| | Love Songs Vol. 1 CD
Love Songs Vol. 1 Review
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Purchase Love Songs Vol. 1 CD To buy, Click on price to add to cart | Flaming Lips Embryonic CD (2009)
Love Songs Vol. 1
$11.18 CHRISTMAS ON MARS might be the Flaming Lips' bona fide sci-fi epic, but EMBRYONIC is the musical equivalent of the final scenes of 2001: A SPACE ODYSSEY: transformative chaos that results in a new start. From THE SOFT BULLETIN onward, the Lips seemed focused on tidying the loose ends of their earlier work, almost to the point of constraining themselves. Their wilder side is unleashed on Embryonic's 18 tracks, and the band sounds more off-the-cuff than it has in years -- some tracks are barely longer than snippets, others are rangy epics, and it all holds together so organically that listeners might wonder just how much these songs were edited. Musically, EMBRYONIC is the least polite the Flaming Lips have been in nearly two decades, mixing in-the-red drums, blobby, dubby bass, squelchy wah-wah guitars, and sparkling keyboards into a swirl of sounds that are strangely liquid and abrasive at the same time. Occasionally, the band uses noise in an almost ugly way, as on "Convinced of the Hex," which scrapes eardrums with static and distortion before falling into a loose but driving Krautrock groove that adds to the song's tribal pull (complete with growling and wailing in the background). The Miles Davis-inspired "Aquarius Sabotage" opens fuzz bass and keyboards so chaotic, it isn't just free jazz, it's free-for-all jazz, while ...
| | Brooks & Dunn #1's... And Then Some CDs (2009)
Love Songs Vol. 1
$13.65 Three weeks before the release of this double-disc best-of-and-then-some collection, Kix Brooks and Ronnie Dunn, who as Brooks & Dunn were one of the most successful duos in country music history, decided to call it a day after 19 years, 40 singles (half of which topped the country charts), ten studio albums, and a slew of awards. As far as the industry was concerned, they went out on top. #1s... AND THEN SOME contains 30 tracks spread over two discs and includes two new songs. Disc One opens with Ronnie Dunn and Terry McBride's barroom/stadium rock killer "Honky Tonk Stomp," which features special guest guitar blazer Billy Gibbons of ZZ Top, and Disc Two opens with the pair's own "Indian Summer," a midtempo ballad that's as fine a summation of their collective career as listeners are likely to get. Dozens of familiar cuts are here, from B & D's first smash "Boot Scootin' Boogie" to the gorgeous cover of B.W. Stevenson's ...
| | Pelican What We All Come To Need CD (2009)
Love Songs Vol. 1
$11.18 One had to wonder what Pelican's signing to Southern Lord could possibly mean. To be truthful, while the band did write and perform more structurally formal material on 2007's CITY OF ECHOES, they retained their trademark post-metal aesthetic -- percussive repetition, overtone basslines, and nuanced guitar ...
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Love Songs Vol. 1
$11.35 If there was any flaw with Brandi Carlile's second album, THE STORY, it's that it was perhaps a touch too austere, painted in amber tones by producer T Bone Burnett. Its 2009 sequel, GIVE UP THE GHOST, opens up and breathes, perhaps partially due to swapping T Bone for Rick Rubin, who retains the spooky, serious vibe but makes things a little less chilly. This isn't sealed off; there is room for guests here, including such L.A. linchpins as Benmont Tench and Red Hot Chili Pepper Chad Smith, but also Elton John and his arranger, ...
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$10.15 The hip-hop phenomena caught the attention of many in the 80s, as it grew in audience and in ground. One of those captured was the young Chaz Barber, at the time an elementary school student who took a liking to the rhythm and soul emanating from these new sounds. By no means though was this attraction a passing fad. The attraction soon grew to an addiction, resulting in the collection of hundreds upon hundreds of records, and ultimately, the purchase of an ASR sampling keyboard at the tail end of 1994.With his musical taste broadening and the urge to sample and create new sounds burning within, Barber followed with the next addiction...the purchase of any record that seemed interesting at all. This parasite grew to take up all living space while putting a world of sound at his fingertips, thus ushering in a new era for the artist to create any sort of sampled music. Everything from cinematic soundscapes, hip-hop, trip-hop, dance, and experimental ...
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