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Reach Music | List Price | $8.97 (You save $1.52) | | Category | Rock/Pop Albums | | Label | CD Baby | | CD Universe Part number | 7141132 | | Catalog number | 82623 | | Discs | 1 | | Release Date | Mar 21, 2006 |
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After the tragic suicide of Joy Division's Ian Curtis, the band restructured. Guitarist Bernard Sumner, whose gift for combining the melodic with the hypnotic had been the band's cornerstone, stepped up to the microphone. The resulting debut MOVEMENT finds the group taking a brave step away from its unfortunate past. Preserved are Joy Division's dark edges--Sumner's guitar attack swerves deftly between funereal repetition and noisy bursts, while bassist Peter Hook continues to explore his instrument's upper registers.
From the slow, deliberate build and melodic interplay of its opening moment, the mid-tempo "Dreams never End," MOVEMENT boldly states the band's more experimental, slightly less emotionally turgid agenda. That Sumner is trapped under the influence of Curtis is undeniable--at times, the resemblance is alarming, but MOVEMENT is the sound of Sumner finding his voice. The spacey synth-pop of "The Him" foreshadows the sound New Order was to slowly develop, as Sumner became more comfortable with the upper reaches of his vocal range. Dynamic play abounds--the existentialist ...
| | Lee Ann Womack Call Me Crazy CD (2008) Digipak
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After flirting with the pop mainstream with hit singles like "I Hope You Dance," Lee Ann Womack came decidedly back to country with 2005's THERE'S MORE WHERE THAT CAME FROM, an unapologetic stylistic throwback to the days when Patsy Cline and Kitty Wells ruled the country charts. While CALL ME CRAZY is nearly as traditionalist in its sound, and every bit as strong as a set of songs, it sounds perhaps a little more contemporary--more Loretta Lynn and Dolly Parton than Patsy and Kitty--and includes highlights like first single "Last Call" and a pair of duets with Keith Urban and George Strait. CALL ME CRAZY was released as a vinyl LP as well as a digital download and a standard CD: the once retro but now once again hot format is a perfect fit for the album's back-to-basics charms.
Arrangers: Nashville String Machine; Bergen White.
Personnel: Lee Ann Womack (background vocals); George Strait (vocals); Randy Scruggs, Bryan Sutton (acoustic guitar); Brent Mason (electric guitar, gut-string guitar); Ilya Toshinsky (electric guitar); Paul Franklin (steel guitar); Aubrey Haynie (mandolin, fiddle); Larry Franklin (fiddle); Steve Nathan (accordion, Fender ...
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Based on Gregory Maguire's novel of the same name, the Broadway musical WICKED creates a history for the two witches from L. Frank Baum's OZ books. Through composer/lyricist Stephen Schwartz's emotive songs, the show reveals the unlikely friendship between Elphaba (Idina Menzel), who eventually becomes the Wicked Witch, and Glinda (Kristin Chenoweth), the Good Witch.
The dramatic, horn-laden "No One Mourns the Wicked" starts the story in striking fashion, with the death of the ruby-slipper-wearing Wicked Witch. As Glinda appears, Elphaba's backstory begins, leading to jaunty numbers like "Popular" and "Defying Gravity," as well as ballads such as "I'm Not That Girl" and "For Good," with Menzel and Chenoweth showing off their substantial vocal chops. Adding to the boisterous energy is musical theater veteran Joel Grey, who brings a bit of Broadway's past to his role as the Wizard.
Stephen Schwartz/Winnie Holtz- Man
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| | Beatles Rubber Soul CD (1965)
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Though some might argue that the Beatles' unprecedented evolution from British Invasion pin-ups to pop music visionaries began with BEATLES FOR SALE, RUBBER SOUL is without a doubt the first album to definitively put the Fab Four in the running for Greatest Band Ever. Virtually every aspect of the Liverpool quartet's incredibly diverse sound is in evidence here: the dark, irony-filled Dylanism ("Norwegian Wood," "Nowhere Man"), pop perfection ("In My Life"), the passion for classic tin pan alley balladry ("Girl," "Michelle"), and the love of good 'ol rock & roll music ("Drive My Car"). Peppered with nasty fuzz bass, exotic sitar, cartoonishly sped-up piano that sounds like harpsichord, and elements of country, Motown, and classical ...
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| | Luis Miguel Celebridades Un Disco De Coleccion CD (2008)
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Commonly referred to as "the sun of Mexico," Luis Miguel has been a Mexican national icon since the early 1980s. His brand of romantic crooning and dazzling showmanship struck a popular chord, and by the late `80s he was a star throughout Latin American.
By 1990 Miguel was internationally renown, a status he enjoyed, and built ...
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