| | Christopher Zerbe All The Lights In The City Tonight CD Christopher Zerbe Discography of CDs
Christopher’s songs have been described as “a chewy blend between California pop and shadowy European styles.” Christopher incorporates big chorus hooks and chiming guitars that will stick with you well after you’ve hit ‘Stop’ on your music player. Often compared to Fleetwood Mac, Lindsey Buckingham, and The Beach Boys, in both song writing and performance, listeners are sure to go home hungry for more of his memorable and well-crafted melodic songs.'Those Paris Nights' is his latest offering and unlike his self-titled debut, this album is thematic and reminiscent of earlier groups who released single themed records in years past. Melodic rock in style, lyrically one is taken through the trials and tribulations of the dark, shadowy underbelly of certain relationships and the metaphysical journeys they can induce. Both European and American in approach, 'Those Paris Nights' is a auditory treat for the pop and rock enthusiast. All The Lights In The City Tonight Music Christopher Zerbe All The Lights In The City Tonight Songs | 1. | The American Way |
| 1. | The American Way |
| 1. | Tietze Park |
| 1. | Tietze Park |
| 2. | Saturday Night Christmas Lights |
| 2. | Saturday Night Christmas Lights |
| 2. | Those Paris Nights |
| 2. | Those Paris Nights |
| 3. | I'd Like To Have You Here (If You Want To Stay) |
| 3. | I'd Like To Have You Here (If You Want To Stay) |
| 3. | Tell Me |
| 3. | Tell Me |
| 4. | Agent Of Batignolles |
| 4. | Agent Of Batignolles |
| 4. | Where The Streets Remain |
| 4. | Where The Streets Remain |
| 5. | Can't Tell You Why |
| 5. | Can't Tell You Why |
| 5. | Invisible Man |
| 5. | Invisible Man |
| 6. | Getting Over You |
| 6. | Getting Over You |
| 6. | Should've Been In Love |
| 6. | Should've Been In Love |
| 7. | I Can't Take Being Without You |
| 7. | I Can't Take Being Without You |
| 7. | She Don't Love |
| 7. | She Don't Love |
| 8. | It's All Been Done |
| 8. | It's All Been Done |
| 8. | Never Get Through |
| 8. | Never Get Through |
| 9. | For The First Time |
| 9. | For The First Time |
| 9. | Wildfire |
| 9. | Wildfire |
| 10. | Four Pictures |
| 10. | Four Pictures |
| 10. | You Will Never Know |
| 10. | You Will Never Know |
| 11. | Those Paris Nights - Original Demo Version |
|
All The Lights In The City Tonight Review
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For Simon Joyner's fans, this 21-track CD is the grail. It contains his singles, but more importantly compilation tracks from strange places, such as "Fearful Man" from the Circumstantial Evidence #2 cassette compilation -- and that's only the beginning. Arranged aesthetically, not chronologically (though these tracks come from recordings done between 1994 and 1999), these cuts open up another door in Joyner's world. One utterly startling revelation that asserts itself immediately in cuts such as the aforementioned and "Robin Hood" is how much Joyner has listened to and sublimated the influence of the late Townes Van Zandt. For all his lack of self-promotion, Joyner comes out of a tradition of literary American primitives that reaches back decades. Another thing that one hears in spades in these willy-nilly cuts is how much time Bright Eyes -- aka Conor Oberst -- has spent listening to Joyner. (Check "Hotter Than Satan's Heels" and "Is This How Generous You Are?" for evidence.) The international nature of this compilation is remarkable. According to his liner notes, he sent many of these songs out without hope of them ever being used. "Milk," from a double 7" comp on Walt in 1996, is one of those chilling, reckless Joyner songs that gets inside the blood. One can hear, in the grain of his voice, a world coming undone in a vivid dream. A manic acoustic guitar strummed with panic gives Joyner the license to give voice to his terror: "Put my life out like a candle/Smears two fingerprints/Saw a child crouched down/Write my name in fresh cement/She said I know you're in a hurry/But could you give an angel a minute/Well, I don't want to get up/While the moon's in place/And this bad dream's passing/Through the lines in my ...
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