| | Paula Arlich Ray Of Hope CD Paula Arlich Discography of CDs
Personnel: Paula Arich (bass guitar); Albert Vonseggern (alto saxophone); Tom Korner (percussion); Jay Stewart (drum programming). Ray Of Hope Music | Category | Rock/Pop Albums, New Age CDs | | Label | Uncommonly Round | | Orig Year | 2006 | | All Time Sales Rank |  390093  | | CD Universe Part number | 7224366 | | Catalog number | 1059966 | | Discs | 1 | | Release Date | Jun 06, 2006 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Jay Stewart; Paula Arlich | | Engineer | Jay Stewart; Paula Arlich | | Recording Time | 40 minutes |
Paula Arlich Ray Of Hope Songs | 1. | Father's Touch, The |
| 2. | I Can't Imagine |
| 3. | Life Beyond Dreams |
| 4. | Empty Cross, The |
| 5. | Seasons Change |
| 6. | Peace Prayer |
| 7. | Road to Calvary |
| 8. | Lost Love |
| 9. | Hearts in Harmony |
| 10. | Side by Side |
| 11. | Ray of Hope, A |
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Ray Of Hope Review
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Purchase Ray Of Hope CD To buy, Click on price to add to cart | George Winston December: Silver Anniversary Edition CD (1982) Enhanced CD
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| | Mannheim Steamroller Christmas CD (1984)
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Also available in the CHRISTMAS COLLECTION box set with CHRISTMAS EXTRAORDINARE, A FRESH AIRE CHRISTMAS and CHRISTMAS IN THE AIRE.
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| | Sarah Brightman Classics CD (2001)
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Sure, she's as close as you can get to naked in the album artwork. OK, so there's an insert hawking Sarah Brightman calendars, coffee mugs, and sweatshirts. Yes, there's a fair amount of calculation likely in her pop-classical crossover. That doesn't mean the lady can't sing like an angel. Before the embryo-with-pipes known as Charlotte Church came along, Brightman was THE pop-classical ...
| | Loose Ends Best Of CD (2003) (Import)
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The only U.S. chart hit not featured on the Best Of Loose Ends compilation from EMI U.K. is "You Can't Stop the Rain." Most of the other significant moments in Loose Ends' history are provided here, making it the one disc to snap up, since all of the group's albums were uneven affairs. The biggest singles -- "Hangin' on a String (Contemplating)," "Stay a Little While, Child," "Slow Down," "Watching You," "Don't Be a Fool" -- are included, but a couple key album tracks are missing in action. Even with the minor gaffes, this ...
| | Robbie Robertson Music For The Native Americans CD (1994)
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From the opening beats of "Coyote Dance" (a rhythm so ancient, Bo Diddley would be proud to claim it), to the whirligig of acoustic and electric sounds comprising "Ghost Dance," the listener is plunged into a world of tradition and technology--one that might suggest Enigma's synthesis of chant and techno to well-traveled listeners.
Rock and roll rustic Robbie Robertson acknowledges and reappraises his own Mohawk legacy by producing and performing MUSIC FOR THE NATIVE AMERICANS. This soundtrack is moody, mysterious and deeply moving, evoking as it does the thoughts and words and traditions of the ancestors, and putting them in a thoroughly modern musical context--no Hollywood dances around the ...
| | Flying Saucers Rock 'N' Roll: The Very Best Of Sleepy Labeef CD (1999)
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| | Francis Cabrel Hors-Saison CD (1999) France
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Among Francis Cabrel's many recordings since 1977, Hors-Saison (Out Season) remains his classic. Paced easily and intently on groove figures and melodic folk and rock songs, in 1999, Cabrel arrived at the epitome of his art. Using the same quartet that recorded Sabarcane with Manu Katchie on drums and percussion, bassist Bernard Paganotti, Gerard Bikialo on Hammond organ and Wurlitzer, with Denys Lable on acoustic guitar and the percussion stylings of Denis Benarrosh, Cabrel has created an immediate, spare, direct emotional statement of melancholy and simplicity. His music on Out Season sounds like a cross between Bruce Cockburn and Tony Joe White, with blues and folk swirling around French folk music to drag out the nuances in each and force them by the sheer power of his will to stride along with one another in relative harmony -- though the tension is ever present. No matter the theme, whether it's a heartfelt treatise on the passing of blues heroes Son House, Blind Lemon Jefferson, and Charley Patton ("Cent Aus de Plus" or "100 Years More" done as a gorgeous acoustic folk song, and not as a Delta knock off), a pastoral country love song, "The Beautiful Debbie" ("La Belle Debbie"), or the funky social commentary of "The World Is Deaf" ("Le Mond Est Sourd") with ...
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Live Recording
| | Jimmy Sommers Lovelife CD (2003)
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Lovelife, the title of Jimmy Sommers' second recording on his own label, Gemini Records, under license to Higher Octave Jazz, has obvious romantic connotations fitting for a saxman who made People magazine's list of Top 50 Bachelors in 2002. Yet that wasn't the concept on his mind when he named the recording after the throbbing retro-funk tune he co-wrote with eccentric, raspy voiced soul-rock superstar Macy Gray. It's about his intense day-to-day passion for making music and living to the fullest. With the smooth jazz/urban adult contemporary success of his 2001 hit 360 Urban Groove, who could blame him? The accent here is on thump, groove, and irresistibly soulful melodies most of the time, with a few softer romantic moments that hint at some deeper introspection. Last time out, he had a hit with Boz Scaggs' "Lowdown," and he mines another chestnut from that era in Kool & the Gang's "Take My Heart (You Can Have It If You Want It)," which swings heavily under Sommers' rich sax textures. He invites some other soul celebs to the studio, most notably Rahsaan Patterson, who sings the catchy opener, "What Am I Gonna Do." Yet the most notable and interesting collaboration is the passionate romance "Why Must I," which blends his horn textures around Chris Botti's trademark sly trumpet harmonies. The rest of the time, he's either rolling high and funky ("Ride Ride Ride," "Havana Nights") or staying up late, candlelight glowing in the distance, exchanging night rhythms with his dance partner ("Grant Park"). ~ Jonathan Widran
Ruff Endz, Tara Evans (vocals); Chris Botti ...
| | Enon Hocus Pocus CD (2003)
Ray Of Hope album
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Arriving just over a year after the excellent High Society, Hocus Pocus is Enon's attempt to sum up where it has been on its previous albums and strike out in new directions at the same time. These contradictory impulses result in an album that's a musical tug-of-war: while many of Hocus Pocus' tracks sound like pleasant but not especially distinctive reworks of High Society songs, there are almost as many that suggest Enon is moving in some intriguing new directions. While there's nothing inherently wrong with "Spanish Boots"' good-natured indie rock or "Shave"'s atmospheric, Asian-influenced new wave, it tends to sound like slight variations on High Society's "Window Display" and the band's breakout hit "In This City," respectively. Unfortunately, this problem plagues a good portion of the album: songs like the pretty but vague "Monsoon" and the meandering "Storm the Gates" sound underdeveloped, like outtakes from High Society with all of that album's tension and weirdness removed. Hocus Pocus also suffers from some strange sequencing: most of its quieter numbers are placed near the beginning of the album and the louder tracks are dumped anticlimactically near the end. Compounding the ...
| | Trifon Trifonov Bulgarian Wedding Music From The Last Century CD (2005) (Import) Japan
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Japanese pressing. Bomba. 2005.
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