| | La Radio Di Aldo Fabrizi CD - Import Aldo Fabrizi Discography of CDs
La Radio Di Aldo Fabrizi Music | List Price | $34.99 (You save $2.14) | | Category | World Albums, Italian CDs | | Label | Via Asiago | | CD Universe Part number | 7224430 | | Catalog number | 1086493 | | Discs | 1 | | Release Date | Jan 01, 2008 |
La Radio Di Aldo Fabrizi Songs | 1. | Stornelli A Dispetto |
| 2. | Fabrizi E Sanremo, Prima Parte |
| 3. | Fabrizi E Sanremo, Seconda Parte |
| 4. | Serenata Decisiva |
| 5. | 11 Caratteraccio |
| 6. | Le Ide |
| 7. | Cucuzzella: Il Bagnino |
| 8. | I Cento Mestieri |
| 9. | Maccheroni Alla Scapola |
| 10. | Stramenestrello |
| 11. | Anna Magnani E Il Neorealismo |
| 12. | L'olimpionico |
| 13. | La Morte |
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La Radio Di Aldo Fabrizi Review
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Purchase La Radio Di Aldo Fabrizi CD To buy, Click on price to add to cart | Colosseum Morituri Te Salutant: 1968-2003 On Stage & In The Studio CDs (2009)
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| | Steeleye Span Hark! The Village Wait CD (1970)
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Whether newly written, as with the Morris-style "A Calling-On Song," or familiar ballads, the songs are uniformly excellent, as are the performances. This lineup actually disbanded immediately upon completing the album and never performed live, but HARK! THE VILLAGE WAIT is regardless one of the finest British folk-rock albums ever.
Steeleye Span's debut album, 1970's HARK! THE VILLAGE WAIT--a "wait" ...
| | Gerry Goffin Back Room Blood CD (1996)
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Back in the early 1960s, when Bob Dylan was writing protest songs and inventing folk-rock, Gerry Goffin was penning such pop lyrics as "Will You Love Me Tomorrow?" More than three decades later, Goffin, with help from Dylan and some of his sidemen, made a creditable Dylan-style album in Back Room Blood and filled it with lyrics as embittered as any Dylan ever wrote. The similarities began with Goffin's voice, as hoarse and tuneless as Dylan's, though the closest approximation may be to say that Goffin sounded like Billy DeVille after chain-smoking a pack of Camels. Goffin threw down the gauntlet with the opening track, a by-the-numbers rocker called "Never Too Late to Rock and Roll," and then went through a laundry list of concerns, from relationships to politics and religion, all in a tone of serious-as-death pessimism. Unlike Dylan (who co-wrote two songs, co-produced one of them, and was a sideman), Goffin didn't leaven the vitriol with either humor or any of the pop elements he knew so well, which made the record an extremely sour message from a man with a demonstrated ability to be sweet. Still, if you're looking for the otherwise nonexistent 1996 Bob Dylan album, here it is. ~ William Ruhlmann
straight-forward blues rock & Dylan-esque melodies from veteran songwriter w. 1 track produced & co-written by Bob Dylan & 5 tracks produced & co-written by Barry Goldberg + guests Gerald Albright, Jimmy Evans, Peter Carr, Jack Sherman +
Includes liner notes by Denise Tapp.
Engineers: Matt Gruber, Nick Brophy, Ted Perlman.
Audio Mixers: Gerry Goffin; Nick Brophy.
Liner Note Author: Denise Tapp.
Recording information: Buffalo Sound; Cherokee studios; Cherokee Studios, Motown and Br; Electric Lady Studios, New York, NY; Motown and Brooklyn Studios; Muscle Shoals Sound; Randor Studios; Rondor Studios.
Editors: ...
| | Irene Cara Anyone Can See CD (1982) (Import) Canada
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Two years after scoring hits with "Fame" and "Out Here on My Own" (from the movie Fame), Cara finally released her debut album. Boasting strong R&B repertoire, reputable backing musicians, and solid production, the set nevertheless failed to garner further commercial success for the singer. It's a wonder how her emotive, driving rendition of the Four Tops' classic, "Reach out (I'll Be There)," and the titletrack, a dynamic power ballad co-penned by Cara with the venerable Bruce Roberts, didn't catapult her to a new level of stardom. Her distinctive combination of subtlety and strength on these and other cuts is something of a cross between the raspy tones of Bonnie Tyler and the sensitivity of Deniece Williams. Furthermore, "Slow Down" demonstrates her potential as an R&B songwriter. A solid listen throughout, Anyone Can See is Cara in her prime. ~ Justin M. Kantor
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Initial pressings included a bonus DVD featuring live performances and behind-the-scenes footage.
By the time Atreyu's 2002 debut full-length SUICIDE NOTES AND BUTTERFLY KISSES was released, they'd already built a devoted following in their native Orange County, California, with their polished yet punishing brand of metalcore. ...
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| | Hales, Daniel & The Frost Heaves Frost Heaves CD (2009)
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'Frost Heaves,' the debut of Daniel Hales & The Frost Heaves, travels all over the musical map, drawing on a wide range of styles: alternative/indy without the smug hipsterism, Americana without the self pity, psychedelic without the affected British accent, rock without the rawk, pop without the saccharine, folk without the new age, experimental without the elitism. Like a good mix tape, 'Frost Heaves' blends these (and other) genres without their limitations and cliches. As if the band raided pawn shops and bazaars from rural New England, to Tel Aviv, to Kenya, to ...
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