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Trefler Music | List Price | $10.97 (You save $1.62) | | Category | Easy Listening Albums | | Label | Krzysztof Trefler | | Orig Year | 2003 | | CD Universe Part number | 7182824 | | Catalog number | 155142 | | Discs | 1 | | Release Date | Nov 04, 2003 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 48 minutes |
Krzysztof Trefler Trefler Songs | | | Song Title | | | | 1. | Hymn I |
| | 2. | Hymn II |
| | 3. | 101 |
| | 4. | Hymn III |
| | 5. | Prorequiem |
| | 6. | Ktrequiem |
| | 7. | Folk |
| | 8. | Piano5 |
| | 9. | Tech5 |
| | 10. | Ave Maria |
Purchase Trefler CD To buy, Click on price to add to cart | Michael Buble CD (2003)
 $15.49   
Bob Sheppard, Dave Boroff (saxophone); Gary Grant (trumpet); Randy Waldman (piano, keyboards); Brian Bromberg (bass); Vinnie Colaiuta, Dave Tull, Frank Capp, Joe Labarbera (drums); Raffael Padilla (percussion); Jochem Van Der Saag, Neil Devor, Felipe Elgueta (programming); Barry Gibb (background vocals).
Right off the bat, Michael Buble has you in his corner just because you know people have been calling the poor guy "Bubble" all his life (keep that accent on the second syllable, folks). Nomenclature aside, Buble's debut album positions him as something of a Harry Connick, Jr. for the 21st century. His husky croon gives him a bearing beyond his tender years, and in fact his Sinatra-phrased, pop-jazz style bears strong echoes of Connick's singing. Accordingly, the production leans heavily on the updated swing of chestnuts like "Fever" and "Come Fly With Me," but that's only part of the story.
As a modern song stylist, Buble digs into ...
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Recorded between 1944 & 1966. Includes liner notes by Andrew Velez.
Digitally remastered using 20-bit technology by Dawn Frank (Sony Music Studios, New York, New York).
This two-CD set covers 22 years of Doris Day's work. It reveals a picture of a wide-ranging talent. Throughout the decades Doris Day has bestowed an unfaltering sensitivity on her recordings as she applied this talent to the wide range of material.
One thinks of the sweet, nice girl she was typically cast as in film musicals and comedies of the '50s and '60s, but her singing provides a portrait of greater depth than her film work. From the outset of her career her vocals cast spells on the listener, as in "Sentimental Journey," where she amplifies the tune with dead-on definition. On light, fluffy novelties like "Pillow Talk" she belts out the material with cheer, ...
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