.
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