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Writer Music | List Price | $23.97 (You save $4.98) | | Category | Country Albums, Folk CDs | | Label | Wayne Carson | | Orig Year | 2002 | | All Time Sales Rank |  448240  | | CD Universe Part number | 7149654 | | Catalog number | 32980 | | Discs | 1 | | Release Date | Oct 01, 2002 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 50 minutes |
Wayne Carson Writer Songs | 1. | That's It For Love |
| 2. | No Love at All |
| 3. | Blessing in Disguise |
| 4. | Little Bit Harder, A |
| 5. | Places in Her Heart |
| 6. | Love Lite |
| 7. | Free Me When You Go |
| 8. | Never Thought About Love |
| 9. | Soul Deep |
| 10. | Horse Called Music, A |
| 11. | '65 Blue |
| 12. | Always on My Mind |
| 13. | Letter, The |
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Purchase Writer CD To buy, Click on price to add to cart | Lucinda Williams Little Honey CD (2008) Digipak
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WEST, from 2007, was one of Lucinda Williams' most personal and dark albums, a heartbroken meditation, mostly about the recent death of her mother. In years past, Williams likely would have retreated following such a major statement: in the first two decades of her career, spaces of nearly five years between albums weren't unheard of. Instead, the Louisiana-bred singer-songwriter knuckled down and recorded the exuberant LITTLE HONEY, perhaps her sunniest and most gleefully rocking album ever. Kicking off with the stomping, sexy single "Real Love," this is Williams in the rollicking "Passionate Kisses" side of her musical personality. Her lyrics are as sharp as ever, particularly on the wry ballad "If Wishes Were Horses" and the Elvis Costello duet, "Jailhouse Tears." Other guests include Matthew Sweet and Susanna Hoffs, whose Buckingham-Nicks harmonies decorate several tunes, adding to the album's sunny and poppy vibe.
Arrangers: Eric Liljestrand; Bruce Fowler.
Personnel: Lucinda Williams (vocals, acoustic guitar, electric guitar); Elvis Costello (vocals); Doug Pettibone (acoustic guitar, acoustic 12-string guitar, electric guitar, electric 6-string guitar, electric 12-string guitar, electric slide guitar, dobro, background vocals); Chet Lyster (acoustic guitar, electric ...
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For a period in the early 1990s, Garth Brooks was not only the biggest star in country music, he was one of the biggest stars in music, period. An unassuming Oklahoman who fused the blue-collar ethic of new traditionalist country with an unapologetic pop side that drew on his love of 1970s rockers like Kiss and Billy Joel, Garth Brooks fundamentally changed the sound of mainstream country music in much the same way that Hank Williams had in the 1940s and Patsy Cline had in the 1950s. THE ULTIMATE HITS, a three-disc collection that is the first comprehensive career overview for Brooks, contains all of his most beloved songs in remastered sound, plus four brand-new songs and a bonus DVD containing all of Brooks's music videos.
Personnel: Garth Brooks (acoustic guitar); Gordon Kennedy (acoustic guitar, electric guitar); Johnny Christopher, Mark Casstevens, Pat Alger, Pat Flynn, Shawn Camp, Steve Wariner, Wayne Kirkpatrick (acoustic guitar); Chris Leuzinger (electric guitar); Bruce Bouton (steel guitar); Jerry ...
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True to its title, the third album by Nashville's Billy Currington throws some rock and R&B influences into his contemporary country music. A rocking blend of crunchy guitars, in-your-face drums, and more subtle traditional country instrumentation like fiddles and pedal steel characterizes the album's brash but not noisy or harsh sound. Highlights include the idyllic opener, "Swimmin' In Sunshine," a sure-thing ...
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On 2007's DON'T LET ME MISS THE GLORY, respected Nashville-based singer/pianist Gordon Mote presents an uplifting set of Christian-themed country tunes. Blind since birth, the performer nonetheless has an unshakable faith, which is proudly showcased on songs such as the bluegrass-tinged "Adoration" and the sweeping title track. Featuring guest appearances by Alison Krauss and revered CCM acts the Gaither Vocal Band and the Isaacs, GLORY serves as a fine introduction to this compelling artist.
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Highlighted by the smash first single, "Ticks," a goofy-sexy ode to nudity al fresco, Brad Paisley's FIFTH GEAR maintains his string of albums neatly balanced between light pop-oriented material and more traditional country. The latter is best exemplified by the twangy guitar instrumental "Throttleneck," the reverent "When We All Get To Heaven," and the tuneful "Bigger Fish To Fry," featuring guest vocals by Vince Gill, Bill Anderson, and Little Jimmy Dickens.
Elsewhere, a lovely ballad duet with Carrie Underwood, "Oh Love," keeps an eye to Nashville's present as well as its past. As on most of Paisley's albums, the main lyrical topic, even more than the usual love songs, is what it means to be a man in contemporary America: "I'm Still ...
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Writer Review
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