| | Jaye Mitchell Honey Dip CD Jaye Mitchell Discography of CDs
Released just in time for spring fun, singer-songwriter Jaye Mitchell hits the scenewith his first CD, Honey Dip. It's a mixture of old school funk, and new school hip hop beats. Influenced in part by various artist like Sly and the Family Stone, Stevie Wonder,George Clinton, Prince, LL Cool J, and Ja Rule, Mitchell cooks up his uniqueblend of New Millennium Funk, served up on a hot and spicy platter. Johnnie "Jaye" Mitchell is the author of the mystery novel, 88 Ways to Die, andthe screenplays for the music-oriented films, Soulsville and Heart & Soul. Honey Dip Music | Category | R&B Albums, Rap CDs | | Label | CD Baby (distributor) | | Orig Year | 2003 | | CD Universe Part number | 7183816 | | Discs | 1 | | Release Date | Apr 02, 2004 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 31 minutes |
Jaye Mitchell Honey Dip Songs | 1. | Honey Dip |
| 2. | My Baby Is a Hoocie |
| 3. | Can't Get Too Funky in Here |
| 4. | All Praise to the Bass |
| 5. | Crazy Butt |
| 6. | Power |
| 7. | You Doing Me |
| 8. | P Funk G Funk |
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Honey Dip Review
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| | Putumayo Presents: Arabic Groove CD (2001)
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It took Cheb Mami's collaboration with Sting on the latter's mega-hit "Desert Rose" to bring Arabic music into the collective consciousness of the Western world. Never ones to pass up a trend, the folks at Putumayo have scoured North Africa and the Middle East in search of more Arabic pop music. What they turned up is a collection of dance tracks that show the heavy influence of hip-hop, urban pop, funk, and other Western styles, while maintaining the cultural integrity of the region. There are even nods to the influence ...
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Hip Hop's current fascination with the glittery, glamorous world of champagne and caviar created an overabundance of music whose style heavily outweighed its substance. However, in direct rebellion against these efforts to soften up rap's image and make it more palatable for mass consumption, we now witness the resurrection of hip-hop as an outlet of political, cultural and social prophecy. Heads in the underground trenches can now rejoice! From out of the ashes of hip hop's rebirth, ...
| | Soundoctrine Perseverance: A Soundtrack To A Non Existent Movie CD (2002)
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This debut CD from Youngstown, Ohio native Composer/Producer/Musician Jere B is Jam Packed with Soulful, Jazzy Funk tracks and performed by the "Virtual Band," SOUNDOCTRINE, which boasts a potpourri of talented Vocalists and Musicians from in and around Northeastern Ohio.Dubbed the "Tiny Quincy Project," each track features a different artist, yet lyrically weaves together a message of Hope, Joy and Perseverance in maintaining the Christian Lifestyle. The music itself twists and turns through a variety of styles, which when fused together is entitled by its producer, 'Alternative Christian Funk. 'Here's what the Industry is Saying About SD:"Powerful, Precise, an excellent production from beginning to end! This album has my vote for the hall of fame!""Perseverance". I think I have worn this CD just about out lol. - John Anderson - © October 2003 Host - On the Horizon/ New Artist Radio (newartistreadio. net)The music does not disappoint. It's a collection of deep grooves, heartfelt vocal performances and lyrics which have a deep resonance. SounDoctrine has chosen to launch itself in a secular market in order to spread its message. It would be so easy to produce conventional music for a well-established audience, but they avoided it. This is daring in just about every way. - Chris J. Mann © Smooth Jazz Report -U.K. September 2003 (smooth-jazz. de)SounDoctrine is undoubtedly one of the best gospel bands around today, If you do not believe me, go pick up their CD and you'll discover something new, fresh and innovative, all glorifying the one and only true God. - Delroy Souden © September2003 EnSound Entertainment (ensoundentertainment )Stunning musicianship and positivity overflowing. And all in a live setting! Soundoctrine ...
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The material on this album, heard by few until it was issued on CD in the early 21st century, might have been built up as a little weirder than it is by some of the collectors who've raved about it. While it's not the most uplifting stuff in the world, much of it is haunting but not all that out-there pop-folk. Susan Christie's fairly strong, strident vocals and moody melodies, occasionally embellished by strings, aren't the most uncommercial mixture that could have been concocted, though apparently they were too uncommercial to find release when they were originally recorded. What is unusual -- and what sets it most apart ...
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Diary:Uli Geissendoerfer and Premik Russell Tubbs withGino Sitson • Beat Kaestli • Ljova • Steve Sandberg • Nathan Peck • Mathias Kunzli • Todd Isler • Dibyarka Chatterjee Bangalore BreakdownDiaryIt was a little over 13 years ago that Munich-born keyboardist Uli Geissendoerfer and New York saxophonist Premik Russell Tubbs met at an informal jam session in Manhattan. The chemistry between the two musicians was immediate and profound. As Tubbs recalls, 'I could feel Uli's musical spirit and his spirit of adventure and I thought, 'Man, I really like what this guy does.'' But then, as people do, they drifted off in their different musical universes until meeting up again during the summer of 2005 and rekindling that special chemistry they had experienced back in 1995. 'It was at the Cutting Room,' says Uli, recalling the 24th Street nightclub where the Mahavishnu Project, an inspired Mahavishnu Orchestra tribute band, was holding forth for a three-night Vishnufest celebration. Tubbs, a onetime member of Mahavishnu Orchestra who had played on their 1975 recording Visions of the Emerald Beyond, ended up sitting in with the group on the night that Geissendoerfer attended. 'And that represented the startup of a reunion for us,' says Premik. 'We chatted that night and remembered those times that we had played together back in 1995 and promised to get together and play again. 'That later came to pass at Caffe Vivaldi, an intimate venue on Bleecker Street in the heart of Greenwich Village where Tubbs had a regular Sunday night gig. He invited the keyboardist to come down and sit in, and as Premik recalls, 'It was real magic, and we realized how much we connected on the musical/spiritual level. 'From that point, they began collaborating in earnest at those regular Sunday night hangs at Caffe Vivaldi. 'It began as just the two of us,' says Uli, 'then we started inviting all kinds of people to sit in with. It was a really cool experimental type scene and the project just continued to evolve. 'Cameroonian singer Gino Sitson was one of the early participants at those casual jams as were Beat Kaestli , Steve Sandberg and Ljova. At some point, the notion of documenting their unique one-world sound was proposed, adding percussionists Mathias Kunzli and Todd Isler, along with bassist Nathan Peck, a frequent traveler to the Balkans, and tabla player Dibyarka Chatterjee. And so on February 20, 2007, they all congregated at Gigantic Studios in downtown Manhattan to see what might happen. ...
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