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Pardes, Deborah - Live In Concert CD Cover Art
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Deborah Pardes Live In Concert CD

Deborah Pardes Discography of CDs
Regular Price: $17.97
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Live In Concert Music


Detailed Live In Concert Music Information



List Price $17.97 (You save $3.18)
Category Folk Albums
Label Mentl Music
Orig Year 1998
CD Universe Part number 7172330
Catalog number 81003
Discs 1
Release Date Jun 08, 2004
Studio/Live Studio
Mono/Stereo Stereo
Recording Time 43 minutes

Deborah Pardes Live In Concert Songs


Deborah Pardes Live In Concert Album Track Listing



1.Hello
2.Prom Dress
3.Prisoner
4.Fish
5.Feed
6.Outerspace Balloon
7.Call Return
8.Victims
9.Stopover
10.Flesh and Bones
11.Autumn Leaves
12.Fruit
13.Crave the Complex
14.It
15.Late
16.10 Puppies
17.Prince Wants to Be King
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All tracks have been digitally mastered using HDCD technology. COURT AND SPARK completed Joni Mitchell's transition from folk-singer to sophisticated rock auteur. In addition to her meticulously crafted melodies and evocative, image-rich lyrics, the songs here are breezy and immediately appealing. This is in part due to Tom Scott's L.A. Express, a sinuous jazz-based combo, but also to Mitchell's knack for pop hooks, which abound on COURT AND SPARK. The album's accessibility made it Mitchell's most commercially successful, yet the personal intensity and insight of her songwriting never wavers. "Help Me" was a hit single, as was "Free Man in Paris," an expansive pop frolic that is reputedly a dig at industry mogul David Geffen. Mitchell returns to the terrain of piano balladry on "The Same Situation" and "Down to You;" yet even on these, as on the excellent social satire "People's Parties," one can hear the influence of jazz on her vocal phrasing and intonations. The rock & roll romp "Raised on Robbery" and the bluesy, comic swing of "Twisted" mix things up a bit, showing the artist's increasing ability to master and manipulate any form. COURT AND SPARK is one of Mitchell's finest albums, confirming her standing--at long last--as one of the most important and subtle talents of the rock era. All songs written by Joni Mitchell except "Twisted" (Ross/Grey). Live Recording Personnel: Joni Mitchell (vocals, piano, Clavinet); Dennis Budimir, Jose Feliciano, Larry Carlton, Robbie Robertson, Wayne Perkins (electric guitar); Tom Scott (reeds, winds); Chuck Findley (trumpet); Joe Sample (electric piano); Jim Hughart, Max Bennett, Wilton Felder (bass instrument); ...
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Digitally remastered by Andrew Garver, Dan Hersch, and Bill Inglot. He may be remembered by the unenlightened as a purveyor of mellow '70s AM radio hits, but Gordon Lightfoot is as fine a singer-songwriter as Canada has ever produced (no small accomplishment, considering the company), feted by no less than Bob Dylan himself. COMPLETE GREATEST HITS is as definitive a Lightfoot collection as you can get onto a single disc, and it bears out the aforementioned facts handsomely. "Early Morning Rain," one of Lightfoot's earliest hits, is a poignant evocation of lost love on a par with Merle Haggard's "Silver Wings." "If You Could Read My Mind" has enough introspective pop savvy to compete with Elton John's equally ubiquitous "Your Song." The bluesy, subtly sensual undercurrent of "Sundown" makes it plain why there's always been such a large female contingent in Lightfoot's audience, and "The Wreck of the Edmund Fitzgerald" proves that the pop star can write a timeless-sounding folk ballad worthy of Townes Van Zandt. Clearly, this compendium presents Lightfoot quite rightly as a man for all seasons. 20 classic hits released by United Artists, Reprise and Warner Bros. From 1965 to 1987. features the hits 'Sundown', 'If You Could read My Mind', 'The Wreck Of The Edmund Fitzgerald', 'Carefree Highway' and many more! Include ...
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The 2001 remastered edition of Joan Baez's second LP features 3 bonus tracks and new cover art as well as a replica of the original cover and liner notes. Originally released on Vanguard (2097). Includes original liner notes by Nat Hentoff and reissue liner notes by Arthur Levy. For her second album, 1961's VOLUME 2, Joan Baez stuck to the traditional folk of her debut, but moved away from that album's solo guitar-and-voice arrangements. Most of VOLUME 2 features instrumental backing from the great bluegrass group the Greenbriar Boys, making the album much more exciting and musically interesting than the somewhat wan debut. The song selection sticks largely to familiar folk favorites like "Barbara Allen," "Wagoner's Lad" and "The Trees They Do Go High," although the Leadbelly-styled "Silkie" and the French-language "Plaisir d'Amour" open things up a bit. Baez's voice was a moderately limited instrument in this stage of her career, with little of the range she would later develop, but it's resonant and clear, and the simple arrangements do much to showcase it. A fine example of folk from the early '60s college ...
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