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Campbell, Bill - Jazz Colours CD Cover Art
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Bill Campbell Jazz Colours CD

 Bill Campbell Discography of CDs

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JAZZ COLOURSNow available on CD from Stonesilk RecordsAtlanta, GA (December 1st, 2002) - Stonesilk Records is proud to announce the release of Jazz Colours, the exciting first solo release from new artist Bill Campbell. Brimming with smooth grooves and rich rhythms, Jazz Colours is an eclectic collage of melodious riffs and broad musical appeal. Jazz Colours is now available for sale on the internet at www.stonesilk.com.The ManBill Campbell is a product of the late Billy G. Densmore's Northside High School of the Arts, and he graduated from the Berklee College of Music in Boston, Massachusetts. After college he signed as a writer with the publishing arm of Motown Records (Jobete Publishing), and in fact once recorded a vocal version of "Sweetness N' Lite" as part of their catalog. Bill can also be heard on Dezz's song "Atlanta Vibe", which peeked at #2 on the Broadjam.com's Jazz charts. Bill's song "Invocation" was #1 on Broadjam's Jazz chart!The Music Bill plays every instrument heard on Jazz Colours, and all the tracks were mixed, produced, and engineered entirely at Bill's Stonesilk Studio. The cut entitled "Nigel's Groove" is dedicated to Bill's son Nigel and earned its name when he walked into the studio and began dancing during tracking of the main rhythm arrangement. Jazz Colours represents a new level of musical accomplishment for Bill, and he is eager to share the fruits of his labor with all manner of music fans.
Jazz Colours Music


Detailed Jazz Colours Music Information



Category Jazz Albums
Label Stonesilk
Orig Year 2002
CD Universe Part number 7174585
Catalog number 49888
Discs 1
Release Date Dec 17, 2002
Studio/Live Studio
Mono/Stereo Stereo
Recording Time 37 minutes
Bill Campbell Jazz Colours Songs


Bill Campbell Jazz Colours Album Track Listing



1.Nigel's Groove
2.Invocation
3.Mimosa Suite
4.Stick E
5.Mornin Java
6.Jump D' Monkey
7.Sweetness N' Lite
8.Forever Lovers
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With a soulful, sultry voice that is as intimate as a whisper one moment and soaring as a gospel choir the next, along with classic beauty and a fresh, sophisticated, adult contemporary sound, Liz Winick has all the tools necessary to make a huge impression in modern ...
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Bob has recorded three albums for Outstanding Records,and has also recorded on Alliance, Perception and Lunge Music.Some of the people he has recorded with are Ray Mantilla,Rich Austin,Raul Paonessa,Ron Naspo,Earl Sauls,Kevin Mc Carthy,Vinnie Cutro,Tony Signa, Tommy La Bella, Jackie Jones,MNB, ...
Low Down And Dirty
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PIERRE COPELAND, nationally know JAZZ ARTIST, PIANIST, PRODUCER, and SONGWRITER from FLINT, MICHIGAN currently located in Flint Michigan is back with his third CD titled LOW DOWN AND DIRTY. Other CD?S released by PIERRE include PLAY BY PLAY and TASTE THIS. Just as the release of TASTE THIS increased his fan base, LOW DOWN AND DIRTY promises to bring more fans into the fold. Staying true to his JAZZ, roots, PIERRE has remained refreshing as evidenced on cuts like REDBONE, SAFE AND WARM, and SOUTH BOUND ATLANTA GA. PIERRE?S renditions of RIBBON IN THE SKY and FAMILY REUNION are extremely tasteful, and the remake of his own JANEVETTE, the ?HIT? from his first CD, is even stronger than the original version. For current fans, listening to the new LOW DOWN AND DIRTY CD will remind you of why you became a fan. those of you listening to PIERRE for the first time will become a fan forever.ENSURED PLAYERS ON THE ALBUM :BUNNY CLYDE SAXOPHONE AND KEYBOARDS /WILLE DEBARY BASS AND RHYTHM GUITARS /JONATHAN NELSON RHYTHM AND LEAD GUITARS /TROY SANDERS LEAD GUITAR /SHANON MCHENRY DRUMS/JOYCE WALKER LEAD VOCALS/ AL CHISHOLM SAXOPHONE /RANDY(BIG)WELCH RHYTHM GUITAR /REGGIE MOORE LEAD GUITAR /CHENAILE (RED) HARRIS STAY UP CUZ YOU WILL BE OUT SOON AND BACK IN THE LAB / FIRST OF ALL I WOULD LIKE TO THANK THE LORD FOR GIVING ME STRENGTH THROUGH THESE ROUGH YEARS.THIS CD IS DEDICATED TO MY GRANDMOTHER SARAH DUNKLING AND MY MOTHER BLENDA L. GARY FOR BEING THERE FOR EVERY POSSIBLE REASON THANKS TO THOMAS (BUNNY) CLYDE FOR BEING THERE IN THE STUDIO EVERY NIGHT AND DAY WITH HIS MUSICAL KNOWLEDGE ONE OF THE BEST MUSICIANS IN THE WORLD I WOULD LIKE TO THANK ALL THE MUSICIANS FOR BEING THE BEST THEY COULD BE WITHOUT THEM THERE WOULD BE KNOW PIERRE COPELAND SOUND AND SPECIAL SPECIAL THANKS TO MY LOYAL FANS WHO WERE THERE FROM THE FIRST ALBUM TO THE THIRD AND WAITING ON THE FOURTH THAT IS ALMOST READY TO BE RELEASED/THANKS BOBBY PIZZAZS/MY ATTORNEY BRENDA WILLIAMS/ THANKS MR JOSEPH WASHINGTON MY BEST FREIND AND AGENT/FRANK AND JT GETTO SYMPHANY/ ((((( BACK TO THE REAL YALL//// PIERRE COPELAND remains a workaholic and has already began working on his fourth CD. He is the sole owner of PIERNANDO RECORDS AND PUBLISHING INC. WE WILL ALSO BE STARTING A FAN CLUB IN THE NEAR FUTURE ;;;PIERNANDO RECORDS IS CLIMBING TO THE TOP PIERNANDO RECORDS? PUBLISHING INC. IS affiliated with ASCAP. The company is originated from Flint Michigan PIERRE is currently producing other artist as well CD?S by PIERRE COPELAND are PLAY BY PLAY; ICHIBAN RECORDS ATLANTA GA. TASTE THIS; PUSH PLAY RECORDS ATLANTA GA. LOW DOWN AND DIRTY; PIERNANDO RECORDS FLINT, MICHIGAN AND SAGINAW, MICHIGAN. PIERRE has also worked with Warner Bros. Division Atlanta GA. Ichiban Atlanta GA. Umoja Atlanta GA. Power Atlanta GA. been on and still in study rotation on major jazz stations. PIERRE has done many projects for major and independent artist. PIERRE will be back touring the later part off the year if you want to see a hype concert see PIERRE. Also web site www.pierrecopeland.com IS BACK UP AND RUNNING BE ON THE LOOK OUT FOR SAXOPHONEST BUNNY CLYDE WHO HAS PLAYED ON ALL THREE OF MY ALBUMS HE WILL BE COMING OUT WITH HIS KNEW CD CALLED WHITE STREET AND ALSO THE KNEW PIERRE COPELAND CD IM ON FIRE YOU HAVENT HEARD NOTHING UNTILL YOU HERE THIS CD AND ALSO Be on the look out for JOE WASHINGTON GOSPEL GROUP CALLED R.E.I.G.N. who is now performing out of Detroit PIERRE has ONE slamming track on a soon to be released hit CD I WILL BE SENDIND MY POSTER TO MY LOAYL FANS FOR TAKING TIME TO BUY MY CD AND YOU WILL BE THE FIRST TO NO WHEN PIERRE COPELAND THE CD IM ...
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Kalimba A La Carte
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KALIMBA A LA CARTE is Scotty Hayward's collection of solo performances on the African kalimba. This original instrumental music reflects influences of African traditions, as well as jazz, reggae, calypso, blues, and classical. Five kalimbas in nine different tunings give each song a unique character and style. Rhythmic accompaniment comes from maracas (African "hosho") tied to Hayward's foot. All tracks were recorded live, with the kalimba and foot maracas being played simultaneously. Some tracks utilize guitar effects, which were also performed live. The kalimba (also known as mbira, sansa, thumb-piano) is one of the oldest and most popular melodic instruments of Africa. Modern African guitar styles are heavily influenced by ancient kalimba music. Scotty Hayward's music is, in turn, influenced by American guitar styles as much as African kalimba styles. The instruments used in this recording were all built by the performer, from a design developed by Ryphon Gray. Hayward also adapted guitar pickups and effects to create these accoustic/electric kalimbas.The instruments themselves are small sound boxes with metal keys on top. The primary sound is created by plucking the keys with the thumbs. This sound can then be modulated by use of the sound holes and vibrations from the bottom of the box. These effects, combined with the interplay of musical lines, create the illusion of several instruments being played at once.Scotty Hayward has devoted over 30 years to becoming a new age master of the kalimba. He was trained in European classical music, but always had an affinity for jazz, African, and Caribbean music. Throughout his childhood, he listened to his father's extensive collection of records from Africa and the Caribbean. He discovered the kalimba (or vice-versa) when he was 18 years old. When he was 20, he met Ryphon Gray, who was building kalimbas from his own innovative designs. Scotty became his apprentice, and they worked and performed together for two years. After that, Scotty continued developing his instruments and music on his own. In 1988, Scotty produced his ...
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